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Author: Alan Filreis
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 376
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Book Description
Modernism from Right to Left shows that the interactions between eminent modernists - Stevens, Marianne Moore, William Carlos Williams - and upstart radicals - Stanley Burnshaw, T.C. Wilson, Ruth Lechlitner, Kenneth Fearing, Muriel Rukeyser, Willard Maas, and others - were far more dynamic than has been acknowledged during and beyond the eras of anticommunism. This book is a contribution to the cultural history of the American 1930s as well as a novel approach to an oft-studied figure.
Author: Alan Filreis
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 376
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Book Description
Modernism from Right to Left shows that the interactions between eminent modernists - Stevens, Marianne Moore, William Carlos Williams - and upstart radicals - Stanley Burnshaw, T.C. Wilson, Ruth Lechlitner, Kenneth Fearing, Muriel Rukeyser, Willard Maas, and others - were far more dynamic than has been acknowledged during and beyond the eras of anticommunism. This book is a contribution to the cultural history of the American 1930s as well as a novel approach to an oft-studied figure.
Author: Alan Filreis
Publisher: Cambridge University Press
ISBN: 9780521453844
Category : Literary Criticism
Languages : en
Pages : 412
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Book Description
A study of relations between American radicalism and modernism in the 1930s, focusing on Wallace Stevens.
Author: Kevin Douglas Repp
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
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Book Description
Author: Alan Filreis
Publisher: ReadHowYouWant.com
ISBN: 1458723232
Category :
Languages : en
Pages : 426
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Book Description
Author: David Crow
Publisher: AVA Publishing
ISBN: 2940373361
Category : Art
Languages : en
Pages : 195
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Book Description
Left to Right: The cultural shift from words to pictures is an in-depth study of the influence digital technology has had on the way we communicate, and the increasingly visual nature of our culture.
Author: Michael Szalay
Publisher: Duke University Press
ISBN: 9780822325628
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
DIVArgues that the writers of the 30s and 40s--Hemingway, Ayn Rand, John Dos Passos, Gertrude Stein, Richard Wright, Wallace Stevens et al. -- identified and understood the formal problems of literary modernism through an idea of the social and an idiom of s/div
Author: David Roberts
Publisher: Cornell University Press and Cornell University Library
ISBN: 0801460972
Category : Art
Languages : en
Pages : 305
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Book Description
In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution. The total work of art is usually understood as the intention to reunite the arts into the one integrated whole, but it is also tied from the beginning to the desire to recover and renew the public function of art. The synthesis of the arts in the service of social and cultural regeneration was a particularly German dream, which made Wagner and Nietzsche the other center of aesthetic modernism alongside Baudelaire and Mallarmé. The history and theory of the total work of art pose a whole series of questions not only to aesthetic modernism and its utopias but also to the whole epoch from the French Revolution to the totalitarian revolutions of the twentieth century. The total work of art indicates the need to revisit key assumptions of modernism, such as the foregrounding of the autonomy and separation of the arts at the expense of the countertendencies to the reunion of the arts, and cuts across the neat equation of avant-gardism with progress and deconstructs the familiar left-right divide between revolution and reaction, the modern and the antimodern. Situated at the interface between art, religion, and politics, the total work of art invites us to rethink the relationship between art and religion and art and politics in European modernism. In a major departure from the existing literature David Roberts argues for twin lineages of the total work, a French revolutionary and a German aesthetic, which interrelate across the whole epoch of European modernism, culminating in the aesthetic and political radicalism of the avant-garde movements in response to the crisis of autonomous art and the accelerating political crisis of European societies from the 1890s forward.
Author: Sarah Ehlers
Publisher: UNC Press Books
ISBN: 1469651297
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes, Muriel Rukeyser, and Jacques Roumain, and uncovering the contributions of lesser-known writers such as Genevieve Taggard and Martha Millet, Ehlers illuminates an aesthetically and geographically diverse matrix of schools and movements. Resisting the dismissal of thirties left writing as mere propaganda, the book reveals how communist-affiliated poets experimented with poetic modes—such as lyric and documentary—and genres, including songs, ballads, and nursery rhymes, in ways that challenged existing frameworks for understanding the relationships among poetic form, political commitment, and historical transformation. As Ehlers shows, Depression left movements and their international connections are crucial for understanding both the history of modern poetry and the role of poetic thought in conceptualizing historical change.
Author: R. Griffin
Publisher: Springer
ISBN: 0230596126
Category : History
Languages : en
Pages : 467
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Book Description
Intellectual debates surrounding modernity, modernism and fascism continue to be active and hotly contested. In this ambitious book, renowned expert on fascism Roger Griffin analyzes Western modernity and the regimes of Mussolini and Hitler and offers a pioneering new interpretation of the links between these apparently contradictory phenomena.
Author: Alan Filreis
Publisher: UNC Press Books
ISBN: 1469606631
Category : Literary Criticism
Languages : en
Pages : 449
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Book Description
During the Cold War an unlikely coalition of poets, editors, and politicians converged in an attempt to discredit--if not destroy--the American modernist avant-garde. Ideologically diverse yet willing to bespeak their hatred of modern poetry through the rhetoric of anticommunism, these "anticommunist antimodernists," as Alan Filreis dubs them, joined associations such as the League for Sanity in Poetry to decry the modernist "conspiracy" against form and language. In Counter-revolution of the Word Filreis narrates the story of this movement and assesses its effect on American poetry and poetics. Although the antimodernists expressed their disapproval through ideological language, their hatred of experimental poetry was ultimately not political but aesthetic, Filreis argues. By analyzing correspondence, decoding pseudonyms, drawing new connections through the archives, and conducting interviews, Filreis shows that an informal network of antimodernists was effective in suppressing or distorting the postwar careers of many poets whose work had appeared regularly in the 1930s. Insofar as modernism had consorted with radicalism in the Red Decade, antimodernists in the 1950s worked to sever those connections, fantasized a formal and unpolitical pre-Depression High Modern moment, and assiduously sought to de-radicalize the remnant avant-garde. Filreis's analysis provides new insight into why experimental poetry has aroused such fear and alarm among American conservatives.
