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Author: Joan Catherine Whitman
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 332
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Book Description
Author: Joan Catherine Whitman
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 332
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Book Description
Author: Richard A. Berg
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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Book Description
Author: Mikel Dufrenne
Publisher: Northwestern University Press
ISBN: 9780810105911
Category : Philosophy
Languages : en
Pages : 652
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Book Description
The Phenomenology of Aesthetic Experience (Fr. Ph nom nologie de l'exp rience esth tique) was first published in 1953. In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and painting. He devotes his third section to aesthetic perception. In the fourth, he describes a Kantian critique of aesthetic experience. A perennial classic in the SPEP series, the work is rounded out by a detailed "Translator's Foreword" especially helpful to readers in aesthetics interested in the context and circumstances around which the original was published as well as the phenomenological background of the book.
Author: Mikel Dufrenne
Publisher: Humanity Books
ISBN: 9781573925013
Category : Philosophy
Languages : en
Pages : 0
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Book Description
"This collection of essays on aesthetics is the first set of Dufrenne's shorter pieces to appear in English. It is arranged thematically and includes works from as early as 1948 to as late as 1974. ... In these essays Dufrenne covers a lot of ground and draws into his discussion of aesthetics a whole range of thinkers, including Barthes, Foucault, Lyotard, Metz, Freud and Derrida. ... These essays are well worth reading both for the quality of the writing and for the continual insights which come to the surface along the way. The text has been devotedly translated and a helpful introduction has been added." -- David Pollard, British Journal of Aesthetics
Author:
Publisher: BRILL
ISBN: 9004455612
Category : Philosophy
Languages : en
Pages : 192
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Book Description
Author: David E. W. Fenner
Publisher: Humanities Press International
ISBN:
Category : Philosophy
Languages : en
Pages : 150
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Book Description
David Fenner sets out to investigate the formulation of necessary and sufficient conditions for the adoption of the aesthetic attitude.
Author: Hans Rainer Sepp
Publisher: Springer Science & Business Media
ISBN: 9048124719
Category : Philosophy
Languages : en
Pages : 376
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Book Description
Historically, phenomenology began in Edmund Husserl’s theory of mathematics and logic, went on to focus for him on transcendental rst philosophy and for others on metaphysics, philosophical anthropology, and theory of interpretation. The c- tinuing focus has thus been on knowledge and being. But if one began without those interests and with an understanding of the phenomenological style of approach, one might well see that art and aesthetics make up the most natural eld to be approached phenomenologically. Contributions to this eld have continually been made in the phenomenological tradition from very early on, but, so to speak, along the side. (The situation has been similar with phenomenological ethics. ) A great deal of thought about art and aesthetics has nevertheless accumulated during a century and a handbook like the present one is long overdue. The project of this handbook began in conversations over dinner in Sepp’s apa- ment in Baden-Baden at one evening of the hot European summer in the year 2003. As things worked out, he knew more about whom to ask and how much space to allocate to each entry and Embree knew more about how to conduct the inviting, preliminary editing, and prodding of contributors who were late returning their criticized drafts and copyedited entries and was able to invest the time and other resources from his endowed chair. That process took longer than anticipated and there were additional unfortunate delays due to factors beyond the editors’s control.
Author: Arnold Berleant
Publisher: Cybereditions Corporation
ISBN: 9781877275258
Category : Philosophy
Languages : en
Pages : 194
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Book Description
Arguing that traditional answers to the question "What is art?" are partial at best, Arnold Berleant contends that we need to understand art as a complex aesthetic field encompassing all the factors that form the context and experience of art.
Author: Daniel Yacavone
Publisher: Columbia University Press
ISBN: 0231538359
Category : Philosophy
Languages : en
Pages : 341
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Book Description
Film Worlds unpacks the significance of the "worlds" that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the continental and analytic traditions, as well as classical and contemporary film theory, it weaves together multiple strands of thought and analysis to provide new understandings of filmic representation, fictionality, expression, self-reflexivity, style, and the full range of cinema's affective and symbolic dimensions. Always more than "fictional worlds" and "storyworlds" on account of cinema's perceptual, cognitive, and affective nature, film worlds are theorized as immersive and transformative artistic realities. As such, they are capable of fostering novel ways of seeing, feeling, and understanding experience. Engaging with the writings of Jean Mitry, Pier Paolo Pasolini, Christian Metz, David Bordwell, Gilles Deleuze, and Hans-Georg Gadamer, among other thinkers, Film Worlds extends Nelson Goodman's analytic account of symbolic and artistic "worldmaking" to cinema, expands on French philosopher Mikel Dufrenne's phenomenology of aesthetic experience in relation to films and their worlds, and addresses the hermeneutic dimensions of cinematic art. It emphasizes what both celluloid and digital filmmaking and viewing share with the creation and experience of all art, while at the same time recognizing what is unique to the moving image in aesthetic terms. The resulting framework reconciles central aspects of realist and formalist/neo-formalist positions in film theory while also moving beyond them and seeks to open new avenues of exploration in film studies and the philosophy of film.
Author: David Gordon Allen
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
