Author: Carolyn Williams
Publisher: Cambridge University Press
ISBN: 110709593X
Category : Drama
Languages : en
Pages : 353
Book Description
A lively and accessible account of the most popular form of nineteenth-century English theatre, and its continuing influence today.
The Cambridge Companion to English Melodrama
Author: Carolyn Williams
Publisher: Cambridge University Press
ISBN: 110709593X
Category : Drama
Languages : en
Pages : 353
Book Description
A lively and accessible account of the most popular form of nineteenth-century English theatre, and its continuing influence today.
Publisher: Cambridge University Press
ISBN: 110709593X
Category : Drama
Languages : en
Pages : 353
Book Description
A lively and accessible account of the most popular form of nineteenth-century English theatre, and its continuing influence today.
Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English Melodrama
Author: Conrad Bishop
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 560
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 560
Book Description
European Theatre Performance Practice, 1750–1900
Author: Jim Davis
Publisher: Routledge
ISBN: 1351938290
Category : Performing Arts
Languages : en
Pages : 567
Book Description
This volume contains key articles and chapters which represent both seminal and innovative scholarship on European theatre performance practice from 1750 to 1900. The selected topics focus on acting and performance, staging (including set design and lighting), and audiences, and are approached with a broad perspective as well as with in-depth, focussed analysis. The volume captures the rich, dynamic and variegated nature of European theatre throughout the late-eighteenth and nineteenth centuries and provides a carefully selected body of significant texts on this important period of theatre history.
Publisher: Routledge
ISBN: 1351938290
Category : Performing Arts
Languages : en
Pages : 567
Book Description
This volume contains key articles and chapters which represent both seminal and innovative scholarship on European theatre performance practice from 1750 to 1900. The selected topics focus on acting and performance, staging (including set design and lighting), and audiences, and are approached with a broad perspective as well as with in-depth, focussed analysis. The volume captures the rich, dynamic and variegated nature of European theatre throughout the late-eighteenth and nineteenth centuries and provides a carefully selected body of significant texts on this important period of theatre history.
Illegitimate Theatre in London, 1770-1840
Author: Jane Moody
Publisher: Cambridge University Press
ISBN: 9780521039864
Category : Drama
Languages : en
Pages : 300
Book Description
This book explores British illegitimate theatre towards the end of the eighteenth century.
Publisher: Cambridge University Press
ISBN: 9780521039864
Category : Drama
Languages : en
Pages : 300
Book Description
This book explores British illegitimate theatre towards the end of the eighteenth century.
Nineteenth Century Theatre Research
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 316
Book Description
Nineteenth Century Theatre
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 486
Book Description
Boucicault and Melodrama Onstage
Author: Lisa Cooper Warren
Publisher:
ISBN:
Category : Theatrical posters
Languages : en
Pages : 254
Book Description
Publisher:
ISBN:
Category : Theatrical posters
Languages : en
Pages : 254
Book Description
Music for the Melodramatic Theatre in Nineteenth-Century London and New York
Author: Michael V. Pisani
Publisher: University of Iowa Press
ISBN: 1609382307
Category : Performing Arts
Languages : en
Pages : 415
Book Description
Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
Publisher: University of Iowa Press
ISBN: 1609382307
Category : Performing Arts
Languages : en
Pages : 415
Book Description
Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
Dissertation Abstracts
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1170
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1170
Book Description
Theatre Histories
Author: Phillip B. Zarrilli
Publisher: Taylor & Francis
ISBN: 0415462231
Category : Performing Arts
Languages : en
Pages : 656
Book Description
Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.
Publisher: Taylor & Francis
ISBN: 0415462231
Category : Performing Arts
Languages : en
Pages : 656
Book Description
Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.