Maurice Pialat's A Nos Amours PDF Download
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Author:
Publisher:
ISBN:
Category : A nos amours (Motion picture)
Languages : en
Pages : 35
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Book Description
Author:
Publisher:
ISBN:
Category : A nos amours (Motion picture)
Languages : en
Pages : 35
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Book Description
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 48
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Book Description
This booklet contains a new essay about 'A nos amours' (1983) by writer and filmmaker Dan Sallitt, a two page image essay by Craig Keller and a transcript of the sit down conversation that took place between Maurice Pialat and Jean-Luc Godddard in 1984, appearing for the first time in an English translation.
Author: Marja Warehime
Publisher: Manchester University Press
ISBN: 184779601X
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat’s particular form of realism influenced an entire generation of young filmmakers in the 1990s. This volume is the first book-length study of Pialat’s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society and culture. Pialat was long considered the only major filmmaker to portray ‘la France profonde’, the heart of France - the people who, as he put it, ‘take the subway’. Taken as a whole, Pialat’s work can be seen both as an oblique autobiography and the portrait of a fundamental institution - the family - over several generations.
Author: Joanna Hogg
Publisher: Nos Amours
ISBN: 9781916153707
Category : Art
Languages : en
Pages : 244
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Book Description
"The book aims to be an accurate and reliable source of detailed information about the films -- in short the esential Chantal Akerman companion"--back cover
Author: Tim Lanza
Publisher:
ISBN: 9780615698656
Category :
Languages : en
Pages :
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Book Description
Author: Alain Philippon
Publisher:
ISBN: 9782873400675
Category :
Languages : fr
Pages : 0
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Book Description
Author: Douglas W. Alden
Publisher: Susquehanna University Press
ISBN: 9780945636366
Category : Reference
Languages : en
Pages : 476
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Book Description
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Author: James Monaco
Publisher: Perigee Trade
ISBN:
Category : Performing Arts
Languages : en
Pages : 616
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Book Description
An alphabetical reference on the major film figures (stars, producers, directors, writers, et al.), past and present. Each entry provides a substantial career biography and a complete listing of all films the individual has been involved with. Annotation copyrighted by Book News, Inc., Portland, OR
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 140
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: David Thomson
Publisher: Knopf
ISBN: 0307271749
Category : Biography & Autobiography
Languages : en
Pages : 1090
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Book Description
Thomson (independent scholar), writing of The Biographical Dictionary of Film (aka A Biographical Dictionary of the Cinema, 1975 edition), described it as "a personal, opinionated, and obsessive biographical dictionary of the cinema." Thirty-five years and several editions later, that description still holds true of this expanded work. The new dictionary summarizes salient facts about its subjects' lives and discusses their film credits in terms of the quality of the filmmakers' work. In ambition it has competitors, including Leslie Halliwell's various editions of Halliwell's Filmgoers Companion (12th ed., 1997) and Halliwell's Who's Who in the Movies, edited by John Walker (4th ed., rev. and updated, 2006), which cover films and technical terms (categories not included in Thomson's), but whose entries are neutral and exceedingly brief. Additionally, Francophile Richard Roud's edited Cinema: A Critical Dictionary: The Major Filmmakers (2 v., 1980) is as passionate a work as Thomson's, but narrower in scope, with entries written by various experts, rather than only by Roud. Finally, the multivolume magnum opus The International Dictionary of Films and Filmmakers (4th ed., 2000, ed. by T. Pendergast and S. Pendergast; 2nd ed., ed. by N. Thomas, v. 1, CH, May'91; 1st ed., ed. by C. Lyon, v.1-2, CH, Jan'85, v.3, CH, Apr'87, v.4-5, CH, Jun'88) covers everything--films, directors, actors, writers, and production artists--with generous, measured, scholarly entries and lavish illustrations. However, it looms large and heavy, unlike the handy one-volume work by Thomson. Arguably, Thomson's work, for its scope, is the most fun, the most convenient, and the most engaging title. All libraries supporting people interested in film should buy it. It will get lots of use and provide very good value for the money. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by C. Hendershott.
