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Author: Jean-Pierre Isbouts (Ed )
Publisher: Fielding University Press
ISBN: 9780986393037
Category :
Languages : en
Pages : 182
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Book Description
Art historians have long debated the question why sources about the origin of the Mona Lisa portrait provide conflicting information. This monograph presents a solution for this quandary: these 16th century sources don't agree because they are not talking about the same painting. If we consider this possibility, that Leonardo painted not one, but two versions of the Mona Lisa, then all of these problems begin to resolve themselves. In fact, throughout his life Leonardo would often return to a motif or composition for a variety of reasons. Thus we have at least two versions of The Virgin of the Rocks, painted by Leonardo with the De Predis brothers in Milan, and two versions of the Madonna of the Yarnwinder, painted by Leonardo with his assistants in Florence. In other words, the proposition that Leonardo may have painted not one, but two versions of the Mona Lisa is by no means far-fetched. Nonetheless, it also raises an important question. If Leonardo did paint an earlier version in addition to the Louvre Mona Lisa, where is this portrait today? And how can we determine whether this painting is indeed an autograph, rather than one of the many Mona Lisa versions and copies that are still extant today?The answers to these questions are provided in this book, based on contributions by scholars from around the world. They include Prof. John Asmus of the University of California at San Diego; Prof. Vadim Parfenov at the State Electrotechnical University in St. Petersburg, Russia; Prof. Átila Soares da Costa Filho of the Universidade Cândido Mendes in Rio de Janeiro, Brazil; Prof. Jason Halter of the University of Michigan; and Prof. Robert Meyrick of Aberystwyth University. In addition, this monograph includes contributions by noted art critic Gérard Boudin de l'Arche and two prominent artists, Albert Sauteur and Joe Mullins. The book is edited by Prof. Jean-Pierre Isbouts of Fielding Graduate University at Santa Barbara, CA. His previous publications on Leonardo da Vinci include The Mona Lisa Myth; Young Leonardo: The Evolution of a Revolutionary Artist; and The Da Vinci Legacy, co-authored with Dr. Christopher Brown.
Author: Jean-Pierre Isbouts (Ed )
Publisher: Fielding University Press
ISBN: 9780986393037
Category :
Languages : en
Pages : 182
Get Book Here
Book Description
Art historians have long debated the question why sources about the origin of the Mona Lisa portrait provide conflicting information. This monograph presents a solution for this quandary: these 16th century sources don't agree because they are not talking about the same painting. If we consider this possibility, that Leonardo painted not one, but two versions of the Mona Lisa, then all of these problems begin to resolve themselves. In fact, throughout his life Leonardo would often return to a motif or composition for a variety of reasons. Thus we have at least two versions of The Virgin of the Rocks, painted by Leonardo with the De Predis brothers in Milan, and two versions of the Madonna of the Yarnwinder, painted by Leonardo with his assistants in Florence. In other words, the proposition that Leonardo may have painted not one, but two versions of the Mona Lisa is by no means far-fetched. Nonetheless, it also raises an important question. If Leonardo did paint an earlier version in addition to the Louvre Mona Lisa, where is this portrait today? And how can we determine whether this painting is indeed an autograph, rather than one of the many Mona Lisa versions and copies that are still extant today?The answers to these questions are provided in this book, based on contributions by scholars from around the world. They include Prof. John Asmus of the University of California at San Diego; Prof. Vadim Parfenov at the State Electrotechnical University in St. Petersburg, Russia; Prof. Átila Soares da Costa Filho of the Universidade Cândido Mendes in Rio de Janeiro, Brazil; Prof. Jason Halter of the University of Michigan; and Prof. Robert Meyrick of Aberystwyth University. In addition, this monograph includes contributions by noted art critic Gérard Boudin de l'Arche and two prominent artists, Albert Sauteur and Joe Mullins. The book is edited by Prof. Jean-Pierre Isbouts of Fielding Graduate University at Santa Barbara, CA. His previous publications on Leonardo da Vinci include The Mona Lisa Myth; Young Leonardo: The Evolution of a Revolutionary Artist; and The Da Vinci Legacy, co-authored with Dr. Christopher Brown.
Author: John R. Eyre
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
Author:
Publisher: The Mona Lisa Foundation
ISBN: 3033031447
Category :
Languages : en
Pages : 319
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Book Description
"Learn about the incredible saga of Leonardos Earlier Mona Lisa with this beautifully detailed, 240 page book that includes the historical background, scientific testing, forensic expertise and cutting-edge research in art authentication. It took 500 years to make the paintings story public when you read the book, you will understand why."-- Publisher's description.
Author: Erik Maell
Publisher: Goff Books
ISBN: 9781939621269
Category : Art
Languages : en
Pages : 240
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Book Description
Over eight million people from all over the world flock to the Louvre every year for the opportunity to gaze upon Leonardo da Vinci's beguiling Renaissance masterpiece, "La Gioconda", more popularly known as "Mona Lisa". What is it about this iconic portrait that continues to mesmerize century after century? For centuries civilizations have exhaustively attempted to examine all facets of the famous artwork's creation, influence, mythology, heritage, and mystique. But perhaps one of the most fascinating aspects of Mona Lisa's enduring legacy is the frequency with which this painting has been reinterpreted, parodied, appropriated, and imitated by other artists. No other painting in history has been reproduced as often as Mona Lisa, and yet there has never before been published a comprehensive collection of Mona Lisa recreations. This oversight has finally been remedied with "MONA LISA REIMAGINED", a lavishly illustrated and captivating anthology of hundreds of pieces of art that have been inspired by this priceless world treasure. Featuring both established and emerging artists from over fifty different countries, this book is destined to become an essential addition to any bookshelf, coffee table, or library.
Author: Giovanni Carlo Federico Villa
Publisher: Silvana Editoriale
ISBN: 9788836621446
Category : Art
Languages : en
Pages : 0
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Book Description
More iconic images accrue to the name of Leonardo da Vinci than to any other artist. The "Mona Lisa" stands as a sort of primary visual signifier for "Art" itself, just as his drawing of Vitruvian Man stands as a primary visual signifier for "Man." This new da Vinci monograph presents this ultimate Renaissance man's complete corpus, from the most renowned oil paintings such as "Lady with an Ermine," "Virgin of the Rocks" and "Mona Lisa" to frescoes such as "The Last Supper" in Santa Maria delle Grazie Church and the ceiling frescoes of the Sala delle Asse in Castello Sforzesco in Milan. All works are reproduced in full-color plates, many of them augmented with detail plates that reveal the extraordinary care lavished by the artist upon his canvases. Also included are da Vinci's preparatory drawings and cartoons; works no longer extant, such as "The Battle of Anghiari," are enumerated as part of the da Vinci corpus. Affordably priced and superbly produced, this volume offers a basic da Vinci monograph for all. Leonardo da Vinci (1452-1519) was born in Florence and studied with the renowned painter Verrocchio, qualifying as a "master" at the age of 20 in 1472. After his apprenticeship he worked for Ludovico il Moro, later moving to Rome, Bologna and Venice before settling in France, where his final three years were spent in the service of François I.
Author: Sigmund Freud
Publisher: Routledge
ISBN: 1317914546
Category : Psychology
Languages : en
Pages : 126
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Book Description
Sigmund Freud was already internationally acclaimed as the principal founder of psychoanalysis when he turned his attention to the life of Leonardo da Vinci. It remained Freud’s favourite composition. Compressing many of his insights into a few pages, the result is a fascinating picture of some of Freud’s fundamental ideas, including human sexuality, dreams, and repression. It is an equally compelling – and controversial – portrait of Leonardo and the creative forces that according to Freud lie behind some of his great works, including the Mona Lisa. With a new foreword by Maria Walsh.
Author: Pietro C. Marani
Publisher: Harry N. Abrams
ISBN: 9781419740671
Category : Art
Languages : en
Pages : 0
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Book Description
Offers a portrait of the artist, covering his life, creative process, and his art, presented in more than 295 illustrations that span the length and breadth of his career.
Author: Stefano Zuffi
Publisher: Harry N. Abrams
ISBN: 9781419740619
Category : Art
Languages : en
Pages : 0
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Book Description
Leonardo da Vinci is the archetypal universal man, a multi-talented genius who left an indelible mark on all the realms of art and knowledge he ventured into: painting, drawing and architecture, natural science, anatomy, mathematics, engineering and astronomy. His genius as a painter was reinforced by an analytical understanding of not only the human body but also nature and the physical laws of light. On the five-hundredth anniversary of Leonardo's death in 1519, this book celebrates the artist by highlighting thirty masterpieces, including the 'Annunciation', the 'Baptism of Christ', the 'Lady with an Ermine', the 'Mona Lisa', the 'Virgin of the Rocks' and the 'Last Supper', as well as a selection of his finest drawings. Accompanied by clear, concise commentary and arranged according to theme, enlargements of significant details from these works guide the reader in discovering this greatest exponent of Renaissance humanism.
Author: Jean-Pierre Isbouts
Publisher: Apollo Publishers
ISBN: 1948062356
Category : Art
Languages : en
Pages : 279
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Book Description
For the 500th anniversary of Leonardo da Vinci’s death comes an immersive journey through five centuries of history to define the Leonardo mystique and uncover how the elusive Renaissance artist became a global pop icon. Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark. But how did Leonardo, a painter of very few works who died in obscurity in France, become the internationally renowned icon he is today, with the Mona Lisa and the Last Supper the most visited artworks in the world, attracting nearly a billion visitors each year, and Salvator Mundi selling as the most expensive artwork of all time, for nearly half a billion dollars? This extraordinary volume, lavishly illustrated with 130 color images, is the first book to unravel these mysteries by diving deep into the art, literature, science, and politics of Europe from the Renaissance through today. It gives illuminating context to both Leonardo and his accomplishments; explores why Leonardo’s fame vastly overshadowed that of his contemporaries and disciples; and ultimately reveals why despite finishing very few works, his celebrity has survived, even thrived, through five centuries of history.
Author: Serge Bramly
Publisher:
ISBN: 9780500237175
Category : Art, Renaissance
Languages : en
Pages : 79
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Book Description
The woman in Leonardo da Vinci's work gazes out from the canvas with a quiet serenity. But what lies behind the famous smile? Shrouded in mystery, the Mona Lisa has attracted more speculation and questioning than any other work of art ever created. This work provides an aide memoire of the world's most famous painting. The full-page colour plates portray the Mona Lisa in close-up photographs, while Serge Bramly, the author, explores its shadowy history and the fascination the painting has engendered.
