Michelangelo, Drawing, and the Invention of Architecture PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Michelangelo, Drawing, and the Invention of Architecture PDF full book. Access full book title Michelangelo, Drawing, and the Invention of Architecture by Cammy Brothers. Download full books in PDF and EPUB format.
Author: Cammy Brothers
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 302
Get Book
Book Description
By following steps by which Michelangelo arrived at his inventions, the author questions conventional notions of spotaneity as a function of genius. Rather, she explores the idea of drawing as a mode of thinking, using its evidence to reconstruct the process by which Michelangelo arrived at new ideas.
Author: Cammy Brothers
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 302
Get Book
Book Description
By following steps by which Michelangelo arrived at his inventions, the author questions conventional notions of spotaneity as a function of genius. Rather, she explores the idea of drawing as a mode of thinking, using its evidence to reconstruct the process by which Michelangelo arrived at new ideas.
Author: Carmen C. Bambach
Publisher: Metropolitan Museum of Art
ISBN: 1588396371
Category : Art
Languages : en
Pages : 395
Get Book
Book Description
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
Author: Christy Anderson
Publisher: OUP Oxford
ISBN: 0191625264
Category : Architecture
Languages : en
Pages : 272
Get Book
Book Description
The Renaissance was a diverse phenomenon, marked by innovation and economic expansion, the rise of powerful rulers, religious reforms, and social change. Encompassing the entire continent, Renaissance Architecture examines the rich variety of buildings that emerged during these seminal centuries of European history. Although marked by the rise of powerful individuals, both patrons and architects, the Renaissance was equally a time of growing group identities and communities - and architecture provided the public face to these new identities . Religious reforms in northern Europe, spurred on by Martin Luther, rejected traditional church function and decoration, and proposed new models. Political ambitions required new buildings to satisfy court rituals. Territory, nature, and art intersected to shape new landscapes and building types. Classicism came to be the international language of an educated architect and an ambitious patron, drawing on the legacy of ancient Rome. Yet the richness of the medieval tradition continued to be used throughout Europe, often alongside classical buildings. Examining each of these areas by turn, this book offers a broad cultural history of the period as well as a completely new approach to the history of Renaissance architecture. The work of well-known architects such as Michelangelo and Andrea Palladio is examined alongside lesser known though no less innovative designers such as Juan Guas in Portugal and Benedikt Ried in Prague and Eastern Europe. Drawing on the latest research, it also covers more recent areas of interest such as the story of women as patrons and the emotional effect of Renaissance buildings, as well as the impact of architectural publications and travel on the emerging new architectural culture across Europe. As such, it provides a compelling introduction to the subject for all those interested in the history of architecture, society, and culture in the Renaissance, and European culture in general.
Author: Cammy Brothers
Publisher: Princeton University Press
ISBN: 0691193797
Category : Architecture
Languages : en
Pages : 320
Get Book
Book Description
"An illuminating reassessment of the architect whose innovative drawings of ruins shaped the enduring image of ancient Rome"--
Author: James S. Ackerman
Publisher:
ISBN: 9780300218718
Category : ARCHITECTURE
Languages : en
Pages : 0
Get Book
Book Description
An illuminating collection of essays from the preeminent scholar of architectural history and theory One of the most distinguished scholars in the fields of architectural history and theory today, James Sloss Ackerman is best known for his work on Italian masters such as Palladio and Michelangelo. In this collection of essays, Ackerman offers insight into his formation and development as a scholar, as well as reflections on a range of topics. Concise, lucid, and original, this book presents deep syntheses alongside innovative approaches and a broadening geographical and chronological reach. Ackerman's enduring fascination with architecture was one unforeseen consequence of his military service in World War II, and the collection includes a revealing account of his part in the liberation of Milan as a soldier in the Fifth American Regiment. These essays represent a unique, personal journey--from the Italian Renaissance to the classical architecture of India and the work of Frank Gehry at the new museum of the Fondation Louis Vuitton in Paris.
Author: Noah Charney
Publisher: W. W. Norton & Company
ISBN: 0393248399
Category : Biography & Autobiography
Languages : en
Pages : 400
Get Book
Book Description
“Readers curious about the making of Renaissance art, its cast of characters and political intrigue, will find much to relish in these pages.” —Wall Street Journal Giorgio Vasari (1511–1574) was a man of many talents—a sculptor, painter, architect, writer, and scholar—but he is best known for Lives of the Artists, which singlehandedly established the canon of Italian Renaissance art. Before Vasari’s extraordinary book, art was considered a technical skill, and artists were mere decorators and craftsmen. It was through Vasari’s visionary writings that Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift. Lauded by Sarah Bakewell as “insightful, gripping, and thoroughly enjoyable,” The Collector of Lives reveals how one Renaissance scholar completely redefined how we look at art.
Author: Dr Federica Goffi
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472401239
Category : Architecture
Languages : en
Pages : 516
Get Book
Book Description
Even though the idea of altering an existing building is presently a well established practice within the context of adaptive reuse, when the building in question is a 'mnemonic building', of recognized heritage value, alterations are viewed with suspicion, even when change is a recognized necessity. This book fills in a blind spot in current architectural theory and practice, looking into a notion of conservation as a form of invention and imagination, offering the reader a counter-viewpoint to a predominant western understanding that preservation should be a 'still shot' from the past. Through a micro-historical study of a Renaissance concept of restoration, a theoretical framework to question the issue of conservation as a creative endeavor arises. It focuses on Tiberio Alfarano's 1571 ichnography of St. Peter's Basilica in the Vatican, into which a complex body of religious, political, architectural and cultural elements is woven. By merging past and present temple's plans, he created a track-drawing questioning the design pursued after Michelangelo’s death (1564), opening the gaze towards other possible future imaginings. This book uncovers how the drawing was acted on by Carlo Maderno (1556-1629), who literally used it as physical substratum to for new design proposals, completing the renewal of the temple in 1626. Proposing a hybrid architectural-conservation approach, this study shows how these two practices can be merged in contemporary renovation. By creating hybrid drawings, the retrospective and prospective gaze of built conservation forms a continuous and contiguous reality, where a pre-existent condition engages with future design rejoining multiple temporalities within continuity of identity. This study might provide a paradigmatic and timely model to retune contemporary architectural sensibility when dealing with the dilemma between design and preservation when transforming a building of recognized significance.
Author: Nicolas Le Camus de Mézières
Publisher: Getty Publications
ISBN: 9780892362356
Category : Aesthetics, French
Languages : en
Pages : 228
Get Book
Book Description
This series offers a range of heretofore unavailable writings in English translation on the subjects of art, architecture, and aesthetics. Camus's description of the French hotel argues that architecture should please the senses and the mind.
Author: James S. Ackerman
Publisher:
ISBN:
Category :
Languages : en
Pages : 290
Get Book
Book Description
Author: David Summers
Publisher:
ISBN: 9780835736978
Category : Art
Languages : en
Pages : 0
Get Book
Book Description
"Taking significant words and concepts used by Michelangelo and his contemporaries to discuss his art--among them fantasia, difficultà, facilità, teribilità, ordine, grazia, and novità--David Summers traces their evolution from classical antiquity through the traditions of philosophy, rhetoric, poetry and medieval artisanship in order to establish their meaning and interrelation during the Renaissance. He draws on the wide range of primary and secondary sources surrounding Michelangelo, as well as upon the visual and iconographic evidence provided by his painting, sculpture and architecture."-- Cover page 4.
