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Author: David Summers
Publisher:
ISBN: 9780835736978
Category : Art
Languages : en
Pages : 0
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Book Description
"Taking significant words and concepts used by Michelangelo and his contemporaries to discuss his art--among them fantasia, difficultà, facilità, teribilità, ordine, grazia, and novità--David Summers traces their evolution from classical antiquity through the traditions of philosophy, rhetoric, poetry and medieval artisanship in order to establish their meaning and interrelation during the Renaissance. He draws on the wide range of primary and secondary sources surrounding Michelangelo, as well as upon the visual and iconographic evidence provided by his painting, sculpture and architecture."-- Cover page 4.
Author: David Summers
Publisher:
ISBN: 9780835736978
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
"Taking significant words and concepts used by Michelangelo and his contemporaries to discuss his art--among them fantasia, difficultà, facilità, teribilità, ordine, grazia, and novità--David Summers traces their evolution from classical antiquity through the traditions of philosophy, rhetoric, poetry and medieval artisanship in order to establish their meaning and interrelation during the Renaissance. He draws on the wide range of primary and secondary sources surrounding Michelangelo, as well as upon the visual and iconographic evidence provided by his painting, sculpture and architecture."-- Cover page 4.
Author: Carmen C. Bambach
Publisher: Metropolitan Museum of Art
ISBN: 1588396371
Category : Art
Languages : en
Pages : 395
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Book Description
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
Author: Marco Ruffini
Publisher: Fordham Univ Press
ISBN: 082323455X
Category : Art
Languages : en
Pages : 272
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Book Description
"Why is the history of art so often construed as a history of artists, when its alleged focus is art? This book responds to this question by examining Giorgio Vasari's Lives and the artist it features most centrally, Michelangelo. More than any other artist in the Lives, Michelangelo exemplifies art as an expression of the individual. Yet at the same time, as this book aims to show, the Lives fashions Michelangelo as the founder of a new academic era in which art develops collectively as a discipline. Paradoxically, Vasari's celebration of Michelangelo mobilizes a conception of art as teachable and transmissible that is antithetical to Michelangelo's aesthetic ideals and unique style."--Page 4 of cover.
Author: Deborah Parker
Publisher: Cambridge University Press
ISBN: 0521761409
Category : History
Languages : en
Pages : 169
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Book Description
Deborah Parker examines Michelangelo's use of language in his correspondence as a means of understanding the creative process of this extraordinary artist.
Author: Alexander Nagel
Publisher: Cambridge University Press
ISBN: 9780521662925
Category : Art
Languages : en
Pages : 320
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Book Description
Michelangelo was acutely conscious of living in an age of religious crisis and artistic change, and for him the two issues were related. Michelangelo and the Reform of Art explores Michelangelo's awareness of artistic tradition as a means of understanding his relation to the profound religious uncertainty of the sixteenth century. Concentrating on Michelangelo's lifelong preoccupation with the image of the dead Christ, Alexander Nagel studies the artist's associations with reform-minded circles in early sixteenth-century Italy, and reveals his sustained concern over the fate of religious art.
Author: Cristina Acidini
Publisher: Yale University Press
ISBN: 9780300094954
Category : Art
Languages : en
Pages : 406
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Book Description
"Publisdhed in conjuntion with the exhibition: Magnificenza! the Medici, Michelangelo, & the Art of Late Renaissance Florence (In Italy, L'Ombra del genio: Michelangelo e l'arte a Firenze, 1538-1631) ..."--Title page verso.
Author: Wenda Brewster O'Reilly
Publisher: Birdcage Press
ISBN: 9781889613031
Category : Art, Italian
Languages : en
Pages : 0
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Book Description
Art history need not be dry or dull, as O'Reilly's book shows. Featuring 90 full-color photos of many of the masterpieces of the movement, the book delves into the work of such masters as Leonardo da Vinci, Michelangelo, Raphael, Botticelli, and Fra Angelico. Full-color photos and illustrations.
Author: Marcia B. Hall
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 28
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Book Description
This volume is the first affordable presentation of the brilliant frescoes - including the entire Genesis series - of the newly restored ceiling of the Sistine Chapel. Noted Renaissance scholar Marcia Hall, Professor of Art History at Temple University, discusses the controversial cleaning and conservation process and explores the cultural impact, past and present, of Michelangelo's stunning work.
Author: Joseph Simas
Publisher: Flame Tree Illustrated
ISBN: 9781783613618
Category : Art
Languages : en
Pages : 0
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Book Description
Michelangelo was recognised as a great artist early in his long life. Along with a small number of contemporaries he was responsible for Renaissance Florence becoming the artistic fountainhead of western culture. This comprehensive new book offers a wide range of his art, with details and panoramas, some well known, others less so, but each one illuminating the grand eloquence of one of the worlds greatest artists.
Author: Leo Steinberg
Publisher: University of Chicago Press
ISBN: 022648257X
Category : Art
Languages : en
Pages : 241
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Book Description
Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo’s most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo’s rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers—or, as Steinberg put it, in Michelangelo’s art, “anatomy becomes theology.” Michelangelo’s Sculpture is the first in a series of volumes of Steinberg’s selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master’s work, a light-hearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.
