Middle Eastern Languages and the Print Revolution PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Middle Eastern Languages and the Print Revolution PDF full book. Access full book title Middle Eastern Languages and the Print Revolution by Gutenberg-Gesellschaft. Download full books in PDF and EPUB format.
Author: Gutenberg-Gesellschaft
Publisher:
ISBN: 9783936136029
Category : Printing
Languages : en
Pages : 555
Get Book Here
Book Description
Includes essays on the history of printing in Hebrew, Armenian, Syriac, Coptic, and Arabic, and Turkish, in Europe and the Middle East.
Author: Gutenberg-Gesellschaft
Publisher:
ISBN: 9783936136029
Category : Printing
Languages : en
Pages : 555
Get Book Here
Book Description
Includes essays on the history of printing in Hebrew, Armenian, Syriac, Coptic, and Arabic, and Turkish, in Europe and the Middle East.
Author: Bahia Shehab
Publisher: American University in Cairo Press
ISBN: 1649031955
Category : Design
Languages : en
Pages : 383
Get Book Here
Book Description
The first-ever book-length history of Arab graphic design PROSE AWARD WINNER, ART HISTORY & CRITICISM Arab graphic design emerged in the early twentieth century out of a need to influence, and give expression to, the far-reaching economic, social, and political changes that were taking place in the Arab world at the time. But graphic design as a formally recognized genre of visual art only came into its own in the region in the twenty-first century and, to date, there has been no published study on the subject to speak of. A History of Arab Graphic Design traces the people and events that were integral to the shaping of a field of graphic design in the Arab world. Examining the work of over eighty key designers from Morocco to Iraq, and covering the period from pre-1900 to the end of the twentieth century, Bahia Shehab and Haytham Nawar chart the development of design in the region, beginning with Islamic art and Arabic calligraphy, and their impact on Arab visual culture, through to the digital revolution and the arrival of the Internet. They look at how cinema, economic prosperity, and political and cultural events gave birth to and shaped the founders of Arab graphic design. Highlighting the work of key designers and stunningly illustrated with over 600 color images, A History of Arab Graphic Design is an invaluable resource tool for graphic designers, one which, it is hoped, will place Arab visual culture and design on the map of a thriving international design discourse.
Author: Samah Selim
Publisher: Routledge
ISBN: 131762064X
Category : Language Arts & Disciplines
Languages : en
Pages : 233
Get Book Here
Book Description
In the Middle East, translation movements and the debates they have unleashed on language, culture and the politics and practices of identity have historically been tied to processes of state formation and administration, in the form of patronage, policy and publishing. Whether one considers the age of regional empires centered in Baghdad or Istanbul, or that of the modern nation-state from Egypt to Iran, this relationship points to the historical role of translation as a powerful and flexible tool of cultural politics. "Nation and Translation in the Middle East" focuses on this important aspect of translation in the region, with special emphasis on translation movements and the production of modernity in a historical context defined by European imperialism, enlightenment universalism, and globalization. While the papers assembled in this special issue of "The Translator" each address specific translation histories and practices in the Middle East, the broader questions they raise regarding the location and the historicity of translation offer a fruitful intervention into contemporary debates in translation studies on difference, fidelity and the ethics of translation. The volume opens with two essays that situate translation at the intersection of national canons, post colonial cultural hegemonies and 'private' market or activist-based initiatives in Egypt and Turkey. Other contributions discuss the utility of translation paradigms as a counterweight to the dominant orientalist historiography of modern print culture in the Arab World; the role of the translator as political agent and social reformer in twentieth-century Egypt; and the relationship between language, translation and the politics of identity in the multi-ethnic and multilingual Islamicate contexts of the Abbasid and Mughal Empires. The volume also includes a general bibliography on translation and the Middle East.
Author: Geoffrey Roper
Publisher: Routledge
ISBN: 1351888285
Category : Language Arts & Disciplines
Languages : en
Pages : 639
Get Book Here
Book Description
This selection of papers by scholarly specialists offers an introduction to the history of the book and book culture in West Asia and North Africa from antiquity to the 20th century. The flourishing and long-lived manuscript tradition is discussed in its various aspects - social and economic as well as technical and aesthetic. The very early but abortive introduction of printing - long before Gutenberg - and the eventual, belated acceptance of the printed book and the development of print culture are explored in further groups of papers. Cultural, aesthetic, technological, religious, social, political and economic factors are all considered throughout the volume. Although the articles reflect the predominance in the area of Muslim books - Arabic, Persian and Turkish - the Hebrew, Syriac and Armenian contributions are also discussed. The editor’s introduction provides a survey of the field from the origins of writing to the modern literary and intellectual revivals.
Author: Noha Mellor
Publisher: John Wiley & Sons
ISBN: 0745637361
Category : Social Science
Languages : en
Pages : 308
Get Book Here
Book Description
This book provides a clear and authoritative introduction to the emerging Arab media industries in the context of globalization and its impacts, with a focus on publishing, press, broadcasting, cinema and new media. Through detailed discussions of the regulation and economics of these industries, the authors argue that the political, technological and cultural changes on the global media scene have resulted in the reorganization of the Arab media field. They provide striking examples of this through the particular effects on media policies, media technology and the content and genres developed for the new generation of media consumers. As part of the book's overview of the contemporary characteristics of Arab media, the authors outline the development of the role of modern Arab media from a tool of mobilizing the public to a tool of commercial and symbolic profit. Overall, the volume illustrates how the Arab region represents a unique case where the commercialization and liberalization of selected media industries has gone hand in hand with continuous state intervention and an increasing self censorship. Written for students without prior knowledge of the topic, Arab Media will be essential reading for all interested in the contemporary global media industries.
Author:
Publisher: BRILL
ISBN: 9004393145
Category : History
Languages : en
Pages : 461
Get Book Here
Book Description
Manuscripts, Politics and Oriental Studies commemorates the life and works of Johann Gottfried Wetzstein (1815-1905) as a scholar, manuscript collector, and consul in Berlin and Damascus. Beyond research into Wetzstein's own time, special attention is given to the impact his efforts to acquire manuscripts have had until this day. Several contributions also illustrate contemporary developments that give context to his own career as a scholar and diplomat. The particular focus of this volume allows to explore the history of Oriental scholarship not purely through the lens of academic posts and publications but encourages us to discover lifes such as Wetzstein's, without academic stardom yet laying the material foundations of textual work for generations. Contributors are Kaoukab Chebaro; François Déroche; Faustina Doufikar-Aerts; Alba Fedeli; Ludmila Hanisch †; Michaela Hoffmann-Ruf; Ingeborg Huhn; Robert Irwin; Boris Liebrenz; Astrid Meier; Samar El Mikati El Kaissi; Claudia Ott; Holger Preißler †; Christoph Rauch; Helga Rebhan; Anke Scharrahs; Jan Just Witkam.
Author: Dyala Hamzah
Publisher: Routledge
ISBN: 1136167579
Category : History
Languages : en
Pages : 291
Get Book Here
Book Description
In the wake of the Ottoman Empire’s nineteenth-century reforms, as guilds waned and new professions emerged, the scholarly ‘estate’ underwent social differentiation. Some found employment in the state’s new institutions as translators, teachers and editors, whilst others resisted civil servant status. Gradually, the scholar morphed into the public writer. Despite his fledgling status, he catered for the public interest all the more so since new professionals such as doctors, engineers and lawyers endorsed this latest social role as an integral part of their own self-image. This dual preoccupation with self-definition and all things public is the central concern of this book. Focusing on the period after the tax-farming scholar took the bow and before the alienated intellectual prevailed on the contemporary Arab cultural scene, it situates the making of the Arab intellectual within the dysfunctional space of competing states’ interests known as the ‘Nahda’. Located between Empire and Colony, the emerging Arab public sphere was a space of over- and under-regulation, hindering accountability and upsetting allegiances. The communities that Arab intellectuals imagined, including the Pan-Islamic, Pan-Arab and socialist sat astride many a polity and never became contained by post-colonial states. Examining a range of canonical and less canonical authors, this interdisciplinary approach to The Making of the Modern Arab Intellectual will be of interest to students and scholars of the Middle East, history, political science, comparative literature and philosophy.
Author: Frances Robertson
Publisher: Routledge
ISBN: 0415574161
Category : Art
Languages : en
Pages : 178
Get Book Here
Book Description
With the advent of new digital communication technologies, the end of print culture once again appears to be as inevitable to some recent commentators as it did to Marshall McLuhan. This book charts the elements involved in such claims through a method that examines the iconography of materials, marks and processes of print, and in this sense acknowledges McLuhan's notion of the medium as the bearer of meaning.
Author: Ioana Feodorov
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110786990
Category : History
Languages : en
Pages : 466
Get Book Here
Book Description
Arabic printing began in Eastern Europe and the Ottoman Levant through the association of the scholar and printer Antim the Iberian, later a metropolitan of Wallachia, and Athanasios III Dabbās, twice patriarch of Antioch, when the latter, as metropolitan of Aleppo, was sojourning in Bucharest. This partnership resulted in the first Greek and Arabic editions of the Book of the Divine Liturgies (Snagov, 1701) and the Horologion (Bucharest, 1702). With the tools and expertise that he acquired in Wallachia, Dabbās established in Aleppo in 1705 the first Arabic-type press in the Ottoman Empire. After the Church of Antioch divided into separate Greek Orthodox and Greek Catholic Patriarchates in 1724, a new press was opened for Arabic-speaking Greek Catholics by ʻAbdallāh Zāḫir in Ḫinšāra (Ḍūr al-Šuwayr), Lebanon. Likewise, in 1752-1753, a press active at the Church of Saint George in Beirut printed Orthodox books that preserved elements of the Aleppo editions and were reprinted for decades. This book tells the story of the first Arabic-type presses in the Ottoman Empire which provided church books to the Arabic-speaking Christians, irrespective of their confession, through the efforts of ecclesiastical leaders such as the patriarchs Silvester of Antioch and Sofronios II of Constantinople and financial support from East European rulers like prince Constantin Brâncoveanu and hetman Ivan Mazepa.
Author: Titus Nemeth
Publisher: BRILL
ISBN: 9004349308
Category : History
Languages : en
Pages : 537
Get Book Here
Book Description
Arabic is the third most widely used script in the world, and gave rise to one of the richest manuscript cultures of mankind. Its representation in type has engaged printers, engineers, businesses and designers since the 16th century, and today most digital devices render Arabic type. Yet the evolution of the printed form of Arabic, and its development from metal to pixels, has not been charted before. Arabic Type-Making in the Machine Age provides the first comprehensive account of this history using previously undocumented archival sources. In this richly illustrated volume, Titus Nemeth narrates the evolution of Arabic type under the influence of changing technologies from the perspective of a practitioner, combining historical research with applied design considerations.
