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Author: John Ernest Crawford Flitch
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 384
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Book Description
Author: John Ernest Crawford Flitch
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 384
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Book Description
Author: J. E. Crawford Flitch
Publisher: BoD - Books on Demand
ISBN: 2322554014
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
The author examines the stylistic and technical innovations that distinguish modern dance from traditional dance forms. He describes how contemporary dancers seek to express emotions and ideas through movements that are freer and less codified than those of classical ballet. Flitch also discusses the impact of modern dance on popular culture, and its role in reflecting the social and artistic changes of the time. In addition to his writings on dance, Flitch has taken an interest in a variety of other artistic fields, always with an analytical eye and an elegant pen. His contributions continue to be recognized and respected, and his writings remain a valuable resource for those seeking to understand the evolution of dance and the arts in the early twentieth century. In sum, J. E. Crawford Flitch has left a lasting legacy of insightful analysis and inspiring writing, which continues to enlighten readers and scholars alike about the evolution and nuances of modern dance.
Author: J. E. Crawford Flitch
Publisher: BoD - Books on Demand
ISBN:
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
First published in 1912, Crawford Flitch's seminal book takes as its text the transition in the theatre, in the late nineteenth century, from dance to spectacle, as producers responded to, and perhaps helped to shape, public taste, and the consequent decline of classical ballet. Flitch is sharply critical of this decline, but sees a light on the horizon in the shape of the arrival of Serge Diaghilev's Ballets Russes, whose dancers and early performances he discusses in some detail. The chapters are: The ancient and modern attitude towards the dance, The rise of the ballet, The heyday of the ballet, The Skirt dance, The Serpentine Dance, The high kickers, The revival of classical dancing, The Imperial Russian Ballet, The repertory of the Russian Ballet, The Russian dancers, The English Ballet, Oriental and Spanish dancing, The revival of the Morris Dance, and The future of the dance. Extrait : " It is not unlikely that when the art historian of the future comes to treat of the artistic activity of the first decade of the twentieth century, he will remark as one of its most notable accomplishments a renaissance of the art of the Dance. That this renaissance is an accomplished fact, is a matter of com- mon knowledge. Within a relatively short period there have appeared several great dancers, who must necessarily have been preparing them- selves for a considerable time previously to their appearance, yet as it were in secret, without cognisance of one another, with a common aim, but without a common plan. Contemporaries in time, they have been as far removed in space as the East is from the West. In all movements which touch the spirit, this circumstance of the simultaneous but independent manifestation of a common impulse is at once the most general and the most unaccountable. The still small voice whispers into space and those of a delicate hearing hear and respond. We content ourselves by repeating the explanation, which is no explanation, that the movement is “in the air.”
Author: Lilian Karina
Publisher: Berghahn Books
ISBN: 9781571816887
Category : History
Languages : en
Pages : 400
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Book Description
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
Author: Jan Erkert
Publisher: Human Kinetics
ISBN: 9780736044875
Category : Medical
Languages : en
Pages : 236
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Book Description
Illustrated with abstract and imaginative photographs, this is a philosophical guide for the dance field about the art of teaching modern dance. Integrating somatic theories, scientific research and contemporary aesthetic practices, it asks the reader to reconsider how and why they teach.
Author: Julia L. Foulkes
Publisher: Univ of North Carolina Press
ISBN: 0807862029
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous.
Author: K. Mitchell Snow
Publisher:
ISBN: 9780813058726
Category : Dance
Languages : en
Pages : 320
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Book Description
'A Revolution in Movement' illuminates how collaborations between dancers and painters shaped Mexico's postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance - the emulation of Diaghilev's Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s. Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivate Mexico to express its own national identity through dance.
Author: Roger Copeland
Publisher: Psychology Press
ISBN: 9780415965750
Category : Art
Languages : en
Pages : 332
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Book Description
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Mary Wigman
Publisher: New York : Dance Horizons
ISBN:
Category : Modern dance
Languages : en
Pages : 182
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Book Description
Author: John Martin
Publisher:
ISBN: 9780871270016
Category : Addresses, essays, lectures
Languages : en
Pages : 0
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Book Description
