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Author: John Mraz
Publisher: Duke University Press
ISBN: 0822392208
Category : History
Languages : en
Pages : 360
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Book Description
In Looking for Mexico, a leading historian of visual culture, John Mraz, provides a panoramic view of Mexico’s modern visual culture from the U.S. invasion of 1847 to the present. Along the way, he illuminates the powerful role of photographs, films, illustrated magazines, and image-filled history books in the construction of national identity, showing how Mexicans have both made themselves and been made with the webs of significance spun by modern media. Central to Mraz’s book is photography, which was distributed widely throughout Mexico in the form of cartes-de-visite, postcards, and illustrated magazines. Mraz analyzes the work of a broad range of photographers, including Guillermo Kahlo, Winfield Scott, Hugo Brehme, Agustín Víctor Casasola, Tina Modotti, Manuel Álvarez Bravo, Héctor García, Pedro Meyer, and the New Photojournalists. He also examines representations of Mexico’s past in the country’s influential picture histories: popular, large-format, multivolume series replete with thousands of photographs and an assortment of texts. Turning to film, Mraz compares portrayals of the Mexican Revolution by Fernando de Fuentes to the later movies of Emilio Fernández and Gabriel Figueroa. He considers major stars of Golden Age cinema as gender archetypes for mexicanidad, juxtaposing the charros (hacienda cowboys) embodied by Pedro Infante, Pedro Armendáriz, and Jorge Negrete with the effacing women: the mother, Indian, and shrew as played by Sara García, Dolores del Río, and María Félix. Mraz also analyzes the leading comedians of the Mexican screen, representations of the 1968 student revolt, and depictions of Frida Kahlo in films made by Paul Leduc and Julie Taymor. Filled with more than fifty illustrations, Looking for Mexico is an exuberant plunge into Mexico’s national identity, its visual culture, and the connections between the two.
Author: John Mraz
Publisher: Duke University Press
ISBN: 0822392208
Category : History
Languages : en
Pages : 360
Get Book Here
Book Description
In Looking for Mexico, a leading historian of visual culture, John Mraz, provides a panoramic view of Mexico’s modern visual culture from the U.S. invasion of 1847 to the present. Along the way, he illuminates the powerful role of photographs, films, illustrated magazines, and image-filled history books in the construction of national identity, showing how Mexicans have both made themselves and been made with the webs of significance spun by modern media. Central to Mraz’s book is photography, which was distributed widely throughout Mexico in the form of cartes-de-visite, postcards, and illustrated magazines. Mraz analyzes the work of a broad range of photographers, including Guillermo Kahlo, Winfield Scott, Hugo Brehme, Agustín Víctor Casasola, Tina Modotti, Manuel Álvarez Bravo, Héctor García, Pedro Meyer, and the New Photojournalists. He also examines representations of Mexico’s past in the country’s influential picture histories: popular, large-format, multivolume series replete with thousands of photographs and an assortment of texts. Turning to film, Mraz compares portrayals of the Mexican Revolution by Fernando de Fuentes to the later movies of Emilio Fernández and Gabriel Figueroa. He considers major stars of Golden Age cinema as gender archetypes for mexicanidad, juxtaposing the charros (hacienda cowboys) embodied by Pedro Infante, Pedro Armendáriz, and Jorge Negrete with the effacing women: the mother, Indian, and shrew as played by Sara García, Dolores del Río, and María Félix. Mraz also analyzes the leading comedians of the Mexican screen, representations of the 1968 student revolt, and depictions of Frida Kahlo in films made by Paul Leduc and Julie Taymor. Filled with more than fifty illustrations, Looking for Mexico is an exuberant plunge into Mexico’s national identity, its visual culture, and the connections between the two.
Author: Susan Provost Beller
Publisher: Twenty-First Century Books
ISBN: 0822576007
Category : Juvenile Nonfiction
Languages : en
Pages : 164
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Book Description
Examines the causes, events, and consequences of the Mexican Revolution of 1910-1917.
Author: Donald C. Hodges
Publisher: Bloomsbury Publishing USA
ISBN: 0313390533
Category : History
Languages : en
Pages : 224
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Book Description
This study reveals how the social pact, formalized during the armed stage of the Mexican Revolution (1910-20) and implemented during the second stage (1920-40), was upset during the third or arrested stage (1940-70) when the bureaucrat-professionals at the helm opted for intensive economic development by taking the capitalist road. Although momentarily revived during yet a fourth stage of revolution (1970-82), this social pact was subsequently betrayed from within by the official party of the Revolution and undermined from without by the operation of economic forces behind the scenes. In this first book on the complete history of the Mexican Revolution, Hodges and Gandy reveal that, along with the end of its social pact, Mexico passed out of its former nationalist and capitalist orbit to enter the new professional societies and global order fathered by the transnationals. From 1920 to 1970, Mexico's bureaucrat-professionals hung onto political power while native capitalists continued to flourish. In response, Mexico's workers and peasants staged strikes against the nationalized sector and fomented guerrilla wars. Concessions were then made to this group until, beginning in 1982, the social pact was again eroded at the expense, not only of the popular sectors, but also of the capitalists. The economic surplus was redistributed away from owners and into the pockets of professionals. That was the Revolution's last gasp before it was officially put to rest in 2000 with the official party's defeat at the polls. Hodges and Gandy challenge the current belief that Mexico's economic system is still capitalist by presenting statistical evidence that shows how the chief beneficiaries of the economy are no longer the providers of capital, but instead the providers of professional services.
Author: Susan R. Walsh Sanderson
Publisher: Elsevier
ISBN: 1483272311
Category : Business & Economics
Languages : en
Pages : 209
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Book Description
Land Reform in Mexico: 1910–1980 presents the workings of the Mexican government by analyzing actual policies, their implementation, and their outcomes in a significant and central sector of the Mexican economy, agriculture. This book discusses the pattern of Mexican redistribution policy in agriculture over an extensive period of time, with emphasis on the causes and effects of these policy shifts. Organized into eight chapters, this book begins with an overview of the agricultural policy and modernization strategy of Mexico. This text then relates regional variations in the rural social structure of the late 19th century to the history of Mexico's unique agricultural policy. Other chapters consider the policy shifts reflected in agrarian legislation by presidential period. This book discusses as well the politics of land reform and its linkages to local, state, and national administrations. The final chapter deals with the status of agricultural policy in Mexico during the 1980s. This book is a valuable resource for scholar and students with interest in Mexican politics.
Author: James D. Rudolph
Publisher:
ISBN:
Category : Mexico
Languages : en
Pages : 520
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Book Description
Author: John Mraz
Publisher: University of Texas Press
ISBN: 0292742835
Category : Photography
Languages : en
Pages : 328
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Book Description
The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images. In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,” there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).
Author: James W. Wilkie
Publisher: El Colegio de Mexico AC
ISBN: 6074625506
Category : History
Languages : en
Pages : 173
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Book Description
Las entrevistas que el profesor de la Universidad de California en Berkeley, James J. Wilkie, y su esposa Edna Monzón Wilkie le hicieron a don Daniel en el año de 1964 no sólo constituyen un espléndido ejercicio de historia oral, a medio camino de la autobiografía y de las memorias tanto como del oficio de historiar, sino un material de lectura e investigación ineludible para quien aspire a estudiar con mayor hondura y alcance el periodo histórico en cuestión, al personaje protagonista, y a su trasfondo y paisaje. La entrevista aquí presentada, en edición y notas de Rafael Rodríguez Castañeda, Adolfo Castañón y Diego Flores Magón, formó parte en su origen de una obra de más amplia envergadura, editada hace más de quince años en 1995, en cuatro volúmenes e incluía a otros dieciséis protagonistas de aquella etapa constructiva de la Revolución Mexicana. En el curso a la par simpático y acucioso de este ensayo impecable de historia oral, pautado por las preguntas hechas por los investigadores, va reconstruyéndose el itinerario, los años de formación y de aprendizaje, las ideas rectoras y la génesis de este eminente historiador, investigador, escritor, maestro y creador de instituciones, "caudillo y empresario cultural" (para aludir a las expresiones acuñadas por su biógrafo Enrique Krauze), que fue don Daniel Cosío Villegas.
Author: Sarah E. L. Bowskill
Publisher: Routledge
ISBN: 1351192817
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
"The post-revolutionary Mexican literary canon was formed by cultural and political elites who sought to identify and reward those novels which would best represent the new nation. Reviewers found what they were looking for in Gregorio Lopez y Fuentes's El indio (1935) for example, but not in Consuelo Delgados's Yo tambien, Adelita (1936). This groundbreaking study provides a fresh perspective on canon formation by uncovering the circumstances and readings which produced a male-dominated Mexican literary canon."
Author: Jennie Purnell
Publisher: Duke University Press
ISBN: 9780822323143
Category : History
Languages : en
Pages : 292
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Book Description
Purnell reconsiders peasant partisanship in the cristiada of 1926-29, one episode in the broader Mexican Revolution.
Author: Edwin Lieuwen
Publisher:
ISBN:
Category : Civil supremacy over the military
Languages : en
Pages : 224
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Book Description
This book examines the unique role a revolutionary army plays in the politics of Mexico. It discusses the political process which characterizes revolutions and revolutionary regimes in the twentieth century. The general problem to which the author directs his analysis is that of introducing civilian control into a political structure still dominated by the generals who successfully brought about the Revolution and who supposedly represent its ideals.
