Author: Daniel J. Casey
Publisher: Syracuse University Press
ISBN: 9780815602347
Category : Literary Collections
Languages : en
Pages : 294
Book Description
Reflected in these writings from twenty-one Irish Americans are the themes common to all immigrant literature, but from the authors’ own ethnic point of view. The struggle for success forms the underlying structure in the stories by O’Hara, Curran, and McCarthy; and the changing values the New World imposes on the individual are seen in Edwin O’Connor’s Grand Day for Mr. Garvey. Irish wit and black humor pepper all the stories, as represented by Dunn’s bartender-philosopher, Dooley, and Donleavy’s Fairy Tale of New York. Catholicism is omnipresent and is often characterized by the priest, as in Fitzgerald’s Benediction, Power’s Bill, and Flaherty’s Fogarty. Themes that have an immense effect on the characters’ relationships are their difficulties in communicating with one another, which Gill captures succinctly in The Cemetery, and the repositioning of gender roles, so evident in Cullinan’s Life After Death and in Costello’s Murphy’s Xmas. Finally, there are the intense, often contradictory, feelings the characters have toward their “homeland:” Hamill’s Gift illustrates the desire to rid Ireland of British rule; Gordon’s “neighborhood” shows the immigrants’ embarrassment over their origins. Editors Casey and Rhodes have organized these pieces chronologically, beginning at the turn of the century. Thus, the selections illustrate the progression of Irish-American literature and also fulfill the word of William Kennedy, who said of his own writing: “those who came before helped to show me how to turn experience into literature.”
Modern Irish-American Fiction
Author: Daniel J. Casey
Publisher: Syracuse University Press
ISBN: 9780815602347
Category : Literary Collections
Languages : en
Pages : 294
Book Description
Reflected in these writings from twenty-one Irish Americans are the themes common to all immigrant literature, but from the authors’ own ethnic point of view. The struggle for success forms the underlying structure in the stories by O’Hara, Curran, and McCarthy; and the changing values the New World imposes on the individual are seen in Edwin O’Connor’s Grand Day for Mr. Garvey. Irish wit and black humor pepper all the stories, as represented by Dunn’s bartender-philosopher, Dooley, and Donleavy’s Fairy Tale of New York. Catholicism is omnipresent and is often characterized by the priest, as in Fitzgerald’s Benediction, Power’s Bill, and Flaherty’s Fogarty. Themes that have an immense effect on the characters’ relationships are their difficulties in communicating with one another, which Gill captures succinctly in The Cemetery, and the repositioning of gender roles, so evident in Cullinan’s Life After Death and in Costello’s Murphy’s Xmas. Finally, there are the intense, often contradictory, feelings the characters have toward their “homeland:” Hamill’s Gift illustrates the desire to rid Ireland of British rule; Gordon’s “neighborhood” shows the immigrants’ embarrassment over their origins. Editors Casey and Rhodes have organized these pieces chronologically, beginning at the turn of the century. Thus, the selections illustrate the progression of Irish-American literature and also fulfill the word of William Kennedy, who said of his own writing: “those who came before helped to show me how to turn experience into literature.”
Publisher: Syracuse University Press
ISBN: 9780815602347
Category : Literary Collections
Languages : en
Pages : 294
Book Description
Reflected in these writings from twenty-one Irish Americans are the themes common to all immigrant literature, but from the authors’ own ethnic point of view. The struggle for success forms the underlying structure in the stories by O’Hara, Curran, and McCarthy; and the changing values the New World imposes on the individual are seen in Edwin O’Connor’s Grand Day for Mr. Garvey. Irish wit and black humor pepper all the stories, as represented by Dunn’s bartender-philosopher, Dooley, and Donleavy’s Fairy Tale of New York. Catholicism is omnipresent and is often characterized by the priest, as in Fitzgerald’s Benediction, Power’s Bill, and Flaherty’s Fogarty. Themes that have an immense effect on the characters’ relationships are their difficulties in communicating with one another, which Gill captures succinctly in The Cemetery, and the repositioning of gender roles, so evident in Cullinan’s Life After Death and in Costello’s Murphy’s Xmas. Finally, there are the intense, often contradictory, feelings the characters have toward their “homeland:” Hamill’s Gift illustrates the desire to rid Ireland of British rule; Gordon’s “neighborhood” shows the immigrants’ embarrassment over their origins. Editors Casey and Rhodes have organized these pieces chronologically, beginning at the turn of the century. Thus, the selections illustrate the progression of Irish-American literature and also fulfill the word of William Kennedy, who said of his own writing: “those who came before helped to show me how to turn experience into literature.”
Too Smart to be Sentimental
Author: Sally Barr Ebest
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 276
Book Description
Through a series of critical and biographical essays, this work offers a feminist literary history of twentieth-century Irish America.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 276
Book Description
Through a series of critical and biographical essays, this work offers a feminist literary history of twentieth-century Irish America.
Irish American Fiction from World War II to JFK
Author: Beth O’Leary Anish
Publisher: Springer Nature
ISBN: 3030831949
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
Irish American Fiction from World War II to JFK addresses the concerns of Irish America in the post-war era by studying its fiction and the authors who brought the communities of their youth to life on the page. With few exceptions, the novels studied here are lesser-known works, with little written about them to date. Mining these tremendous resources for the details of Irish American life, this book looks back to the beginning of the twentieth century, when the authors' immigrant grandparents were central to their communities. It also points forward to the twenty-first century, as the concerns these authors had for the future of Irish America have become a legacy we must grapple with in the present.
Publisher: Springer Nature
ISBN: 3030831949
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
Irish American Fiction from World War II to JFK addresses the concerns of Irish America in the post-war era by studying its fiction and the authors who brought the communities of their youth to life on the page. With few exceptions, the novels studied here are lesser-known works, with little written about them to date. Mining these tremendous resources for the details of Irish American life, this book looks back to the beginning of the twentieth century, when the authors' immigrant grandparents were central to their communities. It also points forward to the twenty-first century, as the concerns these authors had for the future of Irish America have become a legacy we must grapple with in the present.
Charming Billy
Author: Alice McDermott
Publisher: Farrar, Straus and Giroux
ISBN: 1429929707
Category : Fiction
Languages : en
Pages : 261
Book Description
Charming Billy is the winner of the 1998 National Book Award for Fiction. Alice McDermott's striking novel, Charming Billy, is a study of the lies that bind and the weight of familial love, of the way good intentions can be as destructive as the truth they were meant to hide. Billy Lynch's family and friends have gathered to comfort his widow, and to pay their respects to one of the last great romantics. As they trade tales of his famous humor, immense charm, and consuming sorrow, a complex portrait emerges of an enigmatic man, a loyal friend, a beloved husband, an incurable alcoholic.
Publisher: Farrar, Straus and Giroux
ISBN: 1429929707
Category : Fiction
Languages : en
Pages : 261
Book Description
Charming Billy is the winner of the 1998 National Book Award for Fiction. Alice McDermott's striking novel, Charming Billy, is a study of the lies that bind and the weight of familial love, of the way good intentions can be as destructive as the truth they were meant to hide. Billy Lynch's family and friends have gathered to comfort his widow, and to pay their respects to one of the last great romantics. As they trade tales of his famous humor, immense charm, and consuming sorrow, a complex portrait emerges of an enigmatic man, a loyal friend, a beloved husband, an incurable alcoholic.
Irish Modernism and the Global Primitive
Author: C. Culleton
Publisher: Springer
ISBN: 0230617190
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
This book scrutinizes the way modern Irish writers exploited or surrendered to primitivism, and how primitivism functions as an idealized nostalgia for the past as a potential representation of difference and connection.
Publisher: Springer
ISBN: 0230617190
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
This book scrutinizes the way modern Irish writers exploited or surrendered to primitivism, and how primitivism functions as an idealized nostalgia for the past as a potential representation of difference and connection.
The Construction of Irish Identity in American Literature
Author: Christopher Dowd
Publisher: Routledge
ISBN: 1136902406
Category : Literary Criticism
Languages : en
Pages : 465
Book Description
This book examines the development of literary constructions of Irish-American identity from the mid-nineteenth century arrival of the Famine generation through the Great Depression. It goes beyond an analysis of negative Irish stereotypes and shows how Irish characters became the site of intense cultural debate regarding American identity, with some writers imagining Irishness to be the antithesis of Americanness, but others suggesting Irishness to be a path to Americanization. This study emphasizes the importance of considering how a sense of Irishness was imagined by both Irish-American writers conscious of the process of self-definition as well as non-Irish writers responsive to shifting cultural concerns regarding ethnic others. It analyzes specific iconic Irish-American characters including Mark Twain’s Huck Finn and Margaret Mitchell’s Scarlet O’Hara, as well as lesser-known Irish monsters who lurked in the American imagination such as T.S. Eliot’s Sweeney and Frank Norris’ McTeague. As Dowd argues, in contemporary American society, Irishness has been largely absorbed into a homogenous white culture, and as a result, it has become a largely invisible ethnicity to many modern literary critics. Too often, they simply do not see Irishness or do not think it relevant, and as a result, many Irish-American characters have been de-ethnicized in the critical literature of the past century. This volume reestablishes the importance of Irish ethnicity to many characters that have come to be misread as generically white and shows how Irishness is integral to their stories.
Publisher: Routledge
ISBN: 1136902406
Category : Literary Criticism
Languages : en
Pages : 465
Book Description
This book examines the development of literary constructions of Irish-American identity from the mid-nineteenth century arrival of the Famine generation through the Great Depression. It goes beyond an analysis of negative Irish stereotypes and shows how Irish characters became the site of intense cultural debate regarding American identity, with some writers imagining Irishness to be the antithesis of Americanness, but others suggesting Irishness to be a path to Americanization. This study emphasizes the importance of considering how a sense of Irishness was imagined by both Irish-American writers conscious of the process of self-definition as well as non-Irish writers responsive to shifting cultural concerns regarding ethnic others. It analyzes specific iconic Irish-American characters including Mark Twain’s Huck Finn and Margaret Mitchell’s Scarlet O’Hara, as well as lesser-known Irish monsters who lurked in the American imagination such as T.S. Eliot’s Sweeney and Frank Norris’ McTeague. As Dowd argues, in contemporary American society, Irishness has been largely absorbed into a homogenous white culture, and as a result, it has become a largely invisible ethnicity to many modern literary critics. Too often, they simply do not see Irishness or do not think it relevant, and as a result, many Irish-American characters have been de-ethnicized in the critical literature of the past century. This volume reestablishes the importance of Irish ethnicity to many characters that have come to be misread as generically white and shows how Irishness is integral to their stories.
Contemporary Irish Republican Prison Writing
Author: L. Whalen
Publisher: Springer
ISBN: 0230610064
Category : Political Science
Languages : en
Pages : 254
Book Description
As it traces the textual history of the works of authors like Bobby Sands and Gerry Adams, this book analyses Republican resistance to disciplinary structures, demonstrating the ways in which prisoners appropriate space through discursive strategies.
Publisher: Springer
ISBN: 0230610064
Category : Political Science
Languages : en
Pages : 254
Book Description
As it traces the textual history of the works of authors like Bobby Sands and Gerry Adams, this book analyses Republican resistance to disciplinary structures, demonstrating the ways in which prisoners appropriate space through discursive strategies.
There You are
Author: Thomas Flanagan
Publisher: New York Review of Books
ISBN:
Category : Fiction
Languages : en
Pages : 520
Book Description
Thomas Flanagan became famous as the author of a trilogy of novels, starting withThe Year of the French,about Ireland from the rebellion of 1798 to the civil war of the 1920s. But the novelist who began by reimagining the mental and physical world of eighteenth-century County Mayo had long been immersing himself, as a scholar, essayist, and reviewer, in the literature and history of his ancestral land. In the nonfiction writings collected here, many of them unpublished in his lifetime, Flanagan brings what Christopher Cahill calls his "keen eye and strong gaze and sharp tongue" to reassessments of key figures of Irish culture. They range from Richard Brinsley Sheridan and Lord Edward Fitzgerald, through W. B. Yeats and James Joyce, Charles Stewart Parnell and Michael Collins, to contemporaries and friends like Brian Moore and Frank O'Connor, and American Irish like the Molly Maguires and the director John Ford. Flanagan probes the tragically intertwined origins of celebrity and literary modernism in the careers of Irish-American writers such as F. Scott Fitzgerald, Eugene O'Neill, and John O'Hara. He reflects on what his own novels have taught him about the possibilities of historical fiction. And his thoughts on Irish-American identity sum up the long-pondered mixture of experience and scrutiny he brought to his heritage. Witty, lively, and learned, this collection reveals that Thomas Flanagan was not only as a master of the historical novel but a writer who meditated broadly and deeply on the Ireland he once described as "a complex, profound, historical society, woven of many strands, some bright and some dark."
Publisher: New York Review of Books
ISBN:
Category : Fiction
Languages : en
Pages : 520
Book Description
Thomas Flanagan became famous as the author of a trilogy of novels, starting withThe Year of the French,about Ireland from the rebellion of 1798 to the civil war of the 1920s. But the novelist who began by reimagining the mental and physical world of eighteenth-century County Mayo had long been immersing himself, as a scholar, essayist, and reviewer, in the literature and history of his ancestral land. In the nonfiction writings collected here, many of them unpublished in his lifetime, Flanagan brings what Christopher Cahill calls his "keen eye and strong gaze and sharp tongue" to reassessments of key figures of Irish culture. They range from Richard Brinsley Sheridan and Lord Edward Fitzgerald, through W. B. Yeats and James Joyce, Charles Stewart Parnell and Michael Collins, to contemporaries and friends like Brian Moore and Frank O'Connor, and American Irish like the Molly Maguires and the director John Ford. Flanagan probes the tragically intertwined origins of celebrity and literary modernism in the careers of Irish-American writers such as F. Scott Fitzgerald, Eugene O'Neill, and John O'Hara. He reflects on what his own novels have taught him about the possibilities of historical fiction. And his thoughts on Irish-American identity sum up the long-pondered mixture of experience and scrutiny he brought to his heritage. Witty, lively, and learned, this collection reveals that Thomas Flanagan was not only as a master of the historical novel but a writer who meditated broadly and deeply on the Ireland he once described as "a complex, profound, historical society, woven of many strands, some bright and some dark."
The Oxford Handbook of Modern Irish Fiction
Author: Liam Harte
Publisher: Oxford University Press
ISBN: 0191071056
Category : Literary Criticism
Languages : en
Pages : 704
Book Description
The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fiction; nineteenth-century Irish women's fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O'Brien, and Máirtín Ó Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O'Connor, Seán O'Faoláin, and Mary Lavin, and in that of their ambivalent heirs, Edna O'Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women's fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.
Publisher: Oxford University Press
ISBN: 0191071056
Category : Literary Criticism
Languages : en
Pages : 704
Book Description
The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fiction; nineteenth-century Irish women's fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O'Brien, and Máirtín Ó Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O'Connor, Seán O'Faoláin, and Mary Lavin, and in that of their ambivalent heirs, Edna O'Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women's fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.
Emigrants and Exiles
Author: Kerby A. Miller
Publisher:
ISBN: 9780195051872
Category : History
Languages : en
Pages : 704
Book Description
Explains the reasons for the large Irish emigration, and examines the problems they faced adjusting to new lives in the United States.
Publisher:
ISBN: 9780195051872
Category : History
Languages : en
Pages : 704
Book Description
Explains the reasons for the large Irish emigration, and examines the problems they faced adjusting to new lives in the United States.