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Author: Tamara Smithers
Publisher: BRILL
ISBN: 900431363X
Category : Art
Languages : en
Pages : 262
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Book Description
Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo’s art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist’s formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall
Author: Tamara Smithers
Publisher: BRILL
ISBN: 900431363X
Category : Art
Languages : en
Pages : 262
Get Book Here
Book Description
Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo’s art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist’s formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall
Author: Emily A. Fenichel
Publisher: Cambridge University Press
ISBN: 1009314386
Category : Art
Languages : en
Pages : 389
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Book Description
In this volume, Emily A. Fenichel offers an in-depth investigation of the religious motivations behind Michelangelo's sculpture and graphic works in his late period. Taking the criticism of the Last Judgment as its point of departure, she argues that much of Michelangelo's late oeuvre was engaged in solving the religious and artistic problems presented by the Counter-Reformation. Buffeted by critiques of the Last Judgment, which claimed that he valued art over religion, Michelangelo searched for new religious iconographies and techniques both publicly and privately. Fenichel here suggests a new and different understanding of the artist in his late career. In contrast to the received view of Michelangelo as solitary, intractable, and temperamental, she brings a more nuanced characterization of the artist. The late Michelangelo, Fenichel demonstrates, was a man interested in collaboration, penance, meditation, and experimentation, which enabled his transformation into a new type of religious artist for a new era.
Author: Teodolinda Barolini
Publisher: Fordham Medieval Studies
ISBN: 9780823222711
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Table of contents
Author: Tamara Smithers
Publisher: Taylor & Francis
ISBN: 100062434X
Category : Art
Languages : en
Pages : 317
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Book Description
This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame—or second life—from their own times through the nineteenth century. These two artists inspired fervent followings like no other artists before them. The affective response of those touched by the potency of the physical presence of their art- works, personal effects, and remains—or even touched by the power of their creative legacy—opened up new avenues for artistic fame, divination, and commemoration. Within this cultural framework, this study charts the elevation of the status of dozens of other artists in Italy through funerals and tomb memorialization, many of which were held and made in response to those of Raphael and Michelangelo. By bringing together disparate sources and engaging material as well as a variety of types of artworks and objects, this book will be of great interest to anyone who studies early modern Italy, art history, cultural history, and Italian studies.
Author: Jonathan Jones
Publisher: Vintage
ISBN: 030796101X
Category : History
Languages : en
Pages : 427
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Book Description
From one of Britain’s most respected and acclaimed art historians, art critic of The Guardian—the galvanizing story of a sixteenth-century clash of titans, the two greatest minds of the Renaissance, working side by side in the same room in a fierce competition: the master Leonardo da Vinci, commissioned by the Florentine Republic to paint a narrative fresco depicting a famous military victory on a wall of the newly built Great Council Hall in the Palazzo Vecchio, and his implacable young rival, the thirty-year-old Michelangelo. We see Leonardo, having just completed The Last Supper, and being celebrated by all of Florence for his miraculous portrait of the wife of a textile manufacturer. That painting—the Mona Lisa—being called the most lifelike anyone had ever seen yet, more divine than human, was captivating the entire Florentine Republic. And Michelangelo, completing a commissioned statue of David, the first colossus of the Renaissance, the archetype hero for the Republic epitomizing the triumph of the weak over the strong, helping to reshape the public identity of the city of Florence and conquer its heart. In The Lost Battles, published in England to great acclaim (“Superb”—The Observer; “Beguilingly written”—The Guardian), Jonathan Jones brilliantly sets the scene of the time—the politics; the world of art and artisans; and the shifting, agitated cultural landscape. We see Florence, a city freed from the oppressive reach of the Medicis, lurching from one crisis to another, trying to protect its liberty in an Italy descending into chaos, with the new head of the Republic in search of a metaphor that will make clear the glory that is Florence, and seeing in the commissioned paintings the expression of his vision. Jones reconstructs the paintings that Leonardo and Michelangelo undertook—Leonardo’s Battle of Anghiari, a nightmare seen in the eyes of the warrior (it became the first modern depiction of the disenchantment of war) and Michelangelo’s Battle of Cascina, a call to arms and the first great transfiguration of the erotic into art. Jones writes about the competition; how it unfolded and became the defining moment in the transformation of “craftsman” to “artist”; why the Florentine government began to fall out of love with one artist in favor of the other; and how—and why—in a competition that had no formal prize to clearly resolve the outcome, the battle became one for the hearts and minds of the Florentine Republic, with Michelangelo setting out to prove that his work, not Leonardo’s, embodied the future of art. Finally, we see how the result of the competition went on to shape a generation of narrative paintings, beginning with those of Raphael. A riveting exploration into one of history’s most resonant exchanges of ideas, a rich, fascinating book that gives us a whole new understanding of an age and those at its center.
Author: Joseph Pierce Farrell
Publisher: Simon and Schuster
ISBN: 1439173036
Category : Body, Mind & Spirit
Languages : en
Pages : 258
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Book Description
“And then it happened . . . a ray of illumination shot straight up and down to the left and the right, forming a pair of axes. My heart began to beat very fast, yet I didn’t blink. I couldn’t have taken my eyes off what I was seeing if I had wanted to.” At the dawn of the new millennium, Joseph Pierce Farrell made a startling discovery that holds the potential to transform the world. Having abandoned his childhood dream of a career in healthcare, he had settled for a passionless job in real estate, lining his pockets while eroding his soul. Then one day he fell into a humble job restoring antiques and furniture. One evening while working in his basement studio, he drifted into a meditative state and permitted his mind to soar with the unlimited imagination of a child. In that moment, he experienced a brilliant, blinding flash that ignited within him a remarkable power. Since that transformative moment, he has restored the facial features of a severely disfigured young man, virtually erased an inoperable brain tumor, dramatically reversed the aging process of the faces of celebrities, and mended broken bones—simply with intention supported by a profound connection to a higher source. After a decade of his pioneering work exploring consciousness and its relationship to health and healing, Farrell was invited to present his findings internationally in academic settings, catapulting him to the cutting edge of the integrative healthcare movement. Endorsed by leading researchers and medical doctors, Farrell’s body of evidence has begun to construct a bridge to permit science and spirituality to heal their divide and advance the emerging integrative healthcare model. In this unprecedented book, Farrell chronicles his journey of discovery and poignant stories of human transformation. He outlines an easy-to-follow five-step process that readers can use to ignite their own capacity to manifest change in their lives and the world. Heralding a message of unlimited possibility, Manifesting Michelangelo makes a compelling argument, supporting what science is beginning to embrace, what the great artists have always known, and what spiritual traditions have long promised—that we possess a latent capacity to manifest on the level of the miraculous. It is the first book that asks us to believe—based not on faith alone, but on eyewitness medical testimony, scientific evidence, and profound photos—that we have the capacity to manifest the change in the world that our conscience decrees and our hearts desire.
Author: Michael R Botnick
Publisher: Routledge
ISBN: 1317957326
Category : Social Science
Languages : en
Pages : 192
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Book Description
Understand the international challenges facing gay male societies! This eye-opening account examines the idealistic, structural, and emotional meanings of community within the gay population. Gay Community Survival in the New Millennium explores the concept of “gay community” as well as the problems and progress that these communities are facing in the United States, Canada, and Israel. As a community leader, gay rights advocate, or policymaker, you will gain insight into issues that must be addressed now in order to strengthen your own community. Gay Community Survival in the New Millennium explores many of the fractures in gay society that must be addressed to ensure progress in the gay liberation movements, including: racial and ethnic divisions in the gay community, especially based on HIV-positive and HIV-negative status, and programs that work to bridge this gap the rift between HIV-positive and HIV-negative gay men based on the allocation of money for social programs meant to support entire gay communities AIDSphobia, the irrational fear of contracting the virus and how it has affected gay communities the Israeli gay rights movement, which is visibly pursuing full and equal citizenship in Israel, including acceptance into the Israeli military projections for gay rights movements in the future if homophobia continues to exist the enormous power that would be created if all gay and AIDS social organizations in a given geographic region banded together to influence change in social policies and eliminate stereotypes Gay Community Survival in the New Millennium explores what it means to be a gay man in today's communities, from the fear of AIDS and the need for financing of gay men's social programs to forming a collective organization that will work for the gay men's liberation movements. This essential guide will provide you with suggestions to help you shape and successfully change your gay community.
Author: Thomas Day
Publisher: Crossroad Publishing
ISBN:
Category : Music
Languages : en
Pages : 260
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Book Description
The bestselling author of Why Catholics Can't Sing returns with a brilliant and witty portrait of American Catholic culture that is sure to offend--and delight--everyone. "(Day) accurately and wittingly skewers what passes for culture in American Catholicism".--Publishers Weekly.
Author: Leonard Barkan
Publisher: Princeton University Press
ISBN: 1400835917
Category : Art
Languages : en
Pages : 384
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Book Description
A groundbreaking account of the role of writing in Michelangelo's art Michelangelo is best known for great artistic achievements such as the Sistine ceiling, the David, the Pietà, and the dome of St. Peter's. Yet throughout his seventy-five year career, he was engaged in another artistic act that until now has been largely overlooked: he not only filled hundreds of sheets of paper with exquisite drawings, sketches, and doodles, but also, on fully a third of these sheets, composed his own words. Here we can read the artist's marginal notes to his most enduring masterpieces; workaday memos to assistants and pupils; poetry and letters; and achingly personal expressions of ambition and despair surely meant for nobody's eyes but his own. Michelangelo: A Life on Paper is the first book to examine this intriguing interplay of words and images, providing insight into his life and work as never before. This sumptuous volume brings together more than two hundred stunning, museum-quality reproductions of Michelangelo's most private papers, many in color. Accompanying them is Leonard Barkan's vivid narrative, which explains the important role the written word played in the artist's monumental public output. What emerges is a wealth of startling juxtapositions: perfectly inscribed sonnets and tantalizing fragments, such as "Have patience, love me, sufficient consolation"; careful notations listing money spent for chickens, oxen, and funeral rites for the artist's father; a beautiful drawing of a Madonna and child next to a mock love poem that begins, "You have a face sweeter than boiled grape juice, and a snail seems to have passed over it." Magnificently illustrated and superbly detailed, this book provides a rare and intimate look at how Michelangelo's artistic genius expressed itself in words as well as pictures.
Author: Anne Bloemacher
Publisher: BRILL
ISBN: 9004445862
Category : Art
Languages : en
Pages : 392
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Book Description
Sculpture in Print, 1480–1600 is the first in-depth study dedicated to the intriguing history of the translation of statues and reliefs into print. The multitude of engravings, woodcuts and etchings show a highly creative handling of the ‘original’ antique or contemporary work of art. The essays in this volume reflect these various approaches to and challenges of translating sculpture in print. They analyze foremost the beginnings of the phenomenon in Italian and Northern Renaissance prints and they highlight by means of case studies amongst many other topics the interrelated terminology between sculpture and print, lost models in print, the inventive handling of fragments, as well as the transformation of statues into narrative contexts.
