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Author: John E. Bowlt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 412
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Book Description
Author: John E. Bowlt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 412
Get Book Here
Book Description
Author: John E. Bowlt
Publisher:
ISBN: 9780500295649
Category : Art
Languages : en
Pages : 0
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Book Description
This book focuses on the visual and material culture of St Petersburg and Moscow at the turn of the 19th and 20th centuries. The twilight of Imperial Russia witnessed a sudden renaissance that left a profound imprint on the visual, literary and performing arts: here was a Silver Age as luminous perhaps as the Golden Age of Russian literature many decades before. Advancing in roughly chronological sequence, Moscow and St Petersburg in Russia's Silver Age highlights the essential social and political developments of this turbulent era, which painting, poetry, music and dance both reflected and affected. A dazzling array of artists, writers, composers, actors, singers, dancers and designers are presented in context, including Tolstoy, Pasternak, Gorky, Akhmatova, Rimsky-Korsakov, Rachmaninov, Nijinsky, Scriabin, Karsavina, Meyerhold, Chaliapin, Stanislavsky, Diaghilev, Roerich, Repin, Serov, Somov, Vrubel, Bakst, Kandinsky, Malevich, Mayakovsky and many more. The book carries a rich repertoire of artistic images and vintage documentary photographs, many of which have not been published before. With a clear narrative and comprehensive bibliography, this volume will appeal both to the specialist and to the general student of Russian history and culture.
Author: Museum Kunst Palast (Düsseldorf, Germany)
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 342
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Book Description
The rich tradition of French painting was an important influence on Russian art from the mid-nineteenth century to the 1920s, a period that saw the rise of many of the most important movements in modern art. A magnificent visual record of an unprecedented event, this book, the catalogue of an ambitious exhibition of master paintings from the four greatest museums of Russia, examines the interaction of these two great cultures. Drawing on the collections of the State Russian Museum and the Pushkin Museum in Moscow and the Tretyakov Gallery and the State Hermitage Museum in St. Petersburg, the book presents outstanding examples of Salon painting, Impressionism, Fauvism, and Cubism in France, and related movements in Russia, among them The Wanderers, Constructivism, and Suprematism. Paintings by Renoir, Cezanne, Van Gogh, Gauguin, and Matisse are reproduced, along with works by Kandinsky, Tatlin, and Malevich. Key episodes in the story of this fascinating exchange include the vital role played by the great Russian collectors Ivan Morosov and Sergei Shchukin, whose preeminent collections of French art were an inspiration to the Russian avant-garde; the ballet impresario Sergei Diaghilev's promotion of Russian art in France in 1906; and Henri Matisse's visit to Russia in 1911.
Author: Victoria E. Bonnell
Publisher: Univ of California Press
ISBN: 0520322649
Category : Business & Economics
Languages : en
Pages : 594
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983.
Author: Douglas Smith
Publisher: Farrar, Straus and Giroux
ISBN: 1466827750
Category : Social Science
Languages : en
Pages : 763
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Book Description
Epic in scope, precise in detail, and heart-breaking in its human drama, Former People is the first book to recount the history of the aristocracy caught up in the maelstrom of the Bolshevik Revolution and the creation of Stalin's Russia. Filled with chilling tales of looted palaces and burning estates, of desperate flights in the night from marauding peasants and Red Army soldiers, of imprisonment, exile, and execution, it is the story of how a centuries'-old elite, famous for its glittering wealth, its service to the Tsar and Empire, and its promotion of the arts and culture, was dispossessed and destroyed along with the rest of old Russia. Yet Former People is also a story of survival and accommodation, of how many of the tsarist ruling class—so-called "former people" and "class enemies"—overcame the psychological wounds inflicted by the loss of their world and decades of repression as they struggled to find a place for themselves and their families in the new, hostile order of the Soviet Union. Chronicling the fate of two great aristocratic families—the Sheremetevs and the Golitsyns—it reveals how even in the darkest depths of the terror, daily life went on. Told with sensitivity and nuance by acclaimed historian Douglas Smith, Former People is the dramatic portrait of two of Russia's most powerful aristocratic families, and a sweeping account of their homeland in violent transition.
Author: Colleen McQuillen
Publisher: University of Wisconsin Pres
ISBN: 029929613X
Category : History
Languages : en
Pages : 299
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Book Description
Masked and costume balls thrived in Russia in the late nineteenth and early twentieth centuries during a period of rich literary and theatrical experimentation. The first study of its kind, The Modernist Masquerade examines the cultural history of masquerades in Russia and their representations in influential literary works. The masquerade's widespread appearance as a literary motif in works by such writers as Anna Akhmatova, Leonid Andreev, Andrei Bely, Aleksandr Blok, and Fyodor Sologub mirrored its popularity as a leisure-time activity and illuminated its integral role in the Russian modernist creative consciousness. Colleen McQuillen charts how the political, cultural, and personal significance of lavish costumes and other forms of self-stylizing evolved in Russia over time. She shows how their representations in literature engaged in dialog with the diverse aesthetic trends of Decadence, Symbolism, and Futurism and with the era's artistic philosophies.
Author: Catherine Cooke
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 148
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Book Description
Author: Olga Matich
Publisher: University of Wisconsin Press
ISBN: 9780299236045
Category : History
Languages : en
Pages : 0
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Book Description
Since its founding three hundred years ago, the city of Saint Petersburg has captured the imaginations of the most celebrated Russian writers, whose characters map the city by navigating its streets from the aristocratic center to the gritty outskirts. While Tsar Peter the Great planned the streetscapes of Russia’s northern capital as a contrast to the muddy and crooked streets of Moscow, Andrei Bely’s novel Petersburg (1916), a cornerstone of Russian modernism and the culmination of the “Petersburg myth” in Russian culture, takes issue with the city’s premeditated and supposedly rational character in the early twentieth century. “Petersburg”/Petersburg studies the book and the city against and through each other. It begins with new readings of the novel—as a detective story inspired by bomb-throwing terrorists, as a representation of the aversive emotion of disgust, and as a painterly avant-garde text—stressing the novel’s phantasmagoric and apocalyptic vision of the city. Taking a cue from Petersburg’s narrator, the rest of this volume (and the companion Web site, stpetersburg.berkeley.edu/) explores the city from vantage points that have not been considered before—from its streetcars and iconic art-nouveau office buildings to the slaughterhouse on the city fringes. From poetry and terrorist memoirs, photographs and artwork, maps and guidebooks of that period, the city emerges as a living organism, a dreamworld in flux, and a junction of modernity and modernism.
Author: Mikhail V. Khodjakov
Publisher: Cambridge Scholars Publishing
ISBN: 1443871478
Category : History
Languages : en
Pages : 265
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Book Description
During the Russian Revolution and the ensuing Civil War, more than twenty thousand kinds of banknotes were used throughout the vast expanse of the former Russian Empire. At that time, money was issued not only by the official authorities, such as the Imperial Government, the Provisional Government, and, later, the Bolshevik Government, but also by Generals Denikin, Wrangel, and Yudenich, Admiral Kolchak, Atamans Semyonov and Petliura, Hetman Skoropadskyi, and many other great and small rulers of Russia. Russian money was manufactured in Great Britain, Germany, Sweden, and the United States. To some degree, money served as a manifesto of the issuing government, reflected in the various symbols depicted on the banknotes. Using new archival data, this book expands and, in a number of cases, revises the well-established view of the daily life of people during the Revolution, and dispels the settled myth about how the natural economy prevailed in the years of the Russian Civil War. The book presents unique illustrations taken from the author’s private collection: the “Romanov” banknotes; postage stamps used as currency; “Duma” money; and 1917 banknotes known as “kerenkies”, “morzhovkies”, “tchaikovkies”, “Northern rubles”, “krylatkies”, “rodzyankies”, “the Don rubles”, and “kolchakovkies”. Some of these banknote designs were made by well-known Russian artists, such as Ivan Bilibin, Sergey Chekhonin, and Georgy Narbut. The book is addressed to historians, economists, and all readers interested in Russian history and economy.
Author: Ilia Dorontchenkov
Publisher: Univ of California Press
ISBN: 0520253728
Category : Art
Languages : en
Pages : 364
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Book Description
From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.
