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Author:
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 54
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Book Description
Author:
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 54
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Book Description
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :
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Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author: Audrey Ekdahl Davidson
Publisher: Medieval Institute Publications
ISBN:
Category : Literary Criticism
Languages : en
Pages : 64
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Book Description
Author: Ross W. Duffin
Publisher: Indiana University Press
ISBN: 9780253215338
Category : Music
Languages : en
Pages : 618
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Book Description
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Author: Fletcher Collins
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
Author: Michel Huglo
Publisher: Taylor & Francis
ISBN: 1000948072
Category : Music
Languages : en
Pages : 452
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Book Description
This is the third in a set of four collections of articles by Michel Huglo to be published in the Variorum series. It brings together the studies of Gregorian chant and of later monophonic and polyphonic additions to the earlier repertory that occupied Huglo in the second phase of his research. Represented here are articles on the Kyrie, the introit tropes of St-Gall, an elegy for William the Conqueror (d. 1087), the versus by Venantius Fortunatus for the cathedral of Paris, the liturgical dramas of Fleury, early organum, the Mass of Tournai, and, finally, the Requiem by Eustache Du Caurroy. Ce volume des articles de Michel Huglo est le troisième de la série de quatre dans la collection Variorum. Il réunit des études sur le chant grégorien et sur les additions de pièces monodiques ou polyphoniques faites au répertoire primitif, sujets qui ont occupé Michel Huglo dans la seconde phase de sa carrière de chercheur. Dans ce volume, le lecteur trouvera des articles sur le Kyrie, les tropes d'introït de St-Gall, l'élégie pour Guillaume le Conquérant (d. 1087), les versus de Venance Fortunat pour la cathédrale de Paris, les drames liturgiques de Fleury, les débuts de l'organum, la Messe de Tournai, et finalement le Requiem d'Eustache Du Caurroy.
Author: George B. Bryan
Publisher: Peter Lang Group Ag, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 158
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Book Description
Medieval drama has been the subject of more intensive scholarly examination within the past decade than at any other time since its origin. In this book, the original medieval drama, the «Visitatio Sepulchri» of the «Regularis Concordia» and the «Winchester Troper» is delineated in terms of the environment in which it was created: the Monastic Revival of tenth-century England. The Easter music-drama is seen in the context of medieval English society, continental monastic reformation, liturgical practices, the fine arts, and learning. The writer concludes that the author of the «Visitatio Sepulchri» was Ethelwold, Bishop of Winchester, who at some time between 950 and 970 formulated the music-drama, drawing from secular theatrical conditions and adapting them to contemporary liturgical and devotional requirements. He presented his creation to the English monastic community as an act of worship, not as a separate dramatic entity but as a vital part of the extended ritual of Holy Week. Hence the music-drama must be studied in terms of music and liturgy as well as its literary text; failure to do so diminishes its dramatic magnitude and its powers of exciting worshipful awe of the transcendental reality of the Resurrection.
Author:
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 214
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Book Description
Author: Wyndham Thomas
Publisher: Routledge
ISBN: 9781472437686
Category :
Languages : en
Pages : 213
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Book Description
2018 will mark the 800th anniversary of the consecration of the Abbey of St Benoît-sur-Loire - or Fleury Abbey - the previous home and namesake of the Fleury Playbook, a collection of 10 medieval music-dramas that has long held been a source of fascination, and not a little perplexity, for scholars in a variety of disciplines: history, music history, literary studies, art history in particular. The Fleury Playbook has been justly celebrated as the most comprehensive extant collection of medieval music-dramas, containing in a single manuscript examples of non-biblical miracle plays, and settings of the Nativity and Resurrection stories, together with accounts of the conversion of Paul and Mary Magdalene. In this the first full-length monograph on the Playbook, Wyndham Thomas places the collection in its historical, cultural and musical context. The first three chapters introduce and then explore the issues raised by the collection: following an introduction, chapter 2 is devoted to the history and traditions of the Abbey, making a persuasive argument for that institution as the original home of the collection, and perhaps the venue in which the plays were first performed. Chapter 3 discusses medieval saintsâe(tm) cults, placing the dramas, and particularly the four devoted to St Nicholas, in this context. The remaining chapters are devoted to a close musical and dramatic analysis of the 10 plays themselves.
Author: Carl Gerbrandt
Publisher: AuthorHouse
ISBN: 1452032572
Category : Reference
Languages : en
Pages : 433
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Book Description
“The indelible imprint of sacred music drama throughout history is undeniable . . . and its resurgence in the twentieth and twentieth-first centuries stirs the curiosity.” Carl Gerbrandt, in pursuing these issues, has brought to our fingertips a stimulating historical perspective on sacred music drama as well as an extensively annotated list of repertoire. Years of research have gone into providing information on centuries of sacred music dramas/operas which for the most part have been known to very few. Included in these pages of his Second Edition are over 330 sacred music dramas/operas, each with scholarly and practical information that will be of interest and great value to the opera director, the performer, the scholar, the conductor and the church musician. Gerbrandt's SETTING THE STAGE section is an enlightening overview of sacred music history. The repertoire selected includes works from the Middle Ages to works being written today. Each work is reviewed with regard to the source of libretto, the style and difficulty of its musical content, the date and location of the first performance, the number of acts and scenes, and the performance length of the work. Additionally, each role is listed by name and voicing, and in most cases, the vocal range is indicated. The choral demands, orchestrations and dance requirements are identified. A thorough plot synopsis as well as the location of scores and parts is given. Ten appendices cross-reference textual sources and topical content while assisting in the selection of works for worship services or theatrical performances. Select contact information of publishers and composers in also included. Sacred Music Drama: The Producer’s Guide fills a long standing void by acquainting directors, students, performers and interested readers with the numerous sacred music dramas which are available.
