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Author: 181 and 182 Canada. Parliament. Special Joint Committee on Public Service Bills 170
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: 181 and 182 Canada. Parliament. Special Joint Committee on Public Service Bills 170
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Carl Boggs
Publisher: Rowman & Littlefield Publishers
ISBN: 1461636442
Category : Political Science
Languages : en
Pages : 331
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Book Description
A World in Chaos: Social Crisis and the Rise of Postmodern Cinema traces the evolution of postmodern cinema through its multiple and overlapping expressions. Through an analysis of films such as American Beauty, Blade Runner, Natural Born Killers, and Thelma and Loiuse, Carl Boggs and Thomas Pollard explore the historical and theoretical shift from the long era of modernity to an emergent postmodernity and examine its intersection with film culture. Unlike most works on media studies, Boggs and Pollard bring together elements of sociology, history, economics, literature, communications, and pop culture to fully explore the complex developmental interaction between film and society. The resulting work illuminates the different, often conflicted and contradictory, currents at work in the film industry that long ago departed from the ritualized practices of the classical studio system. Engagingly and clearly written, A World in Chaos is perfect for film and pop culture enthusiasts as well as everyone interested in the role of film in American society.
Author: William H. Phillips
Publisher: Macmillan
ISBN: 0312487258
Category : Language Arts & Disciplines
Languages : en
Pages : 780
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Book Description
This clear, well illustrated text takes the reader through the basics of film analysis, drawing on a wide range of film for discussion. Questions of genre and the contexts and meanings of film are considered.
Author: Michael Betancourt
Publisher: CRC Press
ISBN: 1317359151
Category : Art
Languages : en
Pages : 183
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Book Description
Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion, and Space offers an extended discussion of the morphology and structure of compositing, graphic juxtapositions, and montage employed in motion pictures. Drawing from the history of avant-garde and commercial cinema, as well as studio-based research, here media artist and theorist Michael Betancourt critiques cinematic realism and spatial montage in motion pictures. This new taxonomic framework for conceptualizing linkages between media art and narrative cinema opens new areas of experimentation for today’s film editors, motion designers, and other media artists.
Author: Robert C. Cumbow
Publisher: Scarecrow Press
ISBN: 1461731712
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
Sergio Leone's renown as a filmmaker rests upon a fistful of films, most notably the three Westerns he made with Clint Eastwood in the mid-1960s: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). While the success of these movies ensured Leone's reputation would endure, the few films he made following The Man with No Name Trilogy—culminating in his American gangster epic, Once Upon a Time in America (1984) with Robert DeNiro—would solidify Leone's place as one of the great visionaries of his time. In this enhanced revision of Once upon a Time: The Films of Sergio Leone, Robert C. Cumbow examines the work of this Italian filmmaker who made his mark re-envisioning the American Western. This volume includes a greatly expanded introduction and contains newly revised essays in which Cumbow analyzes the transition from "peplum" films to westerns in the Italian popular tradition. The book also examines each of Leone's major films as director, as well as the swan song Italian Western My Name Is Nobody, which Leone co-wrote and guided as producer. Cumbow also studies Leone's compositional style and the influence of Catholicism and the Italian grand opera tradition on his work. He provides a critical evaluation of Leone's style in reshaping the Western genre (and later, the crime film), as well an assessment of the influences on Leone's work, and his continuing impact on subsequent generations of film makers. Additional features of this book include thumbnail comments on the professionals who most frequently made up Leone's cast and crew, as well as an entire chapter devoted to composer Ennio Morricone. The book also includes an exhaustive bibliography, discography, and filmography, completely updated for this new edition. For fans and scholars seeking original and illuminating discussion of his work, The Films of Sergio Leone provides a critical appreciation of this master stylist.
Author: Randy Pausch
Publisher:
ISBN: 9780340978504
Category : Cancer
Languages : en
Pages : 0
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Book Description
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
Author: Ali Katz
Publisher: Simon and Schuster
ISBN: 1510738657
Category : Family & Relationships
Languages : en
Pages : 209
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Book Description
From the political climate to natural disasters, to managing the stress and overwhelm of everyday life, women have more to deal with than ever. Life feels overwhelming and exhausting much of the time. The third in her Hot Mess to Mindful Mom series, One Minute to Zen will provide numerous tools to help deal with stress in one minute, the same amount of time it can take for all hell to break loose! When teaching moms across the country, while giving talks to corporations, and across Ali’s thriving social media channels, people are asking for more tools to use quickly and effectively to help recover from the stress they face in daily life. In One Minute to Zen, Ali has compiled a list of tools that make it possible to recalibrate, achieve balance, and recover from stress quickly and with ease, in order to live a more mindful and joyful life. Known for her authenticity and relatability, Ali shares personal stories and anecdotes to help connect her audience and show how to really put her suggestions to use. The goal is to put these tools into the hands of every mother who needs them (we all do!) and also teach them how to pass them on to their children, thus creating in each family a chain reaction of calm and confidence when faced with challenges big and small.
Author: United States Information Agency
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 432
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Book Description
Author: Jessica Pressman
Publisher: University of Iowa Press
ISBN: 1609383451
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
"A collaborative critical analysis of a work of digital literature, this book models how scholars can and need to weave together multiple methodologies from the digital humanities in order to effectively analyze born-digital electronic literature"--
Author: D. N. Rodowick
Publisher: Harvard University Press
ISBN: 0674266773
Category : Performing Arts
Languages : en
Pages : 214
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Book Description
As almost (or, truly, virtually) every aspect of making and viewing movies is replaced by digital technologies, even the notion of “watching a film” is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media competing for an audience, what will happen to cinema—and to cinema studies? In the first of two books exploring this question, D. N. Rodowick considers the fate of film and its role in the aesthetics and culture of moviemaking and viewing in the twenty-first century. Here Rodowick proposes and examines three different critical responses to the disappearance of film in relation to other time-based media, and to the study of contemporary visual culture. Film, he suggests, occupies a special place in the genealogy of the arts of the virtual: while film disappears, cinema persists—at least in the narrative forms imagined by Hollywood since 1915. Rodowick also observes that most so-called “new media” are fashioned upon a cinematic metaphor. His book helps us see how digital technologies are serving, like television and video before them, to perpetuate the cinematic as the mature audiovisual culture of the twentieth century—and, at the same time, how they are preparing the emergence of a new audiovisual culture whose broad outlines we are only just beginning to distinguish.
