Mission San Gabriel Arcangel Confirmation Record (1791) PDF Download
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Author: Fermín Francisco de Lasuén
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Description: A document signed by Father Fermín Francisco de Lasuén, declaring his authority to administer the sacrament of confirmation and recording the names of those he confirmed in January 1791 at Mission San Gabriel Arcangel in California. Along with the names of those confirmed are each one's hometown, parents' names, and godfather's name.
Author: Fermín Francisco de Lasuén
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Description: A document signed by Father Fermín Francisco de Lasuén, declaring his authority to administer the sacrament of confirmation and recording the names of those he confirmed in January 1791 at Mission San Gabriel Arcangel in California. Along with the names of those confirmed are each one's hometown, parents' names, and godfather's name.
Author: California Library Association
Publisher:
ISBN:
Category : California
Languages : en
Pages : 602
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Book Description
Author: Tom Gregory
Publisher:
ISBN:
Category : Sonoma County (Calif.)
Languages : en
Pages : 1186
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Book Description
Author: Le Baron Bradford Prince
Publisher:
ISBN:
Category : Church buildings
Languages : en
Pages : 386
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Book Description
Author:
Publisher:
ISBN:
Category : Collectors and collecting
Languages : en
Pages : 902
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Book Description
Author: Herman Joseph Alerding
Publisher:
ISBN:
Category : Fort Wayne (Ind.)
Languages : en
Pages : 554
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Book Description
Author: Erlinda P. Ontiveros
Publisher:
ISBN: 9780933380066
Category : Church records and registers
Languages : en
Pages : 551
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Book Description
Author: Hugo Reid
Publisher:
ISBN:
Category : Gabrielino Indians
Languages : en
Pages : 90
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Book Description
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Mark Santiago
Publisher: University of Arizona Press
ISBN: 9780816529292
Category : History
Languages : en
Pages : 242
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Book Description
"The quiet of the dawn was rent by the screams of war. Scores, perhaps hundreds, of Quechan and Mohave warriors leaped from concealment, rushing the plaza from all sides. Painted for battle and brandishing lances, bows, and war clubs, the Indians killed every Spaniard they could catch." The route from the Spanish presidial settlements in upper Sonora to the Colorado River was called the Camino del Diablo, the "Road of the Devil." Running through the harshest of deserts, this route was the only way for the Spanish to transport goods overland to their settlements in California. At the end of the route lay the only passable part of the lower Colorado, and the people who lived around the river, the Yumas or Quechans, initially joined into a peaceful union with the Spanish. When the relationship soured and the Yumas revolted in 1781, it essentially ended Spanish settlement in the area, dashed the dreams of the mission builders, and limited Spanish expansion into California and beyond. In Massacre at the Yuma Crossing, Mark Santiago introduces us to the important and colorful actors involved in the dramatic revolt of 1781: Padre Francisco GarcŽs, who discovered a path from Sonora to California, made contact with the Yumas and eventually became their priest; Salvador Palma, the informal leader of the Yuman people, whose decision to negotiate with the Spanish earned him a reputation as a peacebuilder in the region, which eventually caused his downfall; and Teodoro de Croix, the Spanish commandant-general, who, breaking with traditional settlement practice, established two pueblos among the Quechans without an adequate garrison or mission, thereby leaving the settlers without any sort of defense when the revolt finally took place. Massacre at the Yuma Crossing not only tells the story of the Yuma Massacre with new details but also gives the reader an understanding of the pressing questions debated in the Spanish Empire at the time: What was the efficacy of the presidios? How extensive should the power of the Catholic mission priests be? And what would be the future of Spain in North America?
