Author: Lisa Botshon
Publisher:
ISBN: 9781555535810
Category : American fiction
Languages : en
Pages : 301
Book Description
Middlebrow Moderns
Amy Lowell, American Modern
Author: Adrienne Munich
Publisher: Rutgers University Press
ISBN: 9780813533568
Category : Biography & Autobiography
Languages : en
Pages : 244
Book Description
A collection of essays that explore the influence, work, and legacy of Pulitzer Prize-winning American poet Amy Lowell.
Publisher: Rutgers University Press
ISBN: 9780813533568
Category : Biography & Autobiography
Languages : en
Pages : 244
Book Description
A collection of essays that explore the influence, work, and legacy of Pulitzer Prize-winning American poet Amy Lowell.
Modernism, Middlebrow and the Literary Canon
Author: Lise Jaillant
Publisher: Routledge
ISBN: 1317317777
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
In the 1920s and 1930s the Modern Library series began to bring out cheap editions of modernist works. Jaillant provides a thorough analysis of the series’ mix of highbrow and popular literature and argues that the availability and low cost of modernist works helped to expand modernism's influence as a literary movement.
Publisher: Routledge
ISBN: 1317317777
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
In the 1920s and 1930s the Modern Library series began to bring out cheap editions of modernist works. Jaillant provides a thorough analysis of the series’ mix of highbrow and popular literature and argues that the availability and low cost of modernist works helped to expand modernism's influence as a literary movement.
Modern Sentimentalism
Author: Lisa Mendelman
Publisher: Oxford University Press
ISBN: 0192589717
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Modern Sentimentalism examines how American female novelists reinvented sentimentalism in the modernist period. Just as the birth of the modern woman has long been imagined as the death of sentimental feeling, modernist literary innovation has been understood to reject sentimental aesthetics. Modern Sentimentalism reframes these perceptions of cultural evolution. Taking up icons such as the New Woman, the flapper, the free lover, the New Negro woman, and the divorcée, this book argues that these figures embody aspects of a traditional sentimentality while also recognizing sentiment as incompatible with ideals of modern selfhood. These double binds equally beleaguer the protagonists and shape the styles of writers like Willa Cather, Edith Wharton, Anita Loos, and Jessie Fauset. 'Modern sentimentalism' thus translates nineteenth-century conventions of sincerity and emotional fulfillment into the skeptical, self-conscious modes of interwar cultural production. Reading canonical and under-examined novels in concert with legal briefs, scientific treatises, and other transatlantic period discourse, and combining traditional and quantitative methods of archival research, Modern Sentimentalism demonstrates that feminine feeling, far from being peripheral to twentieth-century modernism, animates its central principles and preoccupations.
Publisher: Oxford University Press
ISBN: 0192589717
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Modern Sentimentalism examines how American female novelists reinvented sentimentalism in the modernist period. Just as the birth of the modern woman has long been imagined as the death of sentimental feeling, modernist literary innovation has been understood to reject sentimental aesthetics. Modern Sentimentalism reframes these perceptions of cultural evolution. Taking up icons such as the New Woman, the flapper, the free lover, the New Negro woman, and the divorcée, this book argues that these figures embody aspects of a traditional sentimentality while also recognizing sentiment as incompatible with ideals of modern selfhood. These double binds equally beleaguer the protagonists and shape the styles of writers like Willa Cather, Edith Wharton, Anita Loos, and Jessie Fauset. 'Modern sentimentalism' thus translates nineteenth-century conventions of sincerity and emotional fulfillment into the skeptical, self-conscious modes of interwar cultural production. Reading canonical and under-examined novels in concert with legal briefs, scientific treatises, and other transatlantic period discourse, and combining traditional and quantitative methods of archival research, Modern Sentimentalism demonstrates that feminine feeling, far from being peripheral to twentieth-century modernism, animates its central principles and preoccupations.
The Art of Appreciation
Author: Kate Guthrie
Publisher: Univ of California Press
ISBN: 0520351673
Category : History
Languages : en
Pages : 306
Book Description
The art of appreciation -- "Audiences of the future" : the Robert Mayer Concerts for Children (1924-1939) -- Victorians on radio : Music and the Ordinary Listener (1926-1939) -- Music education on film : Instruments of the Orchestra (1946) -- Outside the ivory tower : extra-mural music at the University of Birmingham (1948-1964) -- The Avant-garde goes to school : O Magnum Mysterium (1960) -- Epilogue : the middlebrow in an age of cultural pluralism.
Publisher: Univ of California Press
ISBN: 0520351673
Category : History
Languages : en
Pages : 306
Book Description
The art of appreciation -- "Audiences of the future" : the Robert Mayer Concerts for Children (1924-1939) -- Victorians on radio : Music and the Ordinary Listener (1926-1939) -- Music education on film : Instruments of the Orchestra (1946) -- Outside the ivory tower : extra-mural music at the University of Birmingham (1948-1964) -- The Avant-garde goes to school : O Magnum Mysterium (1960) -- Epilogue : the middlebrow in an age of cultural pluralism.
Middlebrow Literary Cultures
Author: E. Brown
Publisher: Springer
ISBN: 0230354645
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
The literary 'middle ground', once dismissed by academia as insignificant, is the site of powerful anxieties about cultural authority that continue to this day. In short, the middlebrow matters . These essays examine the prejudices and aspirations at work in the 'battle of the brows', and show that cultural value is always relative and situational.
Publisher: Springer
ISBN: 0230354645
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
The literary 'middle ground', once dismissed by academia as insignificant, is the site of powerful anxieties about cultural authority that continue to this day. In short, the middlebrow matters . These essays examine the prejudices and aspirations at work in the 'battle of the brows', and show that cultural value is always relative and situational.
Caribbean Middlebrow
Author: Belinda Edmondson
Publisher: Cornell University Press
ISBN: 9780801448140
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
It is commonly assumed that Caribbean culture is split into elite highbrow culture--which is considered derivative of Europe--and authentic working-class culture, which is often identified with such iconic island activities as salsa, carnival, calypso, and reggae. This book recovers a middle ground, a genuine popular culture in the English-speaking Caribbean that stretches back into the nineteenth century. It shows that popular novels, beauty pageants, and music festivals are examples of Caribbean culture that are mostly created, maintained, and consumed by the Anglophone middle class. Much of middle-class culture is further gendered as "female": women are more apt to be considered recreational readers of fiction, for example, and women's behavior outside the home is often taken as a measure of their community's respectability. The book also highlights the influence of American popular culture, especially African American popular culture, as early as the nineteenth century.
Publisher: Cornell University Press
ISBN: 9780801448140
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
It is commonly assumed that Caribbean culture is split into elite highbrow culture--which is considered derivative of Europe--and authentic working-class culture, which is often identified with such iconic island activities as salsa, carnival, calypso, and reggae. This book recovers a middle ground, a genuine popular culture in the English-speaking Caribbean that stretches back into the nineteenth century. It shows that popular novels, beauty pageants, and music festivals are examples of Caribbean culture that are mostly created, maintained, and consumed by the Anglophone middle class. Much of middle-class culture is further gendered as "female": women are more apt to be considered recreational readers of fiction, for example, and women's behavior outside the home is often taken as a measure of their community's respectability. The book also highlights the influence of American popular culture, especially African American popular culture, as early as the nineteenth century.
Middlebrow Mission: Pearl S. Buck's American China
Author: Vanessa Künnemann
Publisher: transcript Verlag
ISBN: 3839431085
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
Nobel Prize winner Pearl S. Buck's engagement with (neo-)missionary cultures in the United States and China was unique. Against the backdrop of her missionary upbringing, Buck developed a fictional project which both revised and reaffirmed American foreign missionary activity in the Pacific Rim during the 20th century. Vanessa Künnemann accurately traces this project from America's number one expert on China - as Buck came to be known - from a variety of disciplinary angles, placing her work squarely in Middlebrow Studies and New American Studies.
Publisher: transcript Verlag
ISBN: 3839431085
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
Nobel Prize winner Pearl S. Buck's engagement with (neo-)missionary cultures in the United States and China was unique. Against the backdrop of her missionary upbringing, Buck developed a fictional project which both revised and reaffirmed American foreign missionary activity in the Pacific Rim during the 20th century. Vanessa Künnemann accurately traces this project from America's number one expert on China - as Buck came to be known - from a variety of disciplinary angles, placing her work squarely in Middlebrow Studies and New American Studies.
A New Heartland
Author: Janet Galligani Casey
Publisher: Oxford University Press
ISBN: 0190623578
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
Modernity and urbanity have long been considered mutually sustaining forces in early twentieth-century America. But has the dominance of the urban imaginary obscured the importance of the rural? How have women, in particular, appropriated discourses and images of rurality to interrogate the problems of modernity? And how have they imbued the rural-traditionally viewed as a locus for conservatism-with a progressive political valence? Touching on such diverse subjects as eugenics, reproductive rights, advertising, the economy of literary prizes, and the role of the camera, A New Heartland demonstrates the importance of rurality to the imaginative construction of modernism/modernity; it also asserts that women, as objects of scrutiny as well as agents of critique, had a special stake in that relation. Casey traces the ideals informing America's conception of the rural across a wide field of representational domains, including social theory, periodical literature, cultural criticism, photography, and, most especially, women's rural fiction ("low" as well as "high"). Her argument is informed by archival research, most crucially through a careful analysis of The Farmer's Wife, the single nationally distributed farm journal for women and a little known repository of rural American attitudes. Through this broad scope, A New Heartland articulates an alternative mode of modernism by challenging orthodox ideas about gender and geography in twentieth-century America.
Publisher: Oxford University Press
ISBN: 0190623578
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
Modernity and urbanity have long been considered mutually sustaining forces in early twentieth-century America. But has the dominance of the urban imaginary obscured the importance of the rural? How have women, in particular, appropriated discourses and images of rurality to interrogate the problems of modernity? And how have they imbued the rural-traditionally viewed as a locus for conservatism-with a progressive political valence? Touching on such diverse subjects as eugenics, reproductive rights, advertising, the economy of literary prizes, and the role of the camera, A New Heartland demonstrates the importance of rurality to the imaginative construction of modernism/modernity; it also asserts that women, as objects of scrutiny as well as agents of critique, had a special stake in that relation. Casey traces the ideals informing America's conception of the rural across a wide field of representational domains, including social theory, periodical literature, cultural criticism, photography, and, most especially, women's rural fiction ("low" as well as "high"). Her argument is informed by archival research, most crucially through a careful analysis of The Farmer's Wife, the single nationally distributed farm journal for women and a little known repository of rural American attitudes. Through this broad scope, A New Heartland articulates an alternative mode of modernism by challenging orthodox ideas about gender and geography in twentieth-century America.
Bitter Tastes
Author: Donna M. Campbell
Publisher: University of Georgia Press
ISBN: 082034172X
Category : Literary Criticism
Languages : en
Pages : 401
Book Description
Challenging the conventional understandings of literary naturalism defined primarily through its male writers, Donna M. Campbell examines the ways in which American women writers wrote naturalistic fiction and redefined its principles for their own purposes. Bitter Tastes looks at examples from Edith Wharton, Kate Chopin, Willa Cather, Ellen Glasgow, and others and positions their work within the naturalistic canon that arose near the turn of the twentieth century. Campbell further places these women writers in a broader context by tracing their relationship to early film, which, like naturalism, claimed the ability to represent elemental social truths through a documentary method. Women had a significant presence in early film and constituted 40 percent of scenario writers--in many cases they also served as directors and producers. Campbell explores the features of naturalism that assumed special prominence in women's writing and early film and how the work of these early naturalists diverged from that of their male counterparts in important ways.
Publisher: University of Georgia Press
ISBN: 082034172X
Category : Literary Criticism
Languages : en
Pages : 401
Book Description
Challenging the conventional understandings of literary naturalism defined primarily through its male writers, Donna M. Campbell examines the ways in which American women writers wrote naturalistic fiction and redefined its principles for their own purposes. Bitter Tastes looks at examples from Edith Wharton, Kate Chopin, Willa Cather, Ellen Glasgow, and others and positions their work within the naturalistic canon that arose near the turn of the twentieth century. Campbell further places these women writers in a broader context by tracing their relationship to early film, which, like naturalism, claimed the ability to represent elemental social truths through a documentary method. Women had a significant presence in early film and constituted 40 percent of scenario writers--in many cases they also served as directors and producers. Campbell explores the features of naturalism that assumed special prominence in women's writing and early film and how the work of these early naturalists diverged from that of their male counterparts in important ways.