Author: Andrew Galloway
Publisher: A&C Black
ISBN: 0826486576
Category : Literary Criticism
Languages : en
Pages : 161
Book Description
An introductory guide provides a concise overview of medieval literature and its context.
Medieval Literature and Culture
Author: Andrew Galloway
Publisher: A&C Black
ISBN: 0826486576
Category : Literary Criticism
Languages : en
Pages : 161
Book Description
An introductory guide provides a concise overview of medieval literature and its context.
Publisher: A&C Black
ISBN: 0826486576
Category : Literary Criticism
Languages : en
Pages : 161
Book Description
An introductory guide provides a concise overview of medieval literature and its context.
Reading Skin in Medieval Literature and Culture
Author: K. Walter
Publisher: Palgrave Macmillan
ISBN: 9780230338708
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Skin is a multifarious image in medieval culture: the material basis for forming a sense of self and relation to the world, as well as a powerful literary and visual image. This book explores the presence of skin in medieval literature and culture from a range of literary, religious, aesthetic, historical, medical, and theoretical perspectives.
Publisher: Palgrave Macmillan
ISBN: 9780230338708
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Skin is a multifarious image in medieval culture: the material basis for forming a sense of self and relation to the world, as well as a powerful literary and visual image. This book explores the presence of skin in medieval literature and culture from a range of literary, religious, aesthetic, historical, medical, and theoretical perspectives.
The Art of Vision
Author: Andrew James Johnston
Publisher:
ISBN: 9780814293997
Category : Description (Rhetoric)
Languages : en
Pages : 307
Book Description
One of the most common ways of setting the arts in parallel, at least from the literary side, is through the popular rhetorical device of ekphrasis. The original meaning of this term is simply an extended and detailed, lively description, but it has been used most commonly in reference to painting or sculpture. In this lively collection of essays, Andrew James Johnston, Ethan Knapp, and Margitta Rouse offer a major contribution to the study of text-image relationships in medieval Europe. Resisting any rigid definition of ekphrasis, The Art of Vision is committed to reclaiming medieval ekphrasis, which has not only been criticized for its supposed aesthetic narcissism but has also frequently been depicted as belonging to an epoch when the distinctions between word and image were far less rigidly drawn. Examples studied range from the eleventh through the seventeenth centuries and include texts written in Medieval Latin, Medieval French, Middle English, Middle Scots, Middle High German, and Early Modern English. The essays in this volume highlight precisely the entanglements that ekphrasis suggests and/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. The Art of Vision furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text-image relationships, which have normally focused on a single country, language, or even manuscript.
Publisher:
ISBN: 9780814293997
Category : Description (Rhetoric)
Languages : en
Pages : 307
Book Description
One of the most common ways of setting the arts in parallel, at least from the literary side, is through the popular rhetorical device of ekphrasis. The original meaning of this term is simply an extended and detailed, lively description, but it has been used most commonly in reference to painting or sculpture. In this lively collection of essays, Andrew James Johnston, Ethan Knapp, and Margitta Rouse offer a major contribution to the study of text-image relationships in medieval Europe. Resisting any rigid definition of ekphrasis, The Art of Vision is committed to reclaiming medieval ekphrasis, which has not only been criticized for its supposed aesthetic narcissism but has also frequently been depicted as belonging to an epoch when the distinctions between word and image were far less rigidly drawn. Examples studied range from the eleventh through the seventeenth centuries and include texts written in Medieval Latin, Medieval French, Middle English, Middle Scots, Middle High German, and Early Modern English. The essays in this volume highlight precisely the entanglements that ekphrasis suggests and/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. The Art of Vision furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text-image relationships, which have normally focused on a single country, language, or even manuscript.
Greenery
Author: Gillian Rudd
Publisher: Manchester University Press
ISBN: 1847793843
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Humankind has always been fascinated by the world in which it finds itself, and puzzled by its relations to it. Today that fascination is often expressed in what is now called ‘green’ terms, reflecting concerns about the non-human natural world, puzzlement about how we relate to it, and anxiety about what we, as humans, are doing to it. So called green or eco-criticism acknowledges this concern. Greenery reaches back and offers new readings of English texts, both known and unfamiliar, informed by eco-criticism. After considering general issues pertaining to green criticism, Greenery moves on to a series of individual chapters arranged by theme (earth, trees, wilds, sea, gardens and fields) which provide individual close readings of selections from such familiar texts as Malory’s Morte D’Arthur, Chaucer’s Knight’s and Franklin’s Tales, Sir Gawain and the Green Knight and Langland’s Piers Plowman. These discussions are contextualized by considering them alongside hitherto marginalized texts such as lyrics, Patience and the romance Sir Orfeo. The result is a study which reinvigorates our customary reading of late Middle English literary texts while also allows us to reflect upon the vibrant new school of eco-criticism itself.
Publisher: Manchester University Press
ISBN: 1847793843
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Humankind has always been fascinated by the world in which it finds itself, and puzzled by its relations to it. Today that fascination is often expressed in what is now called ‘green’ terms, reflecting concerns about the non-human natural world, puzzlement about how we relate to it, and anxiety about what we, as humans, are doing to it. So called green or eco-criticism acknowledges this concern. Greenery reaches back and offers new readings of English texts, both known and unfamiliar, informed by eco-criticism. After considering general issues pertaining to green criticism, Greenery moves on to a series of individual chapters arranged by theme (earth, trees, wilds, sea, gardens and fields) which provide individual close readings of selections from such familiar texts as Malory’s Morte D’Arthur, Chaucer’s Knight’s and Franklin’s Tales, Sir Gawain and the Green Knight and Langland’s Piers Plowman. These discussions are contextualized by considering them alongside hitherto marginalized texts such as lyrics, Patience and the romance Sir Orfeo. The result is a study which reinvigorates our customary reading of late Middle English literary texts while also allows us to reflect upon the vibrant new school of eco-criticism itself.
Transfiguring medievalism
Author: Cary Howie
Publisher: Manchester University Press
ISBN: 1526148641
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Transfiguring medievalism combines medieval literature, modern poetry and theology to explore how bodies, including literary bodies, can become apparent to the attentive eye as more than they first appear. Transfiguration, traditionally understood as the revelation of divinity in community, becomes a figure for those splendors, mundane and divine, that await within the read, lived and loved world. Bringing together medieval sources with modern lyric medievalism, the book argues for the porousness of time and flesh, not only through the accustomed cadences of scholarly argumentation but also through its own moments of poetic reflection. In this way, Augustine, Cassian, Bernard of Clairvaux, Dante, Boccaccio and the heroes of Old French narrative, no more or less than their modern lyric counterparts, come to light in new and newly complicated ways.
Publisher: Manchester University Press
ISBN: 1526148641
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Transfiguring medievalism combines medieval literature, modern poetry and theology to explore how bodies, including literary bodies, can become apparent to the attentive eye as more than they first appear. Transfiguration, traditionally understood as the revelation of divinity in community, becomes a figure for those splendors, mundane and divine, that await within the read, lived and loved world. Bringing together medieval sources with modern lyric medievalism, the book argues for the porousness of time and flesh, not only through the accustomed cadences of scholarly argumentation but also through its own moments of poetic reflection. In this way, Augustine, Cassian, Bernard of Clairvaux, Dante, Boccaccio and the heroes of Old French narrative, no more or less than their modern lyric counterparts, come to light in new and newly complicated ways.
Medieval Literature: The Basics
Author: Angela Jane Weisl
Publisher: Routledge
ISBN: 1317210638
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Medieval Literature: The Basics is an engaging introduction to this fascinating body of literature. The volume breaks down the variety of genres used in the corpus of medieval literature and makes these texts accessible to readers. It engages with the familiarities present in the narratives and connects these ideas with a contemporary, twenty-first century audience. The volume also addresses contemporary medievalism to show the presence of medieval literature in contemporary culture, such as film, television, games, and novels. From Dante and Chaucer to Christine de Pisan, this book deals with questions such as: What is medieval literature? What are some of the key topics and genres of medieval literature? How did it evolve as technology, such as the printing press, developed? How has it remained relevant in the twenty-first century? Medieval Literature: The Basics is an ideal introduction for students coming to the subject for the first time, while also acting as a springboard from which deeper interaction with medieval literature can be developed.
Publisher: Routledge
ISBN: 1317210638
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Medieval Literature: The Basics is an engaging introduction to this fascinating body of literature. The volume breaks down the variety of genres used in the corpus of medieval literature and makes these texts accessible to readers. It engages with the familiarities present in the narratives and connects these ideas with a contemporary, twenty-first century audience. The volume also addresses contemporary medievalism to show the presence of medieval literature in contemporary culture, such as film, television, games, and novels. From Dante and Chaucer to Christine de Pisan, this book deals with questions such as: What is medieval literature? What are some of the key topics and genres of medieval literature? How did it evolve as technology, such as the printing press, developed? How has it remained relevant in the twenty-first century? Medieval Literature: The Basics is an ideal introduction for students coming to the subject for the first time, while also acting as a springboard from which deeper interaction with medieval literature can be developed.
Aspects of knowledge
Author: Marilina Cesario
Publisher: Manchester University Press
ISBN: 1526107023
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
This edited collection explores how knowledge was preserved and reinvented in the Middle Ages. Rather than focusing on a historical period or specific cultural and historical events, it eschews traditional categories of periodisation and discipline, establishing connections and cross-sections between different departments of knowledge. The essays cover the period from the eighth to the fifteenth centuries, examining the history of science (computus, prognostication), the history of art, literature, theology (homilies, prayers, hagiography, contemplative texts), music, historiography and geography. Aspects of knowledge is aimed at an academic readership, including advanced undergraduate and postgraduate students, as well as specialists in medieval literature, history of science, history of knowledge, geography, theology, music, philosophy, intellectual history, history of language and material culture.
Publisher: Manchester University Press
ISBN: 1526107023
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
This edited collection explores how knowledge was preserved and reinvented in the Middle Ages. Rather than focusing on a historical period or specific cultural and historical events, it eschews traditional categories of periodisation and discipline, establishing connections and cross-sections between different departments of knowledge. The essays cover the period from the eighth to the fifteenth centuries, examining the history of science (computus, prognostication), the history of art, literature, theology (homilies, prayers, hagiography, contemplative texts), music, historiography and geography. Aspects of knowledge is aimed at an academic readership, including advanced undergraduate and postgraduate students, as well as specialists in medieval literature, history of science, history of knowledge, geography, theology, music, philosophy, intellectual history, history of language and material culture.
Transitional States
Author: Graham D. Caie
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN: 9780866985871
Category : Literary Collections
Languages : en
Pages : 0
Book Description
Changes in words, changes in the world, and changes in minds: transitions between states of speaking, writing, thinking, and being are the subjects of the 14 essays in this collection, which celebrates and was inspired by the work of Allen J. Frantzen. Ranging from individual word-studies to investigations of artifacts and material culture, to historical, philosophical and theological syntheses, the essays are characterized by the same combination of multi-disciplinarity and meticulous attention to detail as the scholarship of the honorand. Transitional States shows how the interplay of tradition and innovation, historical currents and individuality, loss, memory and memorialization combine to produce both the culture of the Middle Ages and our understanding of it.
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN: 9780866985871
Category : Literary Collections
Languages : en
Pages : 0
Book Description
Changes in words, changes in the world, and changes in minds: transitions between states of speaking, writing, thinking, and being are the subjects of the 14 essays in this collection, which celebrates and was inspired by the work of Allen J. Frantzen. Ranging from individual word-studies to investigations of artifacts and material culture, to historical, philosophical and theological syntheses, the essays are characterized by the same combination of multi-disciplinarity and meticulous attention to detail as the scholarship of the honorand. Transitional States shows how the interplay of tradition and innovation, historical currents and individuality, loss, memory and memorialization combine to produce both the culture of the Middle Ages and our understanding of it.
A Companion to Medieval English Literature and Culture, c.1350 - c.1500
Author: Peter Brown
Publisher: John Wiley & Sons
ISBN: 1405195525
Category : Literary Criticism
Languages : en
Pages : 692
Book Description
A Companion to Medieval English Literature and Culture, c.1350-c.1500 challenges readers to think beyond a narrowly defined canon and conventional disciplinary boundaries. A ground-breaking collection of newly-commissioned essays on medieval literature and culture. Encourages students to think beyond a narrowly defined canon and conventional disciplinary boundaries. Reflects the erosion of the traditional, rigid boundary between medieval and early modern literature. Stresses the importance of constructing contexts for reading literature. Explores the extent to which medieval literature is in dialogue with other cultural products, including the literature of other countries, manuscripts and religion. Includes close readings of frequently-studied texts, including texts by Chaucer, Langland, the Gawain poet, and Hoccleve. Confronts some of the controversies that exercise students of medieval literature, such as those connected with literary theory, love, and chivalry and war.
Publisher: John Wiley & Sons
ISBN: 1405195525
Category : Literary Criticism
Languages : en
Pages : 692
Book Description
A Companion to Medieval English Literature and Culture, c.1350-c.1500 challenges readers to think beyond a narrowly defined canon and conventional disciplinary boundaries. A ground-breaking collection of newly-commissioned essays on medieval literature and culture. Encourages students to think beyond a narrowly defined canon and conventional disciplinary boundaries. Reflects the erosion of the traditional, rigid boundary between medieval and early modern literature. Stresses the importance of constructing contexts for reading literature. Explores the extent to which medieval literature is in dialogue with other cultural products, including the literature of other countries, manuscripts and religion. Includes close readings of frequently-studied texts, including texts by Chaucer, Langland, the Gawain poet, and Hoccleve. Confronts some of the controversies that exercise students of medieval literature, such as those connected with literary theory, love, and chivalry and war.
The Medieval British Literature Handbook
Author: Daniel T. Kline
Publisher: A&C Black
ISBN: 0826494099
Category : Literary Criticism
Languages : en
Pages : 646
Book Description
One-stop resource for courses in medieval literature, providing students with a comprehensive guide to the historical and cultural context; major texts and movements; reading primary and critical texts; key critics, concepts and topics; major critical approaches and directions of new research.
Publisher: A&C Black
ISBN: 0826494099
Category : Literary Criticism
Languages : en
Pages : 646
Book Description
One-stop resource for courses in medieval literature, providing students with a comprehensive guide to the historical and cultural context; major texts and movements; reading primary and critical texts; key critics, concepts and topics; major critical approaches and directions of new research.