Modern Tragicomedy and the British Tradition

Modern Tragicomedy and the British Tradition PDF Author: Richard Dutton
Publisher: Norman : University of Oklahoma Press
ISBN: 9780806120065
Category : English drama
Languages : en
Pages : 227

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Book Description

Modern Tragicomedy and the British Tradition

Modern Tragicomedy and the British Tradition PDF Author: Richard Dutton
Publisher: Norman : University of Oklahoma Press
ISBN: 9780806120065
Category : English drama
Languages : en
Pages : 227

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Book Description


Modern Tragicomedy and the British Tradition

Modern Tragicomedy and the British Tradition PDF Author: Richard Dutton
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248

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Book Description


The Name and Nature of Tragicomedy

The Name and Nature of Tragicomedy PDF Author: Verna A. Foster
Publisher: Routledge
ISBN: 1351885340
Category : Literary Criticism
Languages : en
Pages : 335

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Book Description
Focusing on European tragicomedy from the early modern period to the theatre of the absurd, Verna Foster here argues for the independence of tragicomedy as a genre that perceives and communicates human experience differently from the various forms of tragedy, comedy, and the drame (serious drama that is neither comic nor tragic). Foster posits that, in the sense of the dramaturgical and emotional fusion of tragic and comic elements to create a distinguishable new genre, tragicomedy has emerged only twice in the history of drama. She argues that tragicomedy first emerged and was controversial in the Renaissance; and that it has in modern times replaced tragedy itself as the most serious and moving of all dramatic genres. In the first section of the book, the author analyzes the name 'tragicomedy' and the genre's problems of identity; then goes on to explore early modern tragicomedies by Shakespeare, Beaumont and Fletcher, and Massinger. A transitional chapter addresses cognate genres. The final section of the book focuses on modern tragicomedies by Ibsen, Chekhov, Synge, O'Casey, Williams, Ionesco, Beckett and Pinter. By exploring dramaturgical similarities between early modern and modern tragicomedies, Foster demonstrates the persistence of tragicomedy's generic markers and provides a more precise conceptual framework for the genre than has so far been available.

Tragicomedy and Contemporary Culture

Tragicomedy and Contemporary Culture PDF Author: John Orr
Publisher: Springer
ISBN: 1349215627
Category : Social Science
Languages : en
Pages : 177

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Book Description
This study examines the historical relationship between tragicomedy in the modernist theatre and the performative culture of Western consumer societies. While discussing a wide range of playwrights, it focusses specifically on the work of Samuel Beckett, Harold Pinter and Sam Shepard. Their plays, it is argued, illuminate the forms of pleasure, fear, performance and corruption which dominate our daily lives. Tragicomedy is seen as unique becuae of the existential playfulness and confusion of its protagonists, and because of its muted vision of apocalypse in the nuclear age.

The Princeton Encyclopedia of Poetry and Poetics

The Princeton Encyclopedia of Poetry and Poetics PDF Author: Roland Greene
Publisher: Princeton University Press
ISBN: 0691154910
Category : Literary Criticism
Languages : en
Pages : 1678

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Book Description
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.

The Function of Song in Contemporary British Drama

The Function of Song in Contemporary British Drama PDF Author: Elizabeth Hale Winkler
Publisher: University of Delaware Press
ISBN: 9780874133585
Category : Literary Criticism
Languages : en
Pages : 382

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Book Description
This comprehensive study formulates an original theory that dramatic song must be perceived as a separate genre situated between poetry, music, and theater. It focuses on John Arden, Margaretta D'Arcy, Edward Bond, Peter Barnes, John Osborne, Peter Nichols, Harold Pinter, Tom Stoppard, Peter Shaffer, and John McGrath.

Tragic Drama and Modern Society

Tragic Drama and Modern Society PDF Author: John Orr
Publisher: Springer
ISBN: 1349198293
Category : Literary Criticism
Languages : en
Pages : 316

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Book Description
A study that examines the relationship between tragic drama of the late 19th and 20th centuries and present-day society. The author's theories are presented with excerpts from relevant plays, such as "Look Back in Anger", "The Glass Menagerie", "The Iceman Cometh" and "Hedda Gabler".

Contemporary British Drama, 1970–90

Contemporary British Drama, 1970–90 PDF Author: Hersh Zeifman
Publisher: Springer
ISBN: 1349108197
Category : Literary Criticism
Languages : en
Pages : 361

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Book Description
This book focuses exclusively on the exciting and provocative plays produced in England in the last two decades. The primary aim of the collection is to celebrate the truly remarkable range of British drama since 1970, by examining the work of fourteen important and representative playwrights. This emphasis on range applies not only to the dramatists chosen for inclusion but to the critics as well - specifically to the diversity of critical methodology demonstrated in their essays.

Pinter at 70

Pinter at 70 PDF Author: Lois Gordon
Publisher: Routledge
ISBN: 1135347328
Category : Performing Arts
Languages : en
Pages : 409

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Book Description
This comprehensive and authoritative casebook includes cornerstone essays on Pinter's creative process, his politics, film adaptations, and acting career. It also includes a collection of photos found nowhere else that document Pinter's "golden time"--his early acting days in Ireland--, a substantial introduction, a chronology, and bibliography.

Ben Jonson: Authority: Criticism

Ben Jonson: Authority: Criticism PDF Author: R. Dutton
Publisher: Springer
ISBN: 023037249X
Category : Literary Criticism
Languages : en
Pages : 277

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Book Description
Ben Jonson: Authority: Criticism is the first book-length study of Jonson's literary criticism, and examines the ways that criticism defines his unprecedented role as a professional author. Each chapter explores a different facet: 'The Lone Wolf' looks at Jonson's role in creating a critical discourse to respond to a new literary market-place; 'Poet and Critic' explores the relationship between his 'creative' and 'critical' writing; 'Poet and State' traces his accommodations as an author with censorship and other forms of authority; 'The Laws of Poetry' relates his appeals to classical precedent to his insecurity in a world where literary conditions were very different from those of ancient Greece and Rome; 'Jonson and Shakespeare' examines the old supposed rivalry as evidence of competing definitions of authorship. Throughout Richard Dutton suggests how Jonson's criticism set the terms for the profession of letters in England for more than a century. Finally an appendix provides a representative selection of Jonson's critical work.