Moral and Social Preoccupations in Early Eighteenth-century French Comedy PDF Download
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Author: James S. Munro
Publisher:
ISBN:
Category : French drama (Comedy)
Languages : en
Pages : 24
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Book Description
Author: James S. Munro
Publisher:
ISBN:
Category : French drama (Comedy)
Languages : en
Pages : 24
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Book Description
Author:
Publisher: BRILL
ISBN: 9004653015
Category :
Languages : en
Pages : 190
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Book Description
Author: Geoffrey Brereton
Publisher: Routledge
ISBN: 100057900X
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
In tracing the course of French comedy from the Renaissance, through the age of Louis XIV and the eighteenth century, to the eve of the Revolution, originally published in 1977, Geoffrey Brereton shows how it evolved from the crude farces and experimental plays of the sixteenth century to become a rich and highly sophisticated dramatic genre. The main emphasis is on the work of the principal dramatists, notably Molière (whose plays and career are given a detailed and enlightening treatment), Corneille, Scarron, Marivaux and Beaumarchais, with some space devoted to the more neglected writers, such as the ‘cynical generation’ of Dancourt, Regnard, Lesage and others; and all the plays are seen in the context of the theatrical conventions that helped to shape them. Different types of comedy are analysed, including comedy of character and of manners, as well as the romantic, burlesque and bourgeois forms and the development of the opéra-comique. At the same time Dr Brereton examines the influences on French comedy – influences as varied as those of the farce, the Italian commedia dell’arte, the Spanish comedia and the eighteenth century drame – and the way in which these were absorbed and exploited by French comic dramatists. Since comedy, more than any other kind of drama, reflects the contemporary social scene, attention is drawn to social conditions and attitudes, and some of the more striking parallels with modern social preoccupations are pointed out. Written in a very lively and readable style, and containing much stimulating and original comment, as well as providing the basic facts, it gives a considerable insight into the nature of French comedy during its most formative and fruitful period. A substantial bibliography and other reference material increase the usefulness of this book to the student of French drama.
Author: James E. Evans
Publisher: Scarecrow Press
ISBN: 9780810819870
Category : Drama
Languages : en
Pages : 430
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Book Description
No descriptive material is available for this title.
Author: Theodore Besterman
Publisher:
ISBN:
Category : Eighteenth century
Languages : en
Pages : 496
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Book Description
Author: Martin Smith
Publisher:
ISBN:
Category : History
Languages : en
Pages : 464
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Book Description
The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.
Author:
Publisher:
ISBN:
Category : Eighteenth century
Languages : en
Pages : 374
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Book Description
Author: Lucile Parkinson
Publisher:
ISBN:
Category : French drama (Comedy)
Languages : en
Pages : 128
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Book Description
Author: Samuel S. B. Taylor
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 104
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Book Description
Author: Dr Aparna Gollapudi
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478793
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
In the first half of the eighteenth century, a new comic plot formula dramatizing the moral reform of a flawed protagonist emerged on the English stage. The comic reform plot was not merely a generic turn towards morality or sentimentality, Aparna Gollapudi argues, but an important social mechanism for controlling and challenging political and economic changes. Gollapudi looks at reform comedies by dramatists such as Colley Cibber, Susanna Centlivre, Richard Steele, Charles Johnson, and Benjamin Hoadly in relation to emergent trends in finance capitalism, imperial nationalism, political factionalism, domestic ideology, and middling class-consciousness. Within the context of the cultural anxieties engendered by these developments, Gollapudi suggests, the reform comedies must be seen not as clichéd and moralistic productions but as responses to vital ideological shifts and cultural transvaluations that impose a reassuring moral schema on everyday conduct. Thoroughly researched and elegantly written, Gollapudi's study shows that reform comedies covered a range of contemporary concerns from party politics to domestic harmony and are crucial for understanding eighteenth-century literature and culture.
