Author: Wu Hung
Publisher: The Museum of Modern Art
ISBN: 0870706470
Category : Art, Chinese
Languages : en
Pages : 474
Book Description
Invaluable resource for anyone who wants to understand contemporary Chinese art, one of the most fascinating art scenes of the late 20th and early 21st centuries.
Contemporary Chinese Art: Primary Documents
Catalog
Author: Walter M. Hill (Firm)
Publisher:
ISBN:
Category : Booksellers and bookselling
Languages : en
Pages : 1210
Book Description
Publisher:
ISBN:
Category : Booksellers and bookselling
Languages : en
Pages : 1210
Book Description
The Publishers Weekly
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1046
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1046
Book Description
Fantasies of Precision
Author: Ashley Lazevnick
Publisher: U of Minnesota Press
ISBN: 1452969361
Category : Art
Languages : en
Pages : 518
Book Description
Redefining the artistic movement that helped shape American modernism In the early decades of the twentieth century, a loose contingent of artists working in and around New York City gave rise to the aesthetic movement known as precisionism, primarily remembered for its exacting depictions of skyscrapers, factories, machine parts, and other symbols of a burgeoning modernity. Although often regarded as a singular group, these artists were remarkably varied in their subject matter and stylistic traits. Fantasies of Precision excavates the surprising ties that connected them, exploring notions of precision across philosophy, technology, medicine, and many other fields. Bookended by discussions of the landmark First Biennial Exhibition of Painting at the Whitney Museum in 1932, this study weaves together a series of interconnected chapters illuminating the careers of Charles Sheeler, Georgia O’Keeffe, and Charles Demuth. Built on a theoretical framework of the writing of modernist poets Marianne Moore and William Carlos Williams, Fantasies of Precision outlines an “ethos of precision” that runs through the diverse practices of these artists, articulating how the broad range of enigmatic imagery they produced was underpinned by shared strategies of restraint, humility, and slowness. Questioning straightforward modes of art historical classification, Ashley Lazevnick redefines the concept that designated the precisionist movement. Through its cross-disciplinary approach and unique blend of historiography and fantasy, Fantasies of Precision offers a comprehensive reevaluation of one of the defining movements of artistic modernism.
Publisher: U of Minnesota Press
ISBN: 1452969361
Category : Art
Languages : en
Pages : 518
Book Description
Redefining the artistic movement that helped shape American modernism In the early decades of the twentieth century, a loose contingent of artists working in and around New York City gave rise to the aesthetic movement known as precisionism, primarily remembered for its exacting depictions of skyscrapers, factories, machine parts, and other symbols of a burgeoning modernity. Although often regarded as a singular group, these artists were remarkably varied in their subject matter and stylistic traits. Fantasies of Precision excavates the surprising ties that connected them, exploring notions of precision across philosophy, technology, medicine, and many other fields. Bookended by discussions of the landmark First Biennial Exhibition of Painting at the Whitney Museum in 1932, this study weaves together a series of interconnected chapters illuminating the careers of Charles Sheeler, Georgia O’Keeffe, and Charles Demuth. Built on a theoretical framework of the writing of modernist poets Marianne Moore and William Carlos Williams, Fantasies of Precision outlines an “ethos of precision” that runs through the diverse practices of these artists, articulating how the broad range of enigmatic imagery they produced was underpinned by shared strategies of restraint, humility, and slowness. Questioning straightforward modes of art historical classification, Ashley Lazevnick redefines the concept that designated the precisionist movement. Through its cross-disciplinary approach and unique blend of historiography and fantasy, Fantasies of Precision offers a comprehensive reevaluation of one of the defining movements of artistic modernism.
Brought to Light
Author: Queensland Art Gallery
Publisher: Queensland Government Publications
ISBN:
Category : Art
Languages : en
Pages : 332
Book Description
Brought to Light - a publication on the Australian art collection of the Queensland Art Gallery - presents a new model for the documentation of visual arts collections in Australia. It is not a catalogue but an anthology of 60 original essays on selected works of interest. Approximately 150 works are illustrated and discussed in 60 original essays from scholars, artists and art historians, who place works in historical and social contexts in ways that expand the reader's knowledge of specific works of art and Australian art history. Comparative illustrations from other public collections and artists' archives are a special feature of this book. Featured artists include: Arthur Streeton, Rupert Bunny, George Lambert, Roland Wakelin, Grace Cossington Smith, Lloyd Rees, William Dobell, Russell Drysdale, Margaret Preston, Sidney Nolan, Ian Fairweather and Albert Namatjira.. Contributing authors: Elizabeth Churcher, Mary Eagle, Julie Ewington, Sasha Grishin, Doug Hall, Humphrey McQueen, Joanna Mendelssohn, Drusilla Modjeska, Margo Neale, Barry Pearce, Mark Pennings, Andrew Sayers and Virginia Spate. Features over 300 illustrations (many full-page).
Publisher: Queensland Government Publications
ISBN:
Category : Art
Languages : en
Pages : 332
Book Description
Brought to Light - a publication on the Australian art collection of the Queensland Art Gallery - presents a new model for the documentation of visual arts collections in Australia. It is not a catalogue but an anthology of 60 original essays on selected works of interest. Approximately 150 works are illustrated and discussed in 60 original essays from scholars, artists and art historians, who place works in historical and social contexts in ways that expand the reader's knowledge of specific works of art and Australian art history. Comparative illustrations from other public collections and artists' archives are a special feature of this book. Featured artists include: Arthur Streeton, Rupert Bunny, George Lambert, Roland Wakelin, Grace Cossington Smith, Lloyd Rees, William Dobell, Russell Drysdale, Margaret Preston, Sidney Nolan, Ian Fairweather and Albert Namatjira.. Contributing authors: Elizabeth Churcher, Mary Eagle, Julie Ewington, Sasha Grishin, Doug Hall, Humphrey McQueen, Joanna Mendelssohn, Drusilla Modjeska, Margo Neale, Barry Pearce, Mark Pennings, Andrew Sayers and Virginia Spate. Features over 300 illustrations (many full-page).
Historical Dictionary of Contemporary Art
Author: Ann Lee Morgan
Publisher: Rowman & Littlefield
ISBN: 1442276681
Category : Art
Languages : en
Pages : 571
Book Description
The Historical Dictionary of Contemporary Art illuminates important artists, styles, and movements of the past 70 years. Beginning with the immediate post-World War II period, it encompasses earlier 20th century masters, including Pablo Picasso, Henri Matisse, Henry Moore, Alberto Giacometti, Joan Miró, Jean Dubuffet, Stuart Davis, Georgia O’Keeffe, and other well-known figures, who remained creatively productive, while also inspiring younger generations. The book covers subsequent developments, including abstract expressionism, happenings, pop art, minimalism, conceptual art, arte povera, feminist art, photorealism, neo-expressionism, and postmodernism, as well as the contributions of such artists as Jackson Pollock, Willem de Kooning, Mark Rothko, Helen Frankenthaler, Joan Mitchell, Robert Rauschenberg, David Hockney, Ellsworth Kelly, Francis Bacon, Louise Bourgeois, Lucio Fontana, Andy Warhol, Richard Serra, Donald Judd, Joseph Beuys, Christo, Anselm Kiefer, Judy Chicago, Ai Weiwei, and Jeff Koons. Historical Dictionary of Contemporary Art contains a chronology, an introduction, and an extensive bibliography, including more than 900 cross-referenced entries on important artists, styles, terms, and movements.This book is an excellent resource for students, researchers, and anyone wanting to know more about contemporary art.
Publisher: Rowman & Littlefield
ISBN: 1442276681
Category : Art
Languages : en
Pages : 571
Book Description
The Historical Dictionary of Contemporary Art illuminates important artists, styles, and movements of the past 70 years. Beginning with the immediate post-World War II period, it encompasses earlier 20th century masters, including Pablo Picasso, Henri Matisse, Henry Moore, Alberto Giacometti, Joan Miró, Jean Dubuffet, Stuart Davis, Georgia O’Keeffe, and other well-known figures, who remained creatively productive, while also inspiring younger generations. The book covers subsequent developments, including abstract expressionism, happenings, pop art, minimalism, conceptual art, arte povera, feminist art, photorealism, neo-expressionism, and postmodernism, as well as the contributions of such artists as Jackson Pollock, Willem de Kooning, Mark Rothko, Helen Frankenthaler, Joan Mitchell, Robert Rauschenberg, David Hockney, Ellsworth Kelly, Francis Bacon, Louise Bourgeois, Lucio Fontana, Andy Warhol, Richard Serra, Donald Judd, Joseph Beuys, Christo, Anselm Kiefer, Judy Chicago, Ai Weiwei, and Jeff Koons. Historical Dictionary of Contemporary Art contains a chronology, an introduction, and an extensive bibliography, including more than 900 cross-referenced entries on important artists, styles, terms, and movements.This book is an excellent resource for students, researchers, and anyone wanting to know more about contemporary art.
Issues & Trends of Information Technology Management in Contemporary Organizations
Author: Information Resources Management Association. International Conference
Publisher: IGI Global
ISBN: 9781930708396
Category : Computers
Languages : en
Pages : 878
Book Description
As the field of information technology continues to grow and expand, it impacts more and more organizations worldwide. The leaders within these organizations are challenged on a continuous basis to develop and implement programs that successfully apply information technology applications. This is a collection of unique perspectives on the issues surrounding IT in organizations and the ways in which these issues are addressed. This valuable book is a compilation of the latest research in the area of IT utilization and management.
Publisher: IGI Global
ISBN: 9781930708396
Category : Computers
Languages : en
Pages : 878
Book Description
As the field of information technology continues to grow and expand, it impacts more and more organizations worldwide. The leaders within these organizations are challenged on a continuous basis to develop and implement programs that successfully apply information technology applications. This is a collection of unique perspectives on the issues surrounding IT in organizations and the ways in which these issues are addressed. This valuable book is a compilation of the latest research in the area of IT utilization and management.
Theories and Documents of Contemporary Art
Author: Kristine Stiles
Publisher: Univ of California Press
ISBN: 0520253744
Category : Art
Languages : en
Pages : 1166
Book Description
An essential text in the field of contemporary art history, it has now been updated to represent 30 countries and over 100 new artists. The internationalism evident in this revised edition reflects the growing interest in contemporary art throughout the world from the U.S. and Europe to the Middle East, Asia, Africa, Latin America, and Australia.
Publisher: Univ of California Press
ISBN: 0520253744
Category : Art
Languages : en
Pages : 1166
Book Description
An essential text in the field of contemporary art history, it has now been updated to represent 30 countries and over 100 new artists. The internationalism evident in this revised edition reflects the growing interest in contemporary art throughout the world from the U.S. and Europe to the Middle East, Asia, Africa, Latin America, and Australia.
Dealing with the Visual
Author: Caroline van Eck
Publisher: Routledge
ISBN: 1351160222
Category : Art
Languages : en
Pages : 297
Book Description
One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can be assimilated with the textual or verbal without any significant loss. Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? This is not only a question of choosing the right method in dealing with visual works of art, but also an issue that touches on the roots of the disciplines involved: can a case be made for the visual as an irreducible category of art, and if so, how is it best studied and appreciated? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. Unlike many existing overviews of visual culture studies, it includes both painting and architecture, and investigates historical ways of defining and appreciating the visual in their own, contemporary terms. Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics included range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting.
Publisher: Routledge
ISBN: 1351160222
Category : Art
Languages : en
Pages : 297
Book Description
One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can be assimilated with the textual or verbal without any significant loss. Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? This is not only a question of choosing the right method in dealing with visual works of art, but also an issue that touches on the roots of the disciplines involved: can a case be made for the visual as an irreducible category of art, and if so, how is it best studied and appreciated? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. Unlike many existing overviews of visual culture studies, it includes both painting and architecture, and investigates historical ways of defining and appreciating the visual in their own, contemporary terms. Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics included range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting.
Catalogue
Author: Baker, G.A. & Co., Inc., Firm, Booksellers, New York
Publisher:
ISBN:
Category :
Languages : en
Pages : 1094
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1094
Book Description