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Author: Rock (Captain.)
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 402
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Author: Rock (Captain.)
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 402
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Author: Emer Nolan
Publisher: Syracuse University Press
ISBN: 9780815631750
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
This groundbreaking book explores the role 19th century Irish Catholic authors played in forging the creation of modern Irish literature. As such it offers a unique tour of Ireland’s literary landscape, from early origins during the Catholic political resurgence of the 1820s to the transformative zenith wrought by James Joyce’s Ulysses in 1922. Emer Nolan observes that contemporary Irish literature is steeped in the ambitions and internal conflicts of a previously captive Irish Catholic culture that came into its own with the narrative art form. He revisits, with keen insights, the prescient and influential songs, poems, and prose of Thomas Moore. He also points out that Moore’s wildly successful work helped create an audience for authors to come, i.e. John and Michael Banim, William Carleton and the popular novelists Gerald Griffin and Charles Kickham. An innovative aspect of this study is the author’s exploration of the relationship between James Joyce and Irish culture and his nineteenth-century Irish Catholic predecessors and their political and national passions. It is, in effect, a telling look at the future history of Irish fiction.
Author: Thomas Moore
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 706
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Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 838
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Author: Ralph Griffiths
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 572
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Editors: May 1749-Sept. 1803, Ralph Griffiths; Oct. 1803-Apr. 1825, G. E. Griffiths.
Author: Myles Dungan
Publisher: Bloomsbury Publishing
ISBN: 1801108161
Category : History
Languages : en
Pages : 742
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In eighteenth- and nineteenth-century Europe everyone lived 'off the land' in one way or another. In Ireland, however, almost everyone lived 'on the land' as well. Agriculture was the only economic resource for the vast majority of the population outside the north-east of the country. Land was vital. But most of it was owned by a class of Protestant, English and often aristocratic landlords. The dream of having more control over their farms, even of owning them, drove many of the most explosive conflicts in Irish history. Rebellions against British rule were rare, but savage outbreaks of murder related to resentments over land ownership, and draconian state repression, were a regular feature of Irish rural life. The struggle for the land was also crucial in driving support for Irish nationalist demands for Home Rule and independence. In this epic narrative, Myles Dungan examines two hundred years of agrarian conflict from the ruinous famine of 1741 to the eve of World War Two. It explores the pivotal moments that shaped Irish history: the rise of 'moonlighting', the infamous Whiteboys and Rightboys, the insurrection of Captain Rock, the Tithe War of 1831–36, the Great Famine of 1845 that devastated the country and drastically reduced the Irish population, and the Land War of 1878–1909, which ended by transferring almost all the landlords' holdings to their tenants. These events take place against the backdrop of prevailing British rule and stark class and wealth inequality. Land Is All that Matters tells the sweeping story of the agrarian revolution that fundamentally shaped modern Ireland.
Author: John Gibney
Publisher: University of Wisconsin Pres
ISBN: 0299289532
Category : History
Languages : en
Pages : 245
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Book Description
In October 1641 a rebellion broke out in Ireland. Dispossessed Irish Catholics rose up against British Protestant settlers whom they held responsible for their plight. This uprising, the first significant sectarian rebellion in Irish history, gave rise to a decade of war that would culminate in the brutal re-conquest of Ireland by Oliver Cromwell. It also set in motion one of the most enduring and acrimonious debates in Irish history. Was the 1641 rebellion a justified response to dispossession and repression? Or was it an unprovoked attempt at sectarian genocide? John Gibney comprehensively examines three centuries of this debate. The struggle to establish and interpret the facts of the past was also a struggle over the present: if Protestants had been slaughtered by vicious Catholics, this provided an ideal justification for maintaining Protestant privilege. If, on the other hand, Protestant propaganda had inflated a few deaths into a vast and brutal “massacre,” this justification was groundless. Gibney shows how politicians, historians, and polemicists have represented (and misrepresented) 1641 over the centuries, making a sectarian understanding of Irish history the dominant paradigm in the consciousness of the Irish Protestant and Catholic communities alike.
Author: Barbara Brodman
Publisher: Rowman & Littlefield
ISBN: 1611475805
Category : Literary Collections
Languages : en
Pages : 265
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Book Description
Since the publication of John Polidori's The Vampyre (1819), the vampire has been a mainstay of Western culture, appearing consistently in literature, art, music (notably opera), film, television, graphic novels and popular culture in general. Even before its entrance into the realm of arts and letters in the early nineteenth century, the vampire was a feared creature of Eastern European folklore and legend, rising from the grave at night to consume its living loved ones and neighbors, often converting them at the same time into fellow vampires. A major question exists within vampire scholarship: to what extent is this creature a product of European cultural forms, or is the vampire indeed a universal, perhaps even archetypal figure? In this collection of sixteen original essays, the contributors shed light on this question. One essay traces the origins of the legend to the early medieval Norse draugr, an "undead" creature who reflects the underpinnings of Dracula, the latter first appearing as a vampire in Anglo-Irish Bram Stoker's 1897 novel, Dracula. In addition to these investigations of the Western mythic, literary and historic traditions, other essays in this volume move outside Europe to explore vampire figures in Native American and Mesoamerican myth and ritual, as well as the existence of similar vampiric traditions in Japanese, Russian and Latin American art, theatre, literature, film, and other cultural productions. The female vampire looms large, beginning with the Sumerian goddess Lilith, including the nineteenth-century Carmilla, and moving to vampiresses in twentieth-century film, literature, and television series. Scientific explanations for vampires and werewolves constitute another section of the book, including eighteenth-century accounts of unearthing, decapitation and cremation of suspected vampires in Eastern Europe. The vampire's beauty, attainment of immortality and eternal youth are all suggested as reasons for its continued success in contemporary popular culture.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 700
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