Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 192

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Author:
Publisher: BookCaps Study Guides
ISBN: 1621072967
Category : Drama
Languages : en
Pages : 648

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Book Description
You've probably heard of Sir John Falstaff--but you don't really quite know him until you see him comedically in Shakespeare's "The Merry Wives of Windsor." He's a real comedian...that is if you can understand what he's talking about!If you have struggled in the past reading Shakespeare, then BookCaps can help you out. This book is a modern translation of The Merry Wives of Windsor.The original text is also presented in the book, along with a comparable version of both text.We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month.

Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Evelyn Gajowski
Publisher: Routledge
ISBN: 1317698347
Category : Literary Criticism
Languages : en
Pages : 306

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The Merry Wives of Windsor has recently experienced a resurgence of critical interest. At times considered one of Shakespeare’s weaker plays, it is often dismissed or marginalized; however, developments in feminist, ecocritical and new historicist criticism have opened up new perspectives and this collection of 18 essays by top Shakespeare scholars sheds fresh light on the play. The detailed introduction by Phyllis Rackin and Evelyn Gajowski provides a historical survey of the play and ties into an evolving critical and cultural context. The book’s sections look in turn at female community/female agency; theatrical alternatives; social and theatrical contexts; desire/sexuality; nature and performance to provide a contemporary critical analysis of the play.

Author: Penelope Fritzer
Publisher: McFarland
ISBN: 9780786480647
Category : Social Science
Languages : en
Pages : 276

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In many ways, the history of domestic humor writing is also a history of domestic life in the twentieth century. For many years, domestic humor was written primarily by females; significant contributions from male writers began as times and family structures changed. It remains timeless because of its basis on the relationships between husbands and wives, parents and children, houses and inhabitants, pets and their owners, chores and their doers, and neighbors. This work is a historical and literary survey of humorists who wrote about home. It begins with a chapter on the social context of and attitudes toward traditional domestic roles and housewives. The following chapters, beginning with the 1920s and continuing through today, cover the different time periods and the foremost American domestic humorists, and the humor written by surrogate parents, grown children about their childhood families, husbands, and Canadian and English writers. Also covered are the differences among various writers toward traditional domestic roles--some, like Erma Bombeck and Judith Viorst, embraced them, while others, like Caryl Kristenson and Marilyn Kentz, resisted them. Common themes, such as the isolation and competitiveness of housework, home as an idealized metaphysical goal and ongoing physical challenge, and the urban, suburban, and rural life, are also explored.

Author: Louis B. Wright
Publisher: Associated University Presse
ISBN: 9780918016553
Category : Language Arts & Disciplines
Languages : en
Pages : 324

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Author: William Shakespeare
Publisher: Courier Corporation
ISBN: 0486113191
Category : Drama
Languages : en
Pages : 402

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This inexpensive Dover edition brings together five of Shakespeare's most popular comedies, from the magic and mischief of A Midsummer Night's Dream to the rollicking farce of The Merry Wives of Windsor.

Author: William Shakespeare
Publisher: Hal Leonard Corporation
ISBN: 1623160332
Category : Drama
Languages : en
Pages : 216

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(Book). Shakespeare was a man of the theatre to his core, so it is no surprise that he repeatedly contemplated the nuts and bolts of his craft in his plays and poems. Shakespeare scholar Nick de Somogyi here draws together all the cherishable set pieces including "All the world's a stage," Hamlet's encounters with the Players, and Bottom's amateur theatricals along with many other oblique but no less revealing glances, and further insights into theatre practice by Shakespeare's contemporaries and rivals. De Somogyi's commentary takes us through the entire process of Shakespeare's theatrical production, from its casting and auditions, via rehearsals, costumes, and props, to its premiere and audience reception. Shakespeare on Theatre eavesdrops on the urgently whispered noises-off in the "tiring-house" and inhales the heady aroma of the Globe's first audiences.

Author: Courtni Crump Wright
Publisher: University Press of America
ISBN: 9780819188267
Category : Drama
Languages : en
Pages : 206

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This book analyzes, through easy-to-follow play synopses, the strengths and weaknesses of the female protagonists as they impact not only the plot of Shakespeare's plays but the male protagonist. Selected, condensed one-act versions of the plays are provided in order to enrich the discussion of the play, to stimulate in reading the play in its entirety, and to provide a springboard for group discussion of the play and the impact of the women. Contents: William Shakespeare: His Art, Life and Times; The Women of Shakespeare's Plays: An Overview; The Comedy of Errors; Hamlet, Prince of Denmark; The Merry Wives of Windsor; Julius Caesar; A Midsummer Night's Dream; Macbeth; Much Ado About Nothing; Othello the Moor of Venice; The Taming of the Shrew; Antony and Cleopatra; Twelfth Night or What You Will; Romeo and Juliet; The Two Gentlemen of Verona; Bibliography.

Author: Lisa Hopkins
Publisher: Palgrave Macmillan
ISBN: 9780312177485
Category : Literary Criticism
Languages : en
Pages : 231

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Book Description
Marriage features to a greater or lesser extent in virtually every play Shakespeare wrote - as the festive end of comedy, as the link across the cycles of the history plays, as a marker of the difference between his own society and that depicted in the Roman plays, and, all too often, as the starting-point for the tragedies. Situating his representations of marriage firmly within the ideologies and practices of Renaissance culture, Lisa Hopkins argues that Shakespeare anatomises marriage much as he does kingship, and finds it similarly indispensable to the underpinning of society, however problematic it may be as a guarantor of personal happiness.