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Author: Jörg Rademacher
Publisher: LIT Verlag Münster
ISBN: 9783825843113
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Following their first gathering in Munster, Westphalia, the city of Ford's ancestors, Fordians present a multi-faceted image of this Anglo-German and Francophile English Modernist. International interest in the Hueffers' German background will be triggered by two articles on Franz Hueffer and the references to Munster and Westphalia in Ford's writings. Excursions in politics and poetry and Ford in context provide a framework for "Aspects of Parade's End", the edition and simultaneous translation of which into major European languages forms the most important project for the new Millennium.
Author: Jörg Rademacher
Publisher: LIT Verlag Münster
ISBN: 9783825843113
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Following their first gathering in Munster, Westphalia, the city of Ford's ancestors, Fordians present a multi-faceted image of this Anglo-German and Francophile English Modernist. International interest in the Hueffers' German background will be triggered by two articles on Franz Hueffer and the references to Munster and Westphalia in Ford's writings. Excursions in politics and poetry and Ford in context provide a framework for "Aspects of Parade's End", the edition and simultaneous translation of which into major European languages forms the most important project for the new Millennium.
Author:
Publisher: BRILL
ISBN: 9004335498
Category : Art
Languages : en
Pages : 332
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Book Description
Brill’s Companion to the Reception of Classics in International Modernism and the Avant-Garde examines how the writers and artists who lived from roughly the last quarter of the nineteenth century to the middle of the twentieth sought to build a new world from the ashes of one marked by two world wars, global economic depression, the rise of nationalism, and the collapse of empires. By surveying the modernist appropriation of Ancient Greece and Rome, the fourteen chapters in this volume demonstrate how the Classics, as foundational texts of the old order, were nevertheless adapted to suit the stylistic innovation and formal experimentation that characterized modernist and avant-garde literature and art.
Author: Helen Sword
Publisher: Cornell University Press
ISBN: 1501717669
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
Spiritualism is often dismissed by literary critics and historians as merely a Victorian fad. Helen Sword demonstrates that it continued to flourish well into the twentieth century and seeks to explain why. Literary modernism, she maintains, is replete with ghosts and spirits. In Ghostwriting Modernism she explores spiritualism's striking persistence and what she calls "the vexed relationship between mediumistic discourse and modernist literary aesthetics."Sword begins with a brief historical review of popular spiritualism's roots in nineteenth-century literary culture. In subsequent chapters, she discusses the forms of mediumship most closely allied with writing, the forms of writing most closely allied with mediumship, and the thematic and aesthetic alliances between popular spiritualism and modernist literature. Finally, she accounts for the recent proliferation of a spiritualist-influenced vocabulary (ghostliness, hauntings, the uncanny) in the works of historians, sociologists, philosophers, and especially literary critics and theorists.Documenting the hitherto unexplored relationship between spiritualism and modern authors (some credulous, some skeptical), Sword offers compelling readings of works by James Joyce, T. S. Eliot, W. B. Yeats, H.D., James Merrill, Sylvia Plath, and Ted Hughes. Even as modernists mock spiritualism's ludicrous lingo and deride its metaphysical excesses, she finds, they are intrigued and attracted by its ontological shiftiness, its blurring of the traditional divide between high culture and low culture, and its self-serving tendency to favor form over content (medium, so to speak, over message). Like modernism itself, Sword asserts, spiritualism embraces rather than eschews paradox, providing an ideological space where conservative beliefs can coexist with radical, even iconoclastic, thought and action.
Author: Ezra Pound
Publisher:
ISBN: 9781404701953
Category :
Languages : en
Pages : 408
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Book Description
Author: Thomas Stearns Eliot
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 184
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Book Description
Author: James Longenbach
Publisher: Princeton University Press
ISBN: 1400858518
Category : Poetry
Languages : en
Pages : 299
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Book Description
By thoroughly examining T. S. Eliot and Ezra Pound collected and uncollected writings, James Longenbach presents their understandings of the philosophical idea of history and analyzes the strategies of historical interpretation they discussed in their critical prose and embodied in their poems including history." Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Paul Stasi
Publisher: Cambridge University Press
ISBN: 1107021448
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
This book provides a re-reading of canonical modernism, connecting it to imperialism without conflating it with imperialist practices.
Author: Peter Fifield
Publisher: Oxford University Press
ISBN: 0192559346
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
T. S. Eliot memorably said that separation of the man who suffers from the mind that creates is the root of good poetry. This book argues that this is wrong. Beginning from Virginia Woolf's 'On Being Ill', it demonstrates that modernism is, on the contrary, invested in physical illness as a subject, method, and stylizing force. Experience of physical ailments, from the fleeting to the fatal, the familiar to the unusual, structures the writing of the modernists, both as sufferers and onlookers. Illness reorients the relation to, and appearance of, the world, making it appear newly strange; it determines the character of human interactions and models of behaviour. As a topic, illness requires new ways of writing and thinking, altered ideas of the subject, and a re-examination of the roles of invalids and carers. This book reads the work five authors, who are also known for their illness, hypochondria, or medical work: D. H. Lawrence, Virginia Woolf, T. S. Eliot, Dorothy Richardson, and Winifred Holtby. It overturns the assumption that illness is a simple obstacle to creativity and instead argues that it is a subject of careful thought and cultural significance.
Author: Xavier Kalck
Publisher: Liverpool University Press
ISBN: 1949979512
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Modernist Objects: Literature, Art, Culture is a unique mix of cultural studies, literature, and visual arts applied to the discrete materiality of modernist objects. Contributors explore the many tensions surrounding the modernist relationship to objects, things, products and artefacts through the prism of poetry, prose, visual arts, culture and crafts.
Author: Langdon Hammer
Publisher: Princeton University Press
ISBN: 1400887194
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Focusing on the vexed friendship between Hart Crane and Allen Tate, this book examines twentieth-century American poetry's progress toward institutional sanction and professional organization, a process in which sexual identities, poetic traditions, and literary occupations were in question and at stake. Langdon Hammer combines biography and formalist analysis to argue that American modernism was a Janus-faced phenomenon, at once emancipatory and elitist, which simultaneously attacked traditional cultural authority and reconstructed it in new forms. Hammer shows how Crane and Tate, working in relation to each other and to T. S. Eliot, created for themselves the competing roles of "genius" and "poet-critic." Crane embraced the self-authorizing powers of the individual talent at the cost of standing outside the emerging consensus of high modernist literary culture, an aesthetic isolation which converged with his social isolation as a gay man. Tate, turning against Crane, linked the modernist defense of tradition to an embattled heterosexual masculinity, while he adapted Eliot's stance to a career sustained by criticism and teaching. Ending his book with a discussion of Robert Lowell's career, Hammer maintains that Lowell's "confessional" poetry recapitulates the conflict enacted by Crane and Tate. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
