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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870991256
Category : Art, Japanese
Languages : en
Pages : 178
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870991256
Category : Art, Japanese
Languages : en
Pages : 178
Get Book Here
Book Description
Author: Dallas Museum of Art
Publisher: Yale University Press
ISBN: 0300094078
Category : Art
Languages : en
Pages : 332
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Book Description
A time of dramatic social and political change, and of brilliant artistic innovation and achievement, the Momoyama period (1568 - 1615) was one of the most dynamic eras in Japan’s history. This book displays spectacular Momoyama masterpieces in many media - paintings, sculpture, calligraphy, tea ceremony utensils, lacquerware, ceramics, metalwork, arms and armor, textiles, and Noh masks - and places each work of art into its historical and cultural context.
Author: Tsugiyoshi Doi
Publisher: Weatherhill, Incorporated
ISBN:
Category : Art
Languages : en
Pages : 178
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Book Description
Author: Yūzō Yamane
Publisher: Weatherhill, Incorporated
ISBN:
Category : Genre painting, Japanese
Languages : en
Pages : 200
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Book Description
Part of the Heibonsha Survey of Japanese Art series, this text is concerned with Momoyana genre painting. Other titles in the series include Nara Buddhist Art and The Silk Road and the Shoso-in.
Author: Richard Arthur Brabazon Ponsonby-Fane
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 120
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Book Description
Author: George Elison
Publisher: University of Hawaii Press
ISBN: 9780824811099
Category : History
Languages : en
Pages : 384
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Book Description
Author: Wendell Cole
Publisher:
ISBN:
Category :
Languages : en
Pages : 180
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Book Description
Author: Glenn Taylor Webb
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 608
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Book Description
Author: Kendall H. Brown
Publisher: University of Hawaii Press
ISBN: 9780824819132
Category : Art
Languages : en
Pages : 260
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Book Description
The Chinese themes of the Four Graybeards of Mt. Shang and the Seven Sages of the Bamboo Grove figure prominently in the art of Momoyama-period Japan (ca. 1575-1625). Kendall Brown proposes that the dense and multivalent implications of aesthetic reclusion central to these paintings made them appropriate for patrons of all classes - the military, who were presently in power, the aristocracy, who had lost power, and the Buddhist priesthood, who forsook power. These paintings, and their attendant messages, thus serve as dynamic cultural agents that elucidate the fundamental paradigms of early modern Japanese society. Unlike traditional art history studies, which emphasize the style and history of art objects, The Politics of Reclusion sets out to reconstruct the possible historical context for the interpretive reception and use of Chinese hermit themes within a specific period of Japanese art. In emphasizing the political dimension of aesthetic reclusion, it introduces into the field of Japanese art history a discussion of the politics of aesthetics that characterizes recent work in the field of Japanese literature. By embedding the paintings within the contexts of politics, philosophy, religion, and even gender, this study restores the reflexive relations between the paintings and their culture and, as such, is one of the first extensive intellectual and social histories of Japanese art in a Western language. It is one that will appeal not only to students of art but to those interested in Japanese literature, history, and philosophy.
Author: Miyeko Murase
Publisher: Metropolitan Museum of Art
ISBN: 1588390969
Category : Art, Japanese
Languages : en
Pages : 410
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Book Description
Japan's brief but dramatic Momoyama period (1573-1615) witnessed the struggles of a handful of ambitious warlords for control of the long-splintered country and finally the emergence of a united Japan. This was also an era of dynamic cultural development in which the feudal lords sponsored lavish, innovative arts to proclaim their newly acquired power. One such art was a ceramic ware known as Oribe, whose mysterious sudden appearance and rise in popularity are explored in this book. Ceramics are closely connected to the tea ceremony and central to Japanese culture. In this context Oribe wares represented a unique and major development, since they were the easiest Japanese ceramics to carry extensive multicolor decoration. Boldly painted with geometric and naturalistic designs, they display sensuous glazes, especially in a distinctive vitreous green, as well as a whole repertoire of playful new shapes. Their genesis has tradtionally been ascribed to Furuta Oribe (1543/44-1615), a warrior and the foremost tea master of his time, who appears to have played a crucial role in redefining the aesthetics of Japan. Over seventy engaging vessels of Oribe ware, along with striking examples of other types of wares produced in the same milieu, make up the heart of this catalogue. -- Metropolitan Museum of Art website.
