Author: Patrick McGuinness
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
Maurice Maeterlinck has been called the 'prodigal father' of modern theatre. As Rilke put it, he shifted theatre's center of gravity, replacing action with inaction, events with the eventless, and dialogue with an expressive semantics of silence. This study, the first in over a decade, traces the development of Maeterlinck's dramatic vision of extraordinary originality and depth.
Maurice Maeterlinck and the Making of Modern Theatre
Author: Patrick McGuinness
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
Maurice Maeterlinck has been called the 'prodigal father' of modern theatre. As Rilke put it, he shifted theatre's center of gravity, replacing action with inaction, events with the eventless, and dialogue with an expressive semantics of silence. This study, the first in over a decade, traces the development of Maeterlinck's dramatic vision of extraordinary originality and depth.
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
Maurice Maeterlinck has been called the 'prodigal father' of modern theatre. As Rilke put it, he shifted theatre's center of gravity, replacing action with inaction, events with the eventless, and dialogue with an expressive semantics of silence. This study, the first in over a decade, traces the development of Maeterlinck's dramatic vision of extraordinary originality and depth.
Modern Character
Author: Julian Murphet
Publisher: Oxford University Press
ISBN: 0192863126
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
In this groundbreaking and comprehensive study, Julian Murphet examines how dramatists and prose writers at the turn of the twentieth century experimented with new forms of modern character. Old truisms of character such as consistency, depth, and verisimilitude are eschewed in favour of inconsistency, bad faith, and fragmentation.
Publisher: Oxford University Press
ISBN: 0192863126
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
In this groundbreaking and comprehensive study, Julian Murphet examines how dramatists and prose writers at the turn of the twentieth century experimented with new forms of modern character. Old truisms of character such as consistency, depth, and verisimilitude are eschewed in favour of inconsistency, bad faith, and fragmentation.
Modern Drama
Author: Kirsten Shepherd-Barr
Publisher: Oxford University Press
ISBN: 0199658773
Category : Drama
Languages : en
Pages : 153
Book Description
This book tells the story of modern drama through its seminal, groundbreaking plays and performances, and the artistic diversity that these represent. Exploring the new note of artistic hostility between dramatists and their audience, Shepherd-Barr draws on a range of theories and performances to reveal what makes modern drama "modern".
Publisher: Oxford University Press
ISBN: 0199658773
Category : Drama
Languages : en
Pages : 153
Book Description
This book tells the story of modern drama through its seminal, groundbreaking plays and performances, and the artistic diversity that these represent. Exploring the new note of artistic hostility between dramatists and their audience, Shepherd-Barr draws on a range of theories and performances to reveal what makes modern drama "modern".
Theater of the Avant-Garde, 1890-1950
Author: Robert Knopf
Publisher: Yale University Press
ISBN: 030021054X
Category : Drama
Languages : en
Pages : 512
Book Description
An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play’s dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde’s enduring influence on the development of modern theater.
Publisher: Yale University Press
ISBN: 030021054X
Category : Drama
Languages : en
Pages : 512
Book Description
An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play’s dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde’s enduring influence on the development of modern theater.
Ariane & Bluebeard
Author: Matthew Brown
Publisher: Indiana University Press
ISBN: 0253063191
Category : Music
Languages : en
Pages : 284
Book Description
Maurice Maeterlinck described his libretto Ariane et Barbe-bleue as "a sort of legendary opera, or fairy [opera], in three acts." In 1907, Paul Dukas finished setting Maeterlinck's libretto to music, and the opera's Paris premiere was lauded as a landmark in operatic history. Ariane & Bluebeard: From Fairy Tale to Comic Book Opera offers a comprehensive, interdisciplinary look at this historic opera, including its structure, reception, and cultural implications. This lively collection juxtaposes chapters from experts in music, literature, the visual arts, gender studies, and religion and philosophy with vibrant illustrations by comic artist P. Craig Russell and interviews with performers and artists. Featuring material from newly discovered documents and the first English translation of several important sources, Ariane & Bluebeard allows readers to imagine the operain its various incarnations: as symbolist show, comic book, children's fairy tale, and more.
Publisher: Indiana University Press
ISBN: 0253063191
Category : Music
Languages : en
Pages : 284
Book Description
Maurice Maeterlinck described his libretto Ariane et Barbe-bleue as "a sort of legendary opera, or fairy [opera], in three acts." In 1907, Paul Dukas finished setting Maeterlinck's libretto to music, and the opera's Paris premiere was lauded as a landmark in operatic history. Ariane & Bluebeard: From Fairy Tale to Comic Book Opera offers a comprehensive, interdisciplinary look at this historic opera, including its structure, reception, and cultural implications. This lively collection juxtaposes chapters from experts in music, literature, the visual arts, gender studies, and religion and philosophy with vibrant illustrations by comic artist P. Craig Russell and interviews with performers and artists. Featuring material from newly discovered documents and the first English translation of several important sources, Ariane & Bluebeard allows readers to imagine the operain its various incarnations: as symbolist show, comic book, children's fairy tale, and more.
The Symbolist Roots of Modern Art
Author: Michelle Facos
Publisher: Routledge
ISBN: 1351540106
Category : Art
Languages : en
Pages : 261
Book Description
With the words ?A new manifestation of art was ... expected, necessary, inevitable,? Jean Mor? announced the advent of the Symbolist movement in 1886. When Symbolist artists began experimenting in order to invent new visual languages appropriate for representing modern life in all its complexity, they set the stage for innovation in twentieth-century art. Rejecting what they perceived as the superficial descriptive quality of Impressionism, Naturalism, and Realism, Symbolist artists delved beneath the surface to express feelings, ideas, scientific processes, and universal truths. By privileging intangible concepts over perceived realities and by asserting their creative autonomy, Symbolist artists broke with the past and paved the way for the heterogeneity and penchant for risk-taking that characterizes modern art. The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.
Publisher: Routledge
ISBN: 1351540106
Category : Art
Languages : en
Pages : 261
Book Description
With the words ?A new manifestation of art was ... expected, necessary, inevitable,? Jean Mor? announced the advent of the Symbolist movement in 1886. When Symbolist artists began experimenting in order to invent new visual languages appropriate for representing modern life in all its complexity, they set the stage for innovation in twentieth-century art. Rejecting what they perceived as the superficial descriptive quality of Impressionism, Naturalism, and Realism, Symbolist artists delved beneath the surface to express feelings, ideas, scientific processes, and universal truths. By privileging intangible concepts over perceived realities and by asserting their creative autonomy, Symbolist artists broke with the past and paved the way for the heterogeneity and penchant for risk-taking that characterizes modern art. The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.
Poetry and Radical Politics in fin de siècle France
Author: Patrick McGuinness
Publisher: OUP Oxford
ISBN: 0191017205
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Poetry and Radical Politics in fin de siècle France explores the relations between poetry and politics in France in the last decade of the nineteenth century. The period covers the most important developments in modern French poetry: from the post-Commune climate that spawned the 'decadent' movement, through to the (allegedly) ivory-towered aestheticism of Mallarmé and the Symbolists. In terms of French politics, history, and culture, the period was no less dramatic, with the legacy of the Commune, the political and financial instability that followed, the anarchist campaigns, the Dreyfus affair, and the growth of Action française. This study demonstrates the connections between the anti-Symbolist reaction of the école romane of 1891 (in which Charles Maurras first made his name) and the far-right cultural politics of Action française in the early twentieth century. It also redefines many of the debates about late nineteenth-century French poetry by complicating the political engagement of the Symbolists in an era when the French 'intellectuel' as a national icon was being forged. McGuinness insists on profound continuities between the end of the nineteenth century and the beginning of the twentieth in terms of cultural politics, literary debate, and poetic theory, and shows how politics is to be found in unexpected ways in the least political-seeming literature of the period. The famous line by Péguy, that everything begins in mysticism and ends in politics, has an appealing sweep and grace. This book has its own more modest and specific version of a similar journey: it begins in Mallarmé and ends in Maurras.
Publisher: OUP Oxford
ISBN: 0191017205
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Poetry and Radical Politics in fin de siècle France explores the relations between poetry and politics in France in the last decade of the nineteenth century. The period covers the most important developments in modern French poetry: from the post-Commune climate that spawned the 'decadent' movement, through to the (allegedly) ivory-towered aestheticism of Mallarmé and the Symbolists. In terms of French politics, history, and culture, the period was no less dramatic, with the legacy of the Commune, the political and financial instability that followed, the anarchist campaigns, the Dreyfus affair, and the growth of Action française. This study demonstrates the connections between the anti-Symbolist reaction of the école romane of 1891 (in which Charles Maurras first made his name) and the far-right cultural politics of Action française in the early twentieth century. It also redefines many of the debates about late nineteenth-century French poetry by complicating the political engagement of the Symbolists in an era when the French 'intellectuel' as a national icon was being forged. McGuinness insists on profound continuities between the end of the nineteenth century and the beginning of the twentieth in terms of cultural politics, literary debate, and poetic theory, and shows how politics is to be found in unexpected ways in the least political-seeming literature of the period. The famous line by Péguy, that everything begins in mysticism and ends in politics, has an appealing sweep and grace. This book has its own more modest and specific version of a similar journey: it begins in Mallarmé and ends in Maurras.
Adverse Genres in Fernando Pessoa
Author: K. David Jackson
Publisher: Oxford University Press
ISBN: 0195391217
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
Poet, short-story writer, feverish inventor--Fernando Pessoa was one of the most innovative figures shaping European modernism. Known for a repertoire of works penned by multiple invented authors--which he termed heteronyms--the Portuguese writer gleefully subverted the notion of what it means to be an author. Adverse Genres in Fernando Pessoa offers an introduction to the fiction and the "profusion of selves" that populates the enigmatic author's uniquely imagined oeuvre.To guide readers through the eclectic work fashioned by Pessoa's heteronyms, K. David Jackson advances the idea of "adverse genres" revealing genre clashes to be fundamental to the author's paradoxical and contradictory corpus. Through the invented "coterie of authors," Pessoa inverted the usual relationships between form and content, authorship and text. In an inspired, paradoxical, and at times absurd mixing of cultural referents, Pessoa selected genres from the European tradition (Ricardo Reis's Horatian odes, Alvaro de Campos's worship of Walt Whitman, Alberto Caeiro's pastoral and metaphysical verse, and Bernardo Soares's philosophical diary), into which he inserted incongruent contemporary ideas. By creating multiple layers of authorial anomaly Pessoa breathes the vitality of modernism into traditional historical genres, extending their expressive range.Through examinations of "A Very Original Dinner," the "Cancioneiro," love letters to Ophelia Queiros, "The Adventure of the Anarchist Banker," Pessoa's collection of quatrains derived from Portuguese popular verse, the Book of Disquietude, and the major poetic heteronyms, Jackson enters the orbit of the artist who exchanged a normal life for a world of the imagination.
Publisher: Oxford University Press
ISBN: 0195391217
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
Poet, short-story writer, feverish inventor--Fernando Pessoa was one of the most innovative figures shaping European modernism. Known for a repertoire of works penned by multiple invented authors--which he termed heteronyms--the Portuguese writer gleefully subverted the notion of what it means to be an author. Adverse Genres in Fernando Pessoa offers an introduction to the fiction and the "profusion of selves" that populates the enigmatic author's uniquely imagined oeuvre.To guide readers through the eclectic work fashioned by Pessoa's heteronyms, K. David Jackson advances the idea of "adverse genres" revealing genre clashes to be fundamental to the author's paradoxical and contradictory corpus. Through the invented "coterie of authors," Pessoa inverted the usual relationships between form and content, authorship and text. In an inspired, paradoxical, and at times absurd mixing of cultural referents, Pessoa selected genres from the European tradition (Ricardo Reis's Horatian odes, Alvaro de Campos's worship of Walt Whitman, Alberto Caeiro's pastoral and metaphysical verse, and Bernardo Soares's philosophical diary), into which he inserted incongruent contemporary ideas. By creating multiple layers of authorial anomaly Pessoa breathes the vitality of modernism into traditional historical genres, extending their expressive range.Through examinations of "A Very Original Dinner," the "Cancioneiro," love letters to Ophelia Queiros, "The Adventure of the Anarchist Banker," Pessoa's collection of quatrains derived from Portuguese popular verse, the Book of Disquietude, and the major poetic heteronyms, Jackson enters the orbit of the artist who exchanged a normal life for a world of the imagination.
R. D. O’Leary (1866–1936)
Author: Margaret R. O’Leary
Publisher: iUniverse
ISBN: 1491758732
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
Over the span of forty years, Professor Raphael Dorman OLeary labored tirelessly to make his students understand the importance of originality and of apt expression in English composition. He especially loved words well chosen and dared his students to put beauty and smoothness and sinew into their sentences. He tried passionately to make them feel the dignity and the majesty of the English language at its best. When he died after a short illness in 1936, his personal effects passed among descendants until finally coming to rest with Dennis OLeary and his spouse, Margaret, who discovered them in a poor condition while restoring a family house. Amid Professor OLearys papers was his handwritten journal from the year 1914 to 1915. The journal displays the full measure of R. D. OLeary in his myriad academic, social, political, and religious experiences at the University of Kansas atop Mount Oread; in the adjacent city of Lawrence, Kansas; and while traveling to rural Kansas during the summer months and to Minneapolis, Minnesota, in the dead of winter. Throughout his journal, Professor OLeary portrays with humor and pathos his encounters with students, colleagues, his spouse, his three sons, his mother, shopkeepers, religious zealots, pro-German zealots, anti-German zealots, drayers, Pullman conductors, bankers, politicians, publishers, educated spinsters, and garden wasps, while vividly describing cold classrooms, interminable whist parties, trilling sopranos, Kansas football games, and Lawrence seed stores. R. D. OLeary (18661936): Notes from Mount Oread 19141915 is a fascinating glimpse into the life and times of a revered English professor, half way through his forty years of teaching at the University of Kansas.
Publisher: iUniverse
ISBN: 1491758732
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
Over the span of forty years, Professor Raphael Dorman OLeary labored tirelessly to make his students understand the importance of originality and of apt expression in English composition. He especially loved words well chosen and dared his students to put beauty and smoothness and sinew into their sentences. He tried passionately to make them feel the dignity and the majesty of the English language at its best. When he died after a short illness in 1936, his personal effects passed among descendants until finally coming to rest with Dennis OLeary and his spouse, Margaret, who discovered them in a poor condition while restoring a family house. Amid Professor OLearys papers was his handwritten journal from the year 1914 to 1915. The journal displays the full measure of R. D. OLeary in his myriad academic, social, political, and religious experiences at the University of Kansas atop Mount Oread; in the adjacent city of Lawrence, Kansas; and while traveling to rural Kansas during the summer months and to Minneapolis, Minnesota, in the dead of winter. Throughout his journal, Professor OLeary portrays with humor and pathos his encounters with students, colleagues, his spouse, his three sons, his mother, shopkeepers, religious zealots, pro-German zealots, anti-German zealots, drayers, Pullman conductors, bankers, politicians, publishers, educated spinsters, and garden wasps, while vividly describing cold classrooms, interminable whist parties, trilling sopranos, Kansas football games, and Lawrence seed stores. R. D. OLeary (18661936): Notes from Mount Oread 19141915 is a fascinating glimpse into the life and times of a revered English professor, half way through his forty years of teaching at the University of Kansas.
Acrobatic Modernism from the Avant-garde to Prehistory
Author: Jed Rasula
Publisher:
ISBN: 0198833946
Category : Art
Languages : en
Pages : 473
Book Description
Moving through a vast geographical, cultural, and artistic terrain and juxtaposing numerous modernist works, this volume explores the multiplicity of modernism and provides in-depth case studies, including of James Joyce's Finnegans Wake, the reception of jazz music in Europe, and the Cubist movement in the visual arts.
Publisher:
ISBN: 0198833946
Category : Art
Languages : en
Pages : 473
Book Description
Moving through a vast geographical, cultural, and artistic terrain and juxtaposing numerous modernist works, this volume explores the multiplicity of modernism and provides in-depth case studies, including of James Joyce's Finnegans Wake, the reception of jazz music in Europe, and the Cubist movement in the visual arts.