Author:
Publisher:
ISBN: 9786075165776
Category :
Languages : en
Pages : 358
Book Description
Mexico Illustrated, 1920-1950
Author:
Publisher:
ISBN: 9786075165776
Category :
Languages : en
Pages : 358
Book Description
Publisher:
ISBN: 9786075165776
Category :
Languages : en
Pages : 358
Book Description
Mexico illustrated, 1920-1950
Author: Salvador Albiñana
Publisher: Rm
ISBN: 9788492480876
Category : Art, Mexican
Languages : en
Pages : 0
Book Description
El legado de grandes artistas mexicanos en diversos impresos de la primera mitad del siglo XX, ha quedado plasmado en esta obra alusiva a la exposición presentada en el Museo Valenciano de la Ilustración y la Modernidad (MuVIM), en Valencia, España, durante 2010. México ilustrado despliega una selección de las mejores ilustraciones que acompañan a libros, revistas y carteles publicados de 1920 a 1950. Por su propuesta estética, didáctica o de propaganda política, se muestran libros en defensa de la Revolución, cuentos para niños, ensayos de orientación socialista y literatura de ficción, en convivencia con una gran variedad de revistas que oscilan entre la vanguardia y la edificación de una nueva visión de México y los mexicanos. Destacan imágenes de Diego Rivera, Ramón Alva de la Canal, Jean Charlot, Miguel Covarrubias, el Dr. Atl, Carlos Mérida, Gabriel Fernández Ledesma y Leopoldo Méndez, entre otros. Editado en español e inglés, con más de trescientas ilustraciones, incluye textos de especialistas en el tema, como Juan Manuel Bonet, Mercurio López Casillas, Dafne Cruz y Marina Garone, quienes abordan la relación entre México y las vanguardias artísticas, la estética socialista, la literatura infantil, el diseño gráfico y la cartografía del México posrevolucionario.
Publisher: Rm
ISBN: 9788492480876
Category : Art, Mexican
Languages : en
Pages : 0
Book Description
El legado de grandes artistas mexicanos en diversos impresos de la primera mitad del siglo XX, ha quedado plasmado en esta obra alusiva a la exposición presentada en el Museo Valenciano de la Ilustración y la Modernidad (MuVIM), en Valencia, España, durante 2010. México ilustrado despliega una selección de las mejores ilustraciones que acompañan a libros, revistas y carteles publicados de 1920 a 1950. Por su propuesta estética, didáctica o de propaganda política, se muestran libros en defensa de la Revolución, cuentos para niños, ensayos de orientación socialista y literatura de ficción, en convivencia con una gran variedad de revistas que oscilan entre la vanguardia y la edificación de una nueva visión de México y los mexicanos. Destacan imágenes de Diego Rivera, Ramón Alva de la Canal, Jean Charlot, Miguel Covarrubias, el Dr. Atl, Carlos Mérida, Gabriel Fernández Ledesma y Leopoldo Méndez, entre otros. Editado en español e inglés, con más de trescientas ilustraciones, incluye textos de especialistas en el tema, como Juan Manuel Bonet, Mercurio López Casillas, Dafne Cruz y Marina Garone, quienes abordan la relación entre México y las vanguardias artísticas, la estética socialista, la literatura infantil, el diseño gráfico y la cartografía del México posrevolucionario.
Mexico Illustrated, 1920-1950
Author: Salvador Albiñana
Publisher: Editorial RM
ISBN: 9788415118961
Category : Art, Mexican
Languages : en
Pages : 0
Book Description
This book explores the work of some great Mexican artists from the first half of the twentieth century in the area of illustrations and posters. Based on an exhibition held in 2010 at the Museo Valenciano de la Ilustración y la Modernidad (MuVIM) in Valencia, Spain, Mexico Illustrated offers a selection of the best illustrations from books, magazines, and posters published from 1920 to 1950.
Publisher: Editorial RM
ISBN: 9788415118961
Category : Art, Mexican
Languages : en
Pages : 0
Book Description
This book explores the work of some great Mexican artists from the first half of the twentieth century in the area of illustrations and posters. Based on an exhibition held in 2010 at the Museo Valenciano de la Ilustración y la Modernidad (MuVIM) in Valencia, Spain, Mexico Illustrated offers a selection of the best illustrations from books, magazines, and posters published from 1920 to 1950.
2017
Author: Mariana Aguirre
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110527030
Category : Literary Criticism
Languages : en
Pages : 583
Book Description
Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre – periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, i.e. indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110527030
Category : Literary Criticism
Languages : en
Pages : 583
Book Description
Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre – periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, i.e. indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them.
Acrobatic Modernism from the Avant-Garde to Prehistory
Author: Jed Rasula
Publisher: Oxford University Press
ISBN: 0192570722
Category : Music
Languages : en
Pages : 479
Book Description
This is a book about artistic modernism contending with the historical transfigurations of modernity. As a conscientious engagement with modernity's restructuring of the lifeworld, the modernist avant-garde raised the stakes of this engagement to programmatic explicitness. But even beyond the vanguard, the global phenomenon of jazz combined somatic assault with sensory tutelage. Jazz, like the new technologies of modernity, re-calibrated sensory ratios. The criterion of the new as self-making also extended to names: pseudonyms and heteronyms. The protocols of modernism solicited a pragmatic arousal of bodily sensation as artistic resource, validating an acrobatic sensibility ranging from slapstick and laughter to the pathos of bereavement. Expressivity trumped representation. The artwork was a diagram of perception, not a mimetic rendering. For artists, the historical pressures of altered perception provoked new models, and Ezra Pound's slogan 'Make It New' became the generic rallying cry of renovation. The paradigmatic stance of the avant-garde was established by Futurism, but the discovery of prehistoric art added another provocation to artists. Paleolithic caves validated the spirit of all-over composition, unframed and dynamic. Geometric abstraction, Constructivism and Purism, and Surrealism were all in quest of a new mythology. Making it new yielded a new pathos in the sensation of radical discrepancy between futurist striving and remotest antiquity. The Paleolithic cave and the USSR emitted comparable siren calls on behalf of the remote past and the desired future. As such, the present was suffused with the pathos of being neither, but subject to both.
Publisher: Oxford University Press
ISBN: 0192570722
Category : Music
Languages : en
Pages : 479
Book Description
This is a book about artistic modernism contending with the historical transfigurations of modernity. As a conscientious engagement with modernity's restructuring of the lifeworld, the modernist avant-garde raised the stakes of this engagement to programmatic explicitness. But even beyond the vanguard, the global phenomenon of jazz combined somatic assault with sensory tutelage. Jazz, like the new technologies of modernity, re-calibrated sensory ratios. The criterion of the new as self-making also extended to names: pseudonyms and heteronyms. The protocols of modernism solicited a pragmatic arousal of bodily sensation as artistic resource, validating an acrobatic sensibility ranging from slapstick and laughter to the pathos of bereavement. Expressivity trumped representation. The artwork was a diagram of perception, not a mimetic rendering. For artists, the historical pressures of altered perception provoked new models, and Ezra Pound's slogan 'Make It New' became the generic rallying cry of renovation. The paradigmatic stance of the avant-garde was established by Futurism, but the discovery of prehistoric art added another provocation to artists. Paleolithic caves validated the spirit of all-over composition, unframed and dynamic. Geometric abstraction, Constructivism and Purism, and Surrealism were all in quest of a new mythology. Making it new yielded a new pathos in the sensation of radical discrepancy between futurist striving and remotest antiquity. The Paleolithic cave and the USSR emitted comparable siren calls on behalf of the remote past and the desired future. As such, the present was suffused with the pathos of being neither, but subject to both.
Farewell to Surrealism
Author: Annette Leddy
Publisher: Getty Publications
ISBN: 1606061186
Category : Art
Languages : en
Pages : 82
Book Description
Consists of essays about the avant-garde journal Dyn, which was produced in Mexico in the 1940s - and its editor, Austrian painter and theorist, Wolfgang Paalen.
Publisher: Getty Publications
ISBN: 1606061186
Category : Art
Languages : en
Pages : 82
Book Description
Consists of essays about the avant-garde journal Dyn, which was produced in Mexico in the 1940s - and its editor, Austrian painter and theorist, Wolfgang Paalen.
The U.S.-Mexican Border Today
Author: Paul Ganster
Publisher: Rowman & Littlefield
ISBN: 1442231122
Category : Political Science
Languages : en
Pages : 297
Book Description
Systematically exploring the dynamic interface between Mexico and the United States, this comprehensive survey considers the historical development, current politics, society, economy, and daily life of the border region. Now fully updated and revised, the book provides an overview of the history of the region and then traces the economic cycles and social movements from the 1880s through the beginning of the twenty-first century that created the modern border region, showing how the border shares characteristics of both nations while maintaining an internal coherence that transcends its divisive international boundary. The authors conclude with an in-depth analysis of the key issues of the contemporary borderlands: industrial development and maquiladoras, the North American Free Trade Agreement, rapid urbanization, border culture, demographic and migration issues, the environmental crisis, implications of climate change, Native Americans living near the border, U.S. and Mexican cooperation and conflict at the border, and drug trafficking and violence. They also place the border in its global context, examining it as a region caught between the developed and developing world and highlighting the continued importance of borders in a rapidly globalizing world. Richly illustrated with photographs and maps and enhanced by up-to-date and accessible statistical tables, this book is an invaluable resource for all those interested in borderlands and U.S.-Mexican relations.
Publisher: Rowman & Littlefield
ISBN: 1442231122
Category : Political Science
Languages : en
Pages : 297
Book Description
Systematically exploring the dynamic interface between Mexico and the United States, this comprehensive survey considers the historical development, current politics, society, economy, and daily life of the border region. Now fully updated and revised, the book provides an overview of the history of the region and then traces the economic cycles and social movements from the 1880s through the beginning of the twenty-first century that created the modern border region, showing how the border shares characteristics of both nations while maintaining an internal coherence that transcends its divisive international boundary. The authors conclude with an in-depth analysis of the key issues of the contemporary borderlands: industrial development and maquiladoras, the North American Free Trade Agreement, rapid urbanization, border culture, demographic and migration issues, the environmental crisis, implications of climate change, Native Americans living near the border, U.S. and Mexican cooperation and conflict at the border, and drug trafficking and violence. They also place the border in its global context, examining it as a region caught between the developed and developing world and highlighting the continued importance of borders in a rapidly globalizing world. Richly illustrated with photographs and maps and enhanced by up-to-date and accessible statistical tables, this book is an invaluable resource for all those interested in borderlands and U.S.-Mexican relations.
Imagining la Chica Moderna
Author: Joanne Hershfield
Publisher: Duke University Press
ISBN: 9780822342380
Category : History
Languages : en
Pages : 220
Book Description
A look at how the modern woman was envisioned in postrevolutionary Mexican popular culture and how she figured in contestations over Mexican national identity.
Publisher: Duke University Press
ISBN: 9780822342380
Category : History
Languages : en
Pages : 220
Book Description
A look at how the modern woman was envisioned in postrevolutionary Mexican popular culture and how she figured in contestations over Mexican national identity.
Childhood and Modernity in Cold War Mexico City
Author: Eileen Ford
Publisher: Bloomsbury Publishing
ISBN: 1350040045
Category : History
Languages : en
Pages : 258
Book Description
Childhood and Modernity in Cold War Mexico City traces the transformations that occurred between 1934 and 1968 in Mexico through the lens of childhood. Countering the dominance of Western European and North American views of childhood, Eileen Ford puts the experiences of children in Latin America into their historical, political, and cultural contexts. Drawing on diverse primary sources ranging from oral histories to photojournalism, Ford reconstructs the emergent and varying meanings of childhood in Mexico City during a period of changing global attitudes towards childhood, and changing power relations in Mexico at multiple scales, from the family to the state. She analyses children's presence on the silver screen, in radio, and in print media to examine the way that children were constructed within public discourse, identifying the forces that would converge in the 1968 student movement. This book demonstrates children's importance within Mexican society as Mexico transitioned from a socialist-inspired revolutionary government to one that embraced industrial capitalism in the Cold War era. It is a fascinating study of an extremely important, burgeoning population group in Mexico that has previously been excluded from histories of Mexico's bid for modernity. Childhood and Modernity in Cold War Mexico City will be essential reading for students and scholars of Latin American history and the Cold War.
Publisher: Bloomsbury Publishing
ISBN: 1350040045
Category : History
Languages : en
Pages : 258
Book Description
Childhood and Modernity in Cold War Mexico City traces the transformations that occurred between 1934 and 1968 in Mexico through the lens of childhood. Countering the dominance of Western European and North American views of childhood, Eileen Ford puts the experiences of children in Latin America into their historical, political, and cultural contexts. Drawing on diverse primary sources ranging from oral histories to photojournalism, Ford reconstructs the emergent and varying meanings of childhood in Mexico City during a period of changing global attitudes towards childhood, and changing power relations in Mexico at multiple scales, from the family to the state. She analyses children's presence on the silver screen, in radio, and in print media to examine the way that children were constructed within public discourse, identifying the forces that would converge in the 1968 student movement. This book demonstrates children's importance within Mexican society as Mexico transitioned from a socialist-inspired revolutionary government to one that embraced industrial capitalism in the Cold War era. It is a fascinating study of an extremely important, burgeoning population group in Mexico that has previously been excluded from histories of Mexico's bid for modernity. Childhood and Modernity in Cold War Mexico City will be essential reading for students and scholars of Latin American history and the Cold War.
Magazines, Tourism, and Nation-Building in Mexico
Author: Claire Lindsay
Publisher: Springer
ISBN: 3030010031
Category : Political Science
Languages : en
Pages : 147
Book Description
This open access book discusses the relationship between periodicals, tourism, and nation-building in Mexico. It enquires into how magazines, a staple form of the promotional apparatus of tourism since its inception, articulated an imaginative geography of Mexico at a time when that industry became a critical means of economic recovery and political stability after the Revolution. Notwithstanding their vogue, popularity, reach, and close affiliations to commerce and state over several decades, magazines have not received any sustained critical attention in the scholarship on that period. This book aims to redress that oversight. It argues that illustrated magazines like Mexican Folkways (1925–1937) and Mexico This Month (1955–1971) offer rich and compelling materials in that regard, not only as unique tools for interrogating the ramifications of tourism on the country’s reconstruction, but as autonomous objects of study that form a vital if complex part of Mexico’s visual culture.
Publisher: Springer
ISBN: 3030010031
Category : Political Science
Languages : en
Pages : 147
Book Description
This open access book discusses the relationship between periodicals, tourism, and nation-building in Mexico. It enquires into how magazines, a staple form of the promotional apparatus of tourism since its inception, articulated an imaginative geography of Mexico at a time when that industry became a critical means of economic recovery and political stability after the Revolution. Notwithstanding their vogue, popularity, reach, and close affiliations to commerce and state over several decades, magazines have not received any sustained critical attention in the scholarship on that period. This book aims to redress that oversight. It argues that illustrated magazines like Mexican Folkways (1925–1937) and Mexico This Month (1955–1971) offer rich and compelling materials in that regard, not only as unique tools for interrogating the ramifications of tourism on the country’s reconstruction, but as autonomous objects of study that form a vital if complex part of Mexico’s visual culture.