Modernity, Aesthetics, and the Bounds of Art PDF Download
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Author: Peter J. McCormick
Publisher: Cornell University Press
ISBN: 1501746081
Category : Art
Languages : en
Pages : 369
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Book Description
Illuminating the tensions between theory, history, and interpretation in contemporary aesthetics, Peter McCormick traces here the intellectual history of our understanding of the relationship between philosophy and the arts.
Author: Peter J. McCormick
Publisher: Cornell University Press
ISBN: 1501746081
Category : Art
Languages : en
Pages : 369
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Book Description
Illuminating the tensions between theory, history, and interpretation in contemporary aesthetics, Peter McCormick traces here the intellectual history of our understanding of the relationship between philosophy and the arts.
Author: Peter J. McCormick
Publisher:
ISBN: 9780608209210
Category :
Languages : en
Pages : 367
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Book Description
Author: Michael Symonds
Publisher: Routledge
ISBN: 1351233920
Category : Art
Languages : en
Pages : 212
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Book Description
This book explores the place of art in the modern world, but instead of asking what art is, it begins with the question of art’s appeal in modernity. Why is the appellation ‘art’ so desired for movies, food, and fashion, for example? Why is there the assumption of esteem when someone calls themselves an ‘artist’? On the other hand, why is modern art so often seen as, at best, difficult and, at worst, not, in fact, art? Engaging with a broad range of theory, the author draws on the thought of Max Weber to offer an account of art’s widespread appeal in terms of its constituting a self-contained value-sphere of meaning, which provides a feeling of tremendous salvation from the senseless routines of modern life. In this way, major theories on aesthetics in philosophy and sociology – including those of Kant, Hegel, Adorno and Bourdieu – are critically recast and incorporated into an overall explanation, and fundamental questions concerning the relation of art to politics and ethics are given innovative answers. A fresh examination of the development of the aesthetic sphere that shows how art came to be regarded as one of the last bastions of freedom and the highest human achievement, and, also, how it became increasingly isolated from the rest of society, The Appeal of Art in Modernity will appeal to scholars of philosophy, social theory, and sociology with interests in art, modernity, and Weber.
Author: Richard Kalina
Publisher: Bloomsbury Publishing
ISBN: 1350154741
Category : Philosophy
Languages : en
Pages : 249
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Book Description
Concentrating on the shifting boundaries and definition of art, Richard Kalina offers a panoramic view of the contemporary art scene over the last 30 years. His focus is on the ongoing development of concepts, the transformation of art worlds and the social matrices in which they are created. Discussing painting in general and abstract painting in particular, his survey takes in photorealism, sculpture and art forms found outside of the modernist tradition. Kalina's group of artists includes Mel Bochner, Joan Mitchell, Cy Twombly, Franz West, and Alma Thomas who, in their ongoing projects, explicitly or implicitly questioned the aesthetic assumptions of their times. Merging an examination of animating philosophies and context - political, social, and personal - with a sharply focused look at the works of art themselves, Kalina brings us closer to understanding the social matrices in which art is embedded and responds to bigger questions about the object nature of the work of art in today's world.
Author: Paul Mattick
Publisher: Routledge
ISBN: 113455415X
Category : Philosophy
Languages : en
Pages : 202
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Book Description
Art In Its Time takes a close look at the way in which art has become integral to the everyday 'ordinary' life of modern society. It explores the prevalent notion of art as transcending its historical moment, and argues that art cannot be separated from the everyday as it often provides material to represent social struggles and class, to explore sexuality, and to think about modern industry and our economic relationships.
Author: Agnes Heller
Publisher: Lexington Books
ISBN: 0739141317
Category : Philosophy
Languages : en
Pages : 243
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Book Description
"Aesthetics and Modernity brings together Agnes Heller's most recent essays around the topics of aesthetic genres such as painting, music, literature and comedy, aesthetic reception, and embodiment. The essays draw on Heller's deep appreciation of aesthetics in all its forms from the classical to the Renaissance and the contemporary periods. Heller's recent work on aesthetics explores the complex status of artworks within the context of the history of modernity, and she engages this task with a critical recognition of modernity's pitfalls. This collection highlights these pitfalls in the context of continuing possibilities for aesthetics and our relationship with works of art, and it throws light on Heller's theory of emotions and feelings and her theory of modernity. Aesthetics and Modernity collects the essential essays of Agnes Heller and is a must-read for anyone interested in Heller's major contributions to philosophy. John Rundell is associate professor of social theory at the University of Melbourne. "--Book jacket.
Author: Iwona Lorenc
Publisher: Peter Lang D
ISBN: 9783631845073
Category :
Languages : en
Pages : 160
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Book Description
The book is a reflection over how art functions in late modernity. It emphasizes processes of fictionalizing reality and exposes, how phenomenology can be used to extract this problem on a foundation of aesthetics. It is a panoramic outlook over existing views, but also a self-sufficient theoretical proposal.
Author: Michael John Symonds
Publisher:
ISBN: 9781351233941
Category : Social Science
Languages : en
Pages : 224
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Book Description
"This book explores the place of art in the modern world, but instead of asking what art is, it begins with the question of art's appeal in modernity. Why is the appellation 'art' so desired for movies, food and fashion, for example? Why is there the assumption of esteem when someone calls themselves an 'artist'? On the other hand, why is modern art so often seen as, at best, difficult and, at worst, not, in fact, art? Engaging with a broad range of theory, the author draws on the thought of Max Weber to offer an account of art's widespread appeal in terms of its constituting a self-contained value-sphere of meaning, which provides a feeling of tremendous salvation from the senseless routines of modern life. In this way, major theories on aesthetics in philosophy and sociology - including those of Kant, Hegel, Adorno and Bourdieu- are critically recast and incorporated into an overall explanation, and fundamental questions concerning the relation of art to politics and ethics are given innovative answers. A fresh examination of the development of the aesthetic sphere that shows how art came to be regarded as one of the last bastions of freedom and the highest human achievement, and, also, how it became increasingly isolated from the rest of society, The Appeal of Art in Modernity will appeal to scholars of philosophy, social theory and sociology with interests in art, modernity and Weber"--
Author: Lynda Lee Jessup
Publisher: University of Toronto Press
ISBN: 1442655666
Category : Art
Languages : en
Pages : 306
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Book Description
Antimodernism is a term used to describe the international reaction to the onslaught of the modern world that swept across industrialized Western Europe, North America, and Japan in the decades around the turn of the twentieth century. Scholars in art history, anthropology, political science, history, and feminist media studies explore antimodernism as an artistic response to a perceived sense of loss – in particular, the loss of 'authentic' experience. Embracing the 'authentic' as a redemptive antidote to the threat of unheralded economic and social change, antimodernism sought out experience supposedly embodied in pre-industrialized societies – in medieval communities or 'oriental cultures,' in the Primitive, the Traditional, or Folk. In describing the ways in which modern artists used antimodern constructs in formulating their work, the contributors examine the involvement of artists and intellectuals in the reproduction and diffusion of these concepts. In doing so they reveal the interrelation of fine art, decorative art, souvenir or tourist art, and craft, questioning the ways in which these categories of artistic expression reformulate and naturalise social relations in the field of cultural production.
Author: J. M. Bernstein
Publisher: Penn State Press
ISBN:
Category : Philosophy
Languages : en
Pages : 312
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Book Description
Aesthetic alienation may be described as the paradoxical relationship whereby art and truth have come to be divorced from one another while nonetheless remaining entwined. J. M. Bernstein not only finds the separation of art and truth problematic, but also contends that we continue to experience art as sensuous and particular, thus complicating and challenging the cultural self-understanding of modernity. Bernstein focuses on the work of four key philosophers--Kant, Heidegger, Derrida, and Adorno--and provides powerful new interpretations of their views. Bernstein shows how each of the three post-Kantian aesthetics (its concepts of judgment, genius, and the sublime) to construct a philosophical language that can criticize and displace the categorical assumption of modernity. He also examines in detail their responses to questions concerning the relations among art, philosophy, and politics in modern societies.
