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Author: Maureen F. McHugh
Publisher: Small Beer Press
ISBN: 1618730053
Category : Fiction
Languages : en
Pages : 290
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Book Description
"Gorgeously crafted stories." —Nancy Pearl (Book Lust) on Morning Edition, "Books for a Rainy Day" "My favorite thing about her is the wry, uncanny tenderness of her stories. She has the astonishing ability to put her finger on the sweet spot right between comedy and tragedy, that pinpoint that makes you catch your breath. You're not sure whether to laugh out loud or cry, and you end up doing both at once." —Dan Chaon "When I first read China Mountain Zhang many years ago, Maureen McHugh instantly became, as she has remained, one of my favorite writers. This collection is a welcome reminder of her power—they are resonant, wise, generous, sharp, transporting, and deeply, deeply moving. McHugh is enormously gifted; each of these stories is a gift." —Karen Joy Fowler "Wonderfully unpredictable stories, from the very funny to the very grim, by one of our best and bravest imaginative writers." —Ursula K. Le Guin "Enchanting, funny and fierce by turns —a wonderful collection!" —Mary Doria Russell * Story Prize finalist. * A Book Sense Notable Book. In her luminous, long-awaited debut collection, award-winning novelist Maureen F. McHugh wryly and delicately examines the impacts of social and technological shifts on families. Using beautiful, deceptively simple prose, she illuminates the relationship between parents and children and the expected and unexpected chasms that open between generations. — A woman introduces her new lover to her late brother. — A teenager is interviewed about her peer group's attitudes toward sex and baby boomers. — A missing stepson sets a marriage on edge. — Anthropologists visiting an isolated outpost mission are threatened by nomadic raiders. McHugh's characters—her Alzheimers-afflicted parents or her smart and rebellious teenagers—are always recognizable: stubborn, human, and heartbreakingly real. This new trade paperback edition has added material for book clubs and reading groups, including an interview with the author, book club questions and suggestions, and a reprint of Maureen's fabulous essay, "The Evil Stepmother." Maureen F. McHugh has spent most of her life in Ohio, but has lived in New York City and, for a year, in Shijiazhuang, China. She is the author of four novels. Her first novel, China Mountain Zhang, won the Tiptree Award, and Nekropolis, was a Book Sense 76 pick and New York Times Editor's Choice.
Author: Maureen F. McHugh
Publisher: Small Beer Press
ISBN: 1618730053
Category : Fiction
Languages : en
Pages : 290
Get Book Here
Book Description
"Gorgeously crafted stories." —Nancy Pearl (Book Lust) on Morning Edition, "Books for a Rainy Day" "My favorite thing about her is the wry, uncanny tenderness of her stories. She has the astonishing ability to put her finger on the sweet spot right between comedy and tragedy, that pinpoint that makes you catch your breath. You're not sure whether to laugh out loud or cry, and you end up doing both at once." —Dan Chaon "When I first read China Mountain Zhang many years ago, Maureen McHugh instantly became, as she has remained, one of my favorite writers. This collection is a welcome reminder of her power—they are resonant, wise, generous, sharp, transporting, and deeply, deeply moving. McHugh is enormously gifted; each of these stories is a gift." —Karen Joy Fowler "Wonderfully unpredictable stories, from the very funny to the very grim, by one of our best and bravest imaginative writers." —Ursula K. Le Guin "Enchanting, funny and fierce by turns —a wonderful collection!" —Mary Doria Russell * Story Prize finalist. * A Book Sense Notable Book. In her luminous, long-awaited debut collection, award-winning novelist Maureen F. McHugh wryly and delicately examines the impacts of social and technological shifts on families. Using beautiful, deceptively simple prose, she illuminates the relationship between parents and children and the expected and unexpected chasms that open between generations. — A woman introduces her new lover to her late brother. — A teenager is interviewed about her peer group's attitudes toward sex and baby boomers. — A missing stepson sets a marriage on edge. — Anthropologists visiting an isolated outpost mission are threatened by nomadic raiders. McHugh's characters—her Alzheimers-afflicted parents or her smart and rebellious teenagers—are always recognizable: stubborn, human, and heartbreakingly real. This new trade paperback edition has added material for book clubs and reading groups, including an interview with the author, book club questions and suggestions, and a reprint of Maureen's fabulous essay, "The Evil Stepmother." Maureen F. McHugh has spent most of her life in Ohio, but has lived in New York City and, for a year, in Shijiazhuang, China. She is the author of four novels. Her first novel, China Mountain Zhang, won the Tiptree Award, and Nekropolis, was a Book Sense 76 pick and New York Times Editor's Choice.
Author: Maureen F. McHugh
Publisher: Small Beer Press
ISBN: 1931520194
Category : Fiction
Languages : en
Pages : 290
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Book Description
Now, in her long-awaited first short story collection, the author illuminates the mother-daughter relationship from angles that everyone in the family can relate to. Aging parents, wayward children, and nervous stepmothers are all brought to life with graceful restraint and delicacy.
Author: Laura Sjoberg
Publisher: Zed Books Ltd.
ISBN: 1848137370
Category : Political Science
Languages : en
Pages : 325
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Book Description
A woman did that? The general reaction to women's political violence is still one of shock and incomprehension. Mothers, Monsters, Whores provides an empirical study of women's violence in global politics. The book looks at military women who engage in torture; the Chechen 'Black Widows'; Middle Eastern suicide bombers; and the women who directed and participated in genocides in Bosnia and Rwanda. Sjoberg & Gentry analyse the biological, psychological and sexualized stereotypes through which these women are conventionally depicted, arguing that these are rooted in assumptions about what is 'appropriate' female behaviour. What these stereotypes have in common is that they all perceive women as having no agency in any sphere of life, from everyday choices to global political events. This book is a major feminist re-evaluation of women's motivations and actions as perpetrators of political violence.
Author: Kate Zambreno
Publisher: MIT Press
ISBN: 1584351969
Category : Biography & Autobiography
Languages : en
Pages : 217
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Book Description
A fragmented, lyrical essay on memory, identity, mourning, and the mother. Writing is how I attempt to repair myself, stitching back former selves, sentences. When I am brave enough I am never brave enough I unravel the tapestry of my life, my childhood. —from Book of Mutter Composed over thirteen years, Kate Zambreno's Book of Mutter is a tender and disquieting meditation on the ability of writing, photography, and memory to embrace shadows while in the throes—and dead calm—of grief. Book of Mutter is both primal and sculpted, shaped by the author's searching, indexical impulse to inventory family apocrypha in the wake of her mother's death. The text spirals out into a fractured anatomy of melancholy that includes critical reflections on the likes of Roland Barthes, Louise Bourgeois, Henry Darger, Theresa Hak Kyung Cha, Peter Handke, and others. Zambreno has modeled the book's formless form on Bourgeois's Cells sculptures—at once channeling the volatility of autobiography, pain, and childhood, yet hemmed by a solemn sense of entering ritualistic or sacred space. Neither memoir, essay, nor poetry, Book of Mutter is an uncategorizable text that draws upon a repertoire of genres to write into and against silence. It is a haunted text, an accumulative archive of myth and memory that seeks its own undoing, driven by crossed desires to resurrect and exorcise the past. Zambreno weaves a complex web of associations, relics, and references, elevating the prosaic scrapbook into a strange and intimate postmortem/postmodern theater.
Author: June Thomson
Publisher: HarperElement
ISBN: 9780007438518
Category : Family & Relationships
Languages : en
Pages : 0
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Book Description
June Thomson and Giselle Ross are inextricably linked by two unspeakable acts of evil. On the same day, a few miles apart, their estranged husbands slaughtered their children. The murders were not driven by rage, or committed in moments of madness. They were planned, and carried out with chilling precision, to inflict the worst pain imaginable. June and Giselle did not know each other. Tragedy is all that binds them; they were destined to come together as 'sisters', united by pain, grief and a sense of loss so immense that it would drive both to the brink of madness. June's life with Rab Thomson had been a dark and turbulent existence, characterised by mental torture, physical violence and rape. Giselle's relationship with Ashok Kalyanjee had been a strange and distant affair, of lives spent apart before, during and after marriage. But both relationships had produced two beautiful children, and the women believed that their misery was in the past. Both mothers believed it was important to allow the fathers' access to their children. On that fateful Saturday in May 2008, neither could have conceived that the men they had once loved would do anything to harm their children. But they were wrong, so terribly wrong. Nothing can bring their children back. But June and Giselle have one solitary comfort: they are no longer alone. Their lives may have been torn apart, but they have each other. Together, they are stronger. This is the story of their parallel journeys: of the dreadful days before, during, and after the murders of their children. Told in their own words, with searing honesty of their pain, and guilt, it is a story of endurance, friendship, and survival against the odds. It is not a story for the faint hearted, but it is a story that must be told, for in the end, it is a testament to the human spirit.
Author: Jess Zimmerman
Publisher: Beacon Press
ISBN: 0807054933
Category : Social Science
Languages : en
Pages : 226
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Book Description
A fresh cultural analysis of female monsters from Greek mythology, and an invitation for all women to reclaim these stories as inspiration for a more wild, more “monstrous” version of feminism The folklore that has shaped our dominant culture teems with frightening female creatures. In our language, in our stories (many written by men), we underline the idea that women who step out of bounds—who are angry or greedy or ambitious, who are overtly sexual or not sexy enough—aren’t just outside the norm. They’re unnatural. Monstrous. But maybe, the traits we’ve been told make us dangerous and undesirable are actually our greatest strengths. Through fresh analysis of 11 female monsters, including Medusa, the Harpies, the Furies, and the Sphinx, Jess Zimmerman takes us on an illuminating feminist journey through mythology. She guides women (and others) to reexamine their relationships with traits like hunger, anger, ugliness, and ambition, teaching readers to embrace a new image of the female hero: one that looks a lot like a monster, with the agency and power to match. Often, women try to avoid the feeling of monstrousness, of being grotesquely alien, by tamping down those qualities that we’re told fall outside the bounds of natural femininity. But monsters also get to do what other female characters—damsels, love interests, and even most heroines—do not. Monsters get to be complete, unrestrained, and larger than life. Today, women are becoming increasingly aware of the ways rules and socially constructed expectations have diminished us. After seeing where compliance gets us—harassed, shut out, and ruled by predators—women have never been more ready to become repellent, fearsome, and ravenous.
Author: Helen Phillips
Publisher: Simon and Schuster
ISBN: 1982113189
Category : Fiction
Languages : en
Pages : 272
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Book Description
***LONGLISTED FOR THE NATIONAL BOOK AWARD IN FICTION*** Named one of Time Magazine’s 100 Best Mystery and Thriller Books of All Time “An extraordinary and dazzlingly original work from one of our most gifted and interesting writers” (Emily St. John Mandel, author of The Glass Hotel). The Need, which finds a mother of two young children grappling with the dualities of motherhood after confronting a masked intruder in her home, is “like nothing you’ve ever read before…in a good way” (People). When Molly, home alone with her two young children, hears footsteps in the living room, she tries to convince herself it’s the sleep deprivation. She’s been hearing things these days. Startling at loud noises. Imagining the worst-case scenario. It’s what mothers do, she knows. But then the footsteps come again, and she catches a glimpse of movement. Suddenly Molly finds herself face-to-face with an intruder who knows far too much about her and her family. As she attempts to protect those she loves most, Molly must also acknowledge her own frailty. Molly slips down an existential rabbit hole where she must confront the dualities of motherhood: the ecstasy and the dread; the languor and the ferocity; the banality and the transcendence as the book hurtles toward a mind-bending conclusion. In The Need, Helen Phillips has created a subversive, speculative thriller that comes to life through blazing, arresting prose and gorgeous, haunting imagery. “Brilliant” (Entertainment Weekly), “grotesque and lovely” (The New York Times Book Review, Editor’s Choice), and “wildly captivating” (O, The Oprah Magazine), The Need is a glorious celebration of the bizarre and beautiful nature of our everyday lives and “showcases an extraordinary writer at her electrifying best” (Publishers Weekly, starred review).
Author: Lara Ehrlich
Publisher: Red Hen Press
ISBN: 1597098833
Category : Fiction
Languages : en
Pages : 137
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Book Description
In this award-winning debut collection, fifteen magical realism stories portray girls and women searching for an escape from their everyday lives. “In villages where women bore most of the weight of a constricted life, witches flew by night on broomsticks,” said Italo Calvino of the way imagination bridges the gap between everyday existence and an idealized alternative . . . The fifteen stories of Animal Wife are unified by girls and women who cross this threshold seeking liberation from family responsibilities, from societal expectations, from their own minds. A girl born with feathers undertakes a quest for the mother who abandoned her. An indecisive woman drinks Foresight, only to become stymied by the futures branching before her. A proofreader cultivates a cage-fighting alter ego. A woman becomes psychologically trapped in her car. A girl acts on her desire for a childhood friend as a monster draws closer to the shore. A widow invites a bear to hibernate in her den . . . Animal Wife was selected as the winner of the Red Hen Fiction Award by New York Times– bestselling author Ann Hood, who says, “From the first sentence Animal Wife grabbed me and never let go. Sensual and intelligent, with gorgeous prose, it made me dizzy with its exploration and illumination of the inner and outer lives of girls and women.” Praise for Animal Wife “Whimsy and fantasy meet the way things really turn out in stories from a strong new voice.” —Kirkus Reviews “Strange, funny, fearsome, Animal Wife is a gorgeous book, weird in its very bones.” —Elizabeth McCracken, author of Bowlaway: A Novel “Lara Ehrlich has written a collection of stories that allow for escapism.” —F(r)iction “I was particularly intrigued by the way Lara beautifully portrays the inner struggle between wildness and domesticity, the surreal elements of each story lending a mythical complexity to these conflicts. Really lovely and thought-provoking. Perfect for fans of Aimee Bender, Karen Russell, and Angela Carter.” —Joy Baglio, founder of Pioneer Valley Writer’s Workshop
Author: Rose Andersen
Publisher: Bloomsbury Publishing USA
ISBN: 163557515X
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
"Impossible to put down. It haunts me still.” -Alex Marzano-Lesnevich, author of The Fact of a Body: A Murder and a Memoir A riveting, deeply personal exploration of the opioid crisis-an empathic memoir infused with hints of true crime. In November 2013, Rose Andersen's younger sister Sarah died of an overdose in the bathroom of her boyfriend's home in a small town with one of the highest rates of opioid use in the state. Like too many of her generation, she had become addicted to heroin. Sarah was 24 years old. To imagine her way into Sarah's life, Rose revisits their volatile childhood, marked by their stepfather's omnipresent rage and their father's pathological lying. As the dysfunction comes into focus, so does a broader picture of the opioid crisis and the drug rehabilitation industry in small towns across America. And when Rose learns from the coroner that Sarah's cause of death was a methamphetamine overdose, the story takes a wildly unexpected turn. As Andersen sifts through her sister's last days, we come to recognize the contours of grief and its aftermath: the psychic shattering which can turn to anger, the pursuit of an ever-elusive verdict, and the intensely personal rites of imagination and art needed to actually move on. Reminiscent of Alex Marzano-Lesnevich's The Fact of a Body, Maggie Nelson's Jane: A Murder, and Lacy M. Johnson's The Other Side, Andersen's debut is a potent, profoundly original journey into and out of loss.
Author: Andrea O'Reilly
Publisher: Demeter Press
ISBN: 1772583472
Category : Social Science
Languages : en
Pages : 257
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Book Description
Motherhood is one of those roles that assumes an almost-outsized cultural importance in the significance we force it to bear. It becomes both the source of and the repository for all kinds of cultural fears. Its ubiquity perhaps makes it this perfect foil. After all, while not everyone will become a mother, everyone has a mother. When we force motherhood to bear the terrors of what it means to be human, we inflict trauma upon those who mother. A long tradition of bad mothers thus shapes contemporary mothering practices (and the way we view them), including the murderous Medea of Greek mythology, the power-hungry Queen Gertrude of Hamlet, and the emasculating mother of Freud's theories. Certainly, there are mother who cause harm, inflict abuse, act monstrously. Mothers are human. But mothers are also a favourite and easy scapegoat. The contributors to this collection explore a multitude of interdisciplinary representations of mothers that, through their very depictions of bad mothering, challenge the tropes of monstrous mothering that we lean on, revealing in the process why we turn to them. Chapters in Monstrous Mothers: Troubling Tropes explore literary, cinematic, and real-life monstrous mothers, seeking to uncover social sources and results of these monstrosities.
