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Author: Maggie Kilgour
Publisher: Oxford University Press
ISBN: 0199589437
Category : History
Languages : en
Pages : 398
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Book Description
Contributing to our understanding of Ovid, Milton, and more broadly the transmission and transformation of classical traditions, this book examines the ways in which Milton drew on Ovid's oeuvre, and argues that Ovid's revision of the past gave Renaissance writers a model for their own transformation of classical works.
Author: Maggie Kilgour
Publisher: Oxford University Press
ISBN: 0199589437
Category : History
Languages : en
Pages : 398
Get Book
Book Description
Contributing to our understanding of Ovid, Milton, and more broadly the transmission and transformation of classical traditions, this book examines the ways in which Milton drew on Ovid's oeuvre, and argues that Ovid's revision of the past gave Renaissance writers a model for their own transformation of classical works.
Author: Maggie Kilgour
Publisher: Oxford University Press
ISBN: 0191612472
Category : Literary Collections
Languages : en
Pages :
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Book Description
Milton and the Metamorphosis of Ovid contributes to our understanding of the Roman poet Ovid, the Renaissance writer Milton, and more broadly the transmission and transformation of classical traditions through history. It examines the ways in which Milton drew on Ovid's oeuvre, as well as the long tradition of reception that had begun with Ovid himself, and argues that Ovid's revision of the past, and especially his relation to Virgil, gave Renaissance writers a model for their own transformation of classical works. Throughout his career Milton thinks through and with Ovid, whose stories and figures inform his exploration of the limits and possibilities of creativity, change, and freedom. Examining this specific relation between two very individual and different authors, Kilgour also explores the forms and meaning of creative imitation. Intertextuality was not only central to the two writers' poetic practices but helped shape their visions of the world. While many critics seek to establish how Milton read Ovid, Kilgour debates the broader question of why does considering how Milton read Ovid matter? How do our readings of this relation change our understanding of both Milton and Ovid; and does it tell us about how traditions are changed and remade through time?
Author: Richard J. DuRocher
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Author: Ovid
Publisher:
ISBN:
Category :
Languages : en
Pages : 500
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Book Description
Author: John Milton
Publisher: R. West
ISBN: 9780849204814
Category : Fables, Latin
Languages : en
Pages : 191
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Book Description
Author: John Milton
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 228
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Book Description
Author: Holly Jackson
Publisher:
ISBN:
Category :
Languages : en
Pages : 558
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Book Description
Author: John Milton
Publisher:
ISBN: 9780841409125
Category : Fables, Latin
Languages : en
Pages : 191
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Book Description
Author: Alison Keith
Publisher: Centre for Reformation and Renaissance Studies
ISBN: 9780772720351
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
Author: Blair Hoxby
Publisher: Oxford University Press
ISBN: 0191082392
Category : Literary Criticism
Languages : en
Pages : 550
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Book Description
Milton criticism often treats the poet as if he were the last of the Renaissance poets or a visionary prophet who remained misunderstood until he was read by the Romantics. At the same time, literary histories of the period often invoke a Long Eighteenth Century that reaches its climax with the French Revolution or the Reform Bill of 1832. What gets overlooked in such accounts is the rich story of Milton's relationship to his contemporaries and early eighteenth-century heirs. The essays in this collection demonstrate that some of Milton's earliest readers were more perceptive than Romantic and twentieth-century interpreters. The translations, editions, and commentaries produced by early eighteenth century men of letters emerge as the seedbed of modern criticism and the term 'neoclassical' is itself unmasked as an inadequate characterization of the literary criticism and poetry of the period—a period that could brilliantly define a Miltonic sublime, even as it supported and described all the varieties of parody and domestication found in the mock epic and the novel. These essays, which are written by a team of leading Miltonists and scholars of the Restoration and eighteenth century, cover a range of topics—from Milton's early editors and translators to his first theatrical producers; from Miltonic similes in Pope's Iliad to Miltonic echoes in Austen's Pride and Prejudice; from marriage, to slavery, to republicanism, to the heresy of Arianism. What they share in common is a conviction that the early eighteenth century understood Milton and that the Long Restoration cannot be understood without him.
