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Author: Antonio Mira de Amescua
Publisher:
ISBN:
Category : Spanish drama
Languages : en
Pages : 460
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Book Description
Author: Antonio Mira de Amescua
Publisher:
ISBN:
Category : Spanish drama
Languages : en
Pages : 460
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Book Description
Author: Donald Alan Murray
Publisher:
ISBN:
Category :
Languages : en
Pages : 988
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 682
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Book Description
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 134
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Book Description
Author:
Publisher: دائرة الثقافة والسياحة – أبوظبي، مركز أبوظبي للغة العربية، مشروع كلمة للترجمة
ISBN:
Category :
Languages : en
Pages : 111
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Book Description
Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 480
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Book Description
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 332
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Book Description
Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.
Author: William A. Kincaid
Publisher:
ISBN:
Category :
Languages : en
Pages : 286
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Book Description
Author: McGraw-Hill, inc
Publisher: VNR AG
ISBN: 9780070791695
Category : Drama
Languages : en
Pages : 538
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Book Description
Ranging from the earliest drama to the theater of the 1980's this encyclopedia includes coverage of national drama and theater around the world, theater companies, and musical comedy. Arrangement of the 1,300 entries is alphabetically by name or subject with nearly 950 of these devoted to individual playwrights and their works.
Author: Charles Ganelin
Publisher: Purdue University Press
ISBN: 9781557530868
Category : Literary Collections
Languages : en
Pages : 438
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Book Description
Drawing on the groundbreaking Spanish scholarship and editions of earlier generations and relying on research conducted in Spanish archives, this pioneering group of English-speaking scholars offers a new treatment of familiar material. The editors yoke together widely varying critical practices, including incisive New Critical readings and far-reaching explorations that draw on the most current European critical thought. In addition to these more strictly literary studies, there are interdisciplinary essays focusing on seventeenth- and twentieth-century reception and the social makeup of the comedia audience. The whole thus presents a balanced picture of the many ways in which the comedia can be viewed, and the contributors complement each other's work in often surprising ways, illuminating the same corpus from a number of perspectives.
