Author: Lene Østermark-Johansen
Publisher: Routledge
ISBN: 0429760388
Category : Art
Languages : en
Pages : 348
Book Description
First published in 1998, this volume explores the reinvention of Michelangelo in the Victorian era. At the opening of the nineteenth century, Michelangelo’s reputation rested on the evidence of contemporary adulation recorded by Vasari and Condivi. Travel, photography, the shift of his drawings into public collections, and, in particular, the publication of his poems in their original form, transformed this situation. The complexity of his work commanded new attention and several biographies were published. As public curiosity and knowledge of the artist increased, so various groups began to ally themselves to aspects of Michelangelo’s persona. His Renaissance reputation as a towering genius, a man of great spiritual courage, who had journeyed through and for his art to the depths of despair, was important to the Pre-Raphaelites and other artists. His love for his own ‘Dark Lady’, Vittoria Colonna, aroused excited speculation among High Church advocates, who celebrated his friendship with the deeply religious woman-poet; and the emerging awareness that some half of his love poetry was dedicated to a younger man, Tommaso de’ Cavalieri, was of intense interest to the aestheticists, among them Oscar Wilde, Walter Pater and J.A. Symonds, who sought heroic figures from societies where masculinity was less rigorously defined. In this original and beautifully illustrated study, Lene Østermark-Johansen shows how the critical discussion of the artist’s genius and work became irretrievably bound up in contemporary debates about art, religion and gender and how the Romantic view of art and criticism as self-expression turned the focus from the work of art to the artist himself such that the two could never again be viewed in isolation.
Sweetness and Strength
Author: Lene Østermark-Johansen
Publisher: Routledge
ISBN: 0429760388
Category : Art
Languages : en
Pages : 348
Book Description
First published in 1998, this volume explores the reinvention of Michelangelo in the Victorian era. At the opening of the nineteenth century, Michelangelo’s reputation rested on the evidence of contemporary adulation recorded by Vasari and Condivi. Travel, photography, the shift of his drawings into public collections, and, in particular, the publication of his poems in their original form, transformed this situation. The complexity of his work commanded new attention and several biographies were published. As public curiosity and knowledge of the artist increased, so various groups began to ally themselves to aspects of Michelangelo’s persona. His Renaissance reputation as a towering genius, a man of great spiritual courage, who had journeyed through and for his art to the depths of despair, was important to the Pre-Raphaelites and other artists. His love for his own ‘Dark Lady’, Vittoria Colonna, aroused excited speculation among High Church advocates, who celebrated his friendship with the deeply religious woman-poet; and the emerging awareness that some half of his love poetry was dedicated to a younger man, Tommaso de’ Cavalieri, was of intense interest to the aestheticists, among them Oscar Wilde, Walter Pater and J.A. Symonds, who sought heroic figures from societies where masculinity was less rigorously defined. In this original and beautifully illustrated study, Lene Østermark-Johansen shows how the critical discussion of the artist’s genius and work became irretrievably bound up in contemporary debates about art, religion and gender and how the Romantic view of art and criticism as self-expression turned the focus from the work of art to the artist himself such that the two could never again be viewed in isolation.
Publisher: Routledge
ISBN: 0429760388
Category : Art
Languages : en
Pages : 348
Book Description
First published in 1998, this volume explores the reinvention of Michelangelo in the Victorian era. At the opening of the nineteenth century, Michelangelo’s reputation rested on the evidence of contemporary adulation recorded by Vasari and Condivi. Travel, photography, the shift of his drawings into public collections, and, in particular, the publication of his poems in their original form, transformed this situation. The complexity of his work commanded new attention and several biographies were published. As public curiosity and knowledge of the artist increased, so various groups began to ally themselves to aspects of Michelangelo’s persona. His Renaissance reputation as a towering genius, a man of great spiritual courage, who had journeyed through and for his art to the depths of despair, was important to the Pre-Raphaelites and other artists. His love for his own ‘Dark Lady’, Vittoria Colonna, aroused excited speculation among High Church advocates, who celebrated his friendship with the deeply religious woman-poet; and the emerging awareness that some half of his love poetry was dedicated to a younger man, Tommaso de’ Cavalieri, was of intense interest to the aestheticists, among them Oscar Wilde, Walter Pater and J.A. Symonds, who sought heroic figures from societies where masculinity was less rigorously defined. In this original and beautifully illustrated study, Lene Østermark-Johansen shows how the critical discussion of the artist’s genius and work became irretrievably bound up in contemporary debates about art, religion and gender and how the Romantic view of art and criticism as self-expression turned the focus from the work of art to the artist himself such that the two could never again be viewed in isolation.
Michelangelo and the English Martyrs
Author: Anne Dillon
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754664475
Category : History
Languages : en
Pages : 416
Book Description
This book uses a broadsheet print of the martyrdom of the Carthusians of the London Charterhouse during the reign of Henry VIII as a springboard to investigate several aspects of the Counter Reformation. Through an in-depth investigation of the text and images, Anne Dillon provides a lively account that connects Michelangelo, Cardinal Pole, Mary Tudor and Pope Julius III, and weaves them into a wider discussion of martyrology, polemic and the Catholic community in England and beyond.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754664475
Category : History
Languages : en
Pages : 416
Book Description
This book uses a broadsheet print of the martyrdom of the Carthusians of the London Charterhouse during the reign of Henry VIII as a springboard to investigate several aspects of the Counter Reformation. Through an in-depth investigation of the text and images, Anne Dillon provides a lively account that connects Michelangelo, Cardinal Pole, Mary Tudor and Pope Julius III, and weaves them into a wider discussion of martyrology, polemic and the Catholic community in England and beyond.
Michelangelo
Author: Antonio Forcellino
Publisher: John Wiley & Sons
ISBN: 1509539972
Category : Art
Languages : en
Pages : 307
Book Description
This major new biography recounts the extraordinary life of one of the most creative figures in Western culture, weaving together the multiple threads of Michelangelo’s life and times with a brilliant analysis of his greatest works. The author retraces Michelangelo’s journey from Rome to Florence, explores his changing religious views and examines the complicated politics of patronage in Renaissance Italy. The psychological portrait of Michelangelo is constantly foregrounded, depicting with great conviction a tormented man, solitary and avaricious, burdened with repressed homosexuality and a surplus of creative enthusiasm. Michelangelo’s acts of self-representation and his pivotal role in constructing his own myth are compellingly unveiled. Antonio Forcellino is one of the world’s leading authorities on Michelangelo and an expert art historian and restorer. He has been involved in the restoration of numerous masterpieces, including Michelangelo’s Moses. He combines his firsthand knowledge of Michelangelo’s work with a lively literary style to draw the reader into the very heart of Michelangelo’s genius.
Publisher: John Wiley & Sons
ISBN: 1509539972
Category : Art
Languages : en
Pages : 307
Book Description
This major new biography recounts the extraordinary life of one of the most creative figures in Western culture, weaving together the multiple threads of Michelangelo’s life and times with a brilliant analysis of his greatest works. The author retraces Michelangelo’s journey from Rome to Florence, explores his changing religious views and examines the complicated politics of patronage in Renaissance Italy. The psychological portrait of Michelangelo is constantly foregrounded, depicting with great conviction a tormented man, solitary and avaricious, burdened with repressed homosexuality and a surplus of creative enthusiasm. Michelangelo’s acts of self-representation and his pivotal role in constructing his own myth are compellingly unveiled. Antonio Forcellino is one of the world’s leading authorities on Michelangelo and an expert art historian and restorer. He has been involved in the restoration of numerous masterpieces, including Michelangelo’s Moses. He combines his firsthand knowledge of Michelangelo’s work with a lively literary style to draw the reader into the very heart of Michelangelo’s genius.
Michelangelo’s Secret Anatomy Book
Author: Sue Tatem
Publisher: Xlibris Corporation
ISBN: 1483663256
Category : Art
Languages : en
Pages : 76
Book Description
Michelangelo used images of human anatomy throughout his work. Nearly the entire body is there, albeit in pieces. Michelangelo began his career with extensive dissections of human corpses and ended his career talking about illustrating an anatomy book. He was hinting, as the anatomy was already there in his art. Perhaps at the time he made the art, he worried that it was too dangerous for his own person to reveal the secular anatomy theme. At the time, Renaissance scholars were studying human anatomy and trying to work out how the organs functioned. Many of them, like Leonardo da Vinci and Vesalius, self-published using their art. Herein are some of Michelangelo’s “self-published” contributions, human anatomy in his art and self-portraits, in the Sistine Chapel, paintings, and sculpture.
Publisher: Xlibris Corporation
ISBN: 1483663256
Category : Art
Languages : en
Pages : 76
Book Description
Michelangelo used images of human anatomy throughout his work. Nearly the entire body is there, albeit in pieces. Michelangelo began his career with extensive dissections of human corpses and ended his career talking about illustrating an anatomy book. He was hinting, as the anatomy was already there in his art. Perhaps at the time he made the art, he worried that it was too dangerous for his own person to reveal the secular anatomy theme. At the time, Renaissance scholars were studying human anatomy and trying to work out how the organs functioned. Many of them, like Leonardo da Vinci and Vesalius, self-published using their art. Herein are some of Michelangelo’s “self-published” contributions, human anatomy in his art and self-portraits, in the Sistine Chapel, paintings, and sculpture.
Literature
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 446
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 446
Book Description
Michelangelo and the Pope's Ceiling
Author: Ross King
Publisher: Bloomsbury Publishing USA
ISBN: 163286195X
Category : Biography & Autobiography
Languages : en
Pages : 385
Book Description
From the acclaimed author of Brunelleschi's Dome and Leonardo and the Last Supper, the riveting story of how Michelangelo, against all odds, created the masterpiece that has ever since adorned the ceiling of the Sistine Chapel. In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Despite having completed his masterful statue David four years earlier, he had little experience as a painter, even less working in the delicate medium of fresco, and none with challenging curved surfaces such as the Sistine ceiling's vaults. The temperamental Michelangelo was himself reluctant: He stormed away from Rome, incurring Julius's wrath, before he was eventually persuaded to begin. Michelangelo and the Pope's Ceiling recounts the fascinating story of the four extraordinary years he spent laboring over the twelve thousand square feet of the vast ceiling, while war and the power politics and personal rivalries that abounded in Rome swirled around him. A panorama of illustrious figures intersected during this time-the brilliant young painter Raphael, with whom Michelangelo formed a rivalry; the fiery preacher Girolamo Savonarola and the great Dutch scholar Desiderius Erasmus; a youthful Martin Luther, who made his only trip to Rome at this time and was disgusted by the corruption all around him. Ross King blends these figures into a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Italy, while also offering uncommon insight into the connection between art and history.
Publisher: Bloomsbury Publishing USA
ISBN: 163286195X
Category : Biography & Autobiography
Languages : en
Pages : 385
Book Description
From the acclaimed author of Brunelleschi's Dome and Leonardo and the Last Supper, the riveting story of how Michelangelo, against all odds, created the masterpiece that has ever since adorned the ceiling of the Sistine Chapel. In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Despite having completed his masterful statue David four years earlier, he had little experience as a painter, even less working in the delicate medium of fresco, and none with challenging curved surfaces such as the Sistine ceiling's vaults. The temperamental Michelangelo was himself reluctant: He stormed away from Rome, incurring Julius's wrath, before he was eventually persuaded to begin. Michelangelo and the Pope's Ceiling recounts the fascinating story of the four extraordinary years he spent laboring over the twelve thousand square feet of the vast ceiling, while war and the power politics and personal rivalries that abounded in Rome swirled around him. A panorama of illustrious figures intersected during this time-the brilliant young painter Raphael, with whom Michelangelo formed a rivalry; the fiery preacher Girolamo Savonarola and the great Dutch scholar Desiderius Erasmus; a youthful Martin Luther, who made his only trip to Rome at this time and was disgusted by the corruption all around him. Ross King blends these figures into a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Italy, while also offering uncommon insight into the connection between art and history.
The Bookman's Journal and Print Collector
Author: Wilfred Partington
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 440
Book Description
The Burlington Magazine for Connoisseurs
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 406
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 406
Book Description
Catalogue of Copyright Entries: Books, Dramatic Compositions, Maps and Charts
Author: Copyright Office
Publisher:
ISBN:
Category :
Languages : en
Pages : 1256
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1256
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1266
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1266
Book Description