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Author: Warren Chernaik
Publisher: Cambridge University Press
ISBN: 1107153182
Category : Art
Languages : en
Pages : 285
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Book Description
This book examines the unresolved tensions in Milton's writings, as he grapples with the paradox of freedom in a universe ruled by an all-powerful God.
Author: Warren Chernaik
Publisher: Cambridge University Press
ISBN: 1107153182
Category : Art
Languages : en
Pages : 285
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Book Description
This book examines the unresolved tensions in Milton's writings, as he grapples with the paradox of freedom in a universe ruled by an all-powerful God.
Author: Warren L. Chernaik
Publisher:
ISBN: 9781316984970
Category : Liberty in literature
Languages : en
Pages :
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Book Description
This book examines the unresolved tensions in Milton's writings, as he grapples with the paradox of freedom in a universe ruled by an all-powerful God
Author: John Milton
Publisher:
ISBN:
Category : Freedom of the press
Languages : en
Pages : 264
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Book Description
Author: Dayton Haskin
Publisher: University of Pennsylvania Press
ISBN: 1512802786
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Author: John Milton
Publisher:
ISBN:
Category : Divorce
Languages : en
Pages : 100
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Book Description
Author: John Creaser
Publisher: Oxford University Press
ISBN: 0192679295
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
This book will change how readers read not only Milton but any poetry. Whereas prose is written in sentences, poetry is written in lines, lines that may or may not coincide with the syntax of the sentence. Lines add an aural and visual mode of punctuation, with some degree of pause and weight at the line-turn. So lineation, the division of poetry into lines, opens a repertoire of possibilities to the poet. Notably, it encourages an enhanced concentration on meaning, rhythm, and sound. It makes metrical patterns possible, with interactions between regularity and deviation; or it makes possible the presence or absence of structural rhyme; or the multiple variations of the line-turn, whether in harmony with syntax or overflowing, in ways that may be either more or less conspicuous. Starting from theories of Derek Attridge, this book develops new methods for exploring the expressive resources of the verse line as exploited by the greatest of English poets, John Milton. Topics examined include: the interaction of strictness and freedom in the rhythms of Milton's line and paragraph; the interfusion of diverse prosodies in a single poem; approaches to free verse; rhyme in the earlier lyric verse and modes of near-rhyme in the later blank verse; the diverse modes of onomatopoeia; and the complex interweavings of prosody and ideology in this very political poet. The great themes and issues and characters of Milton's innovative and always controversial poetry are perceived afresh, being approached intimately through the rich possibilities of the line, and the insights of the approach illuminate the reading of any poetry.
Author: Peter C. Herman
Publisher: Cambridge University Press
ISBN: 1107379563
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
The New Milton Criticism seeks to emphasize ambivalence and discontinuity in Milton's work and interrogate the assumptions and certainties in previous Milton scholarship. Contributors to the volume move Milton's open-ended poetics to the centre of Milton studies by showing how analysing irresolvable questions – religious, philosophical and literary critical – transforms interpretation and enriches appreciation of his work. The New Milton Criticism encourages scholars to embrace uncertainties in his writings rather than attempt to explain them away. Twelve critics from a range of countries, approaches and methodologies explore these questions in these new readings of Paradise Lost and other works. Sure to become a focus of debate and controversy in the field, this volume is a truly original contribution to early modern studies.
Author: Benjamin Myers
Publisher: Walter de Gruyter
ISBN: 3110919370
Category : History
Languages : en
Pages : 225
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Book Description
At the centre of John Milton’s epic poem Paradise Lost (1667) is a radical commitment to divine and human freedom. This study situates Paradise Lost within the context of post-Reformation theological controversy, and pursues the theological portrayal of freedom as it unfolds throughout the poem. The study identifies and explores the ways in which Milton is both continuous and discontinuous with the major post-Reformation traditions in his depiction of predestination, creation, free will, sin, and conversion. Milton’s deep commitment to freedom is shown to underlie his appropriation and creative transformation of a wide range of existing theological concepts.
Author: Thomas Matthew Vozar
Publisher: Oxford University Press
ISBN: 0198875940
Category :
Languages : en
Pages : 225
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Book Description
No author in the English canon seems more deserving of the epithet sublime than John Milton. Yet Milton's sublimity has long been dismissed as an invention of eighteenth-century criticism. The poet himself, the story goes, could hardly have had any notion of the sublime, a concept that only took shape in the decades after his death with the advent of philosophical aesthetics. Such a narrative, however, fails to account for the fact that Milton is one of the first writers in English to refer to Longinus, the author traditionally associated with the Ancient Greek treatise On the Sublime. This book argues that Milton did have an idea of the sublime--one that came to him from Longinus but also from a larger classical tradition that offered a pre-aesthetic predecessor to the aesthetic concept of the sublime. Thomas Vozar shows that Longinus was better known in early modern England than has been previously appreciated; that various notions of sublimity beyond that of Longinus would have been available to Milton and his contemporaries; and that such notions of the sublime were integral to Milton's rhetorical, scientific, and theological imagination. Additional material relating to the early modern reception of Longinus is provided in the appendices, which contain the first bibliographical study of copies of Longinus in English private libraries to 1674 and an edition of a newly discovered seventeenth-century English translation of Longinus. Far from being anachronistic, Milton's "abstracted sublimities" touch on almost every aspect of his thought, from rhetoric to politics, from science to theology. Making substantive contributions to literary scholarship, classical reception studies, and the history of ideas, Milton, Longinus, and the Sublime in the Seventeenth Century returns the sublime to its proper place at the forefront of Milton criticism, re-evaluates the diffusion of Longinian texts and concepts in early modern Europe, and records a crucial missing chapter in the history of the sublime.
Author: John Milton
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 464
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Book Description
