Author: Gal Ventura
Publisher: BRILL
ISBN: 9004376755
Category : Art
Languages : en
Pages : 503
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Book Description
Gal Ventura explores the ideological sources promoting maternal breast-feeding in modern Western society, through a survey of hundreds of artworks produced in France from the French Revolution to the beginning of the twentieth century.
Author: Lisa Algazi Marcus
Publisher: Liverpool University Press
ISBN: 1802070648
Category : History
Languages : en
Pages : 176
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Book Description
Should all mothers breast-feed their children? This question remains controversial in the twenty-first century. In an interview with the newspaper Liberation in 2010, feminist philosopher Elisabeth Badinter claimed that the pressure to breast-feed signified “a reduction of woman to the status of an animal species, as though we were all female chimpanzees.” The debate over maternal nursing held even more urgency before pasteurization provided a safe alternative in the early 1900s. While scholars of literary criticism and art history have described the abundance of breast-feeding imagery following the publication of Rousseau’s Emile in 1762, little has been written on its manifestations in the nineteenth century. Despite an ongoing propaganda campaign to encourage mothers to nurse, reflected in such diverse sources as medical theses, paintings, and fictional cautionary tales, French mothers continued to entrust their infants to wet nurses more often and for longer than was the norm in other European countries throughout the nineteenth century and well into the twentieth. This book examines representations of breast-feeding in French literature and culture from 1800 to 1900 and their apparent dissonance with the socio-historical realities of French mothers.
Author: Marsha Morton
Publisher: Taylor & Francis
ISBN: 1000904148
Category : Art
Languages : en
Pages : 312
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Book Description
Through case studies, this book investigates the pictorial imaging of epidemics globally, especially from the late eighteenth century through the 1920s when, amidst expanding Western industrialism, colonialism, and scientific research, the world endured a succession of pandemics in tandem with the rise of popular visual culture and new media. Images discussed range from the depiction of people and places to the invisible realms of pathogens and emotions, while topics include the messaging of disease prevention and containment in public health initiatives, the motivations of governments to ensure control, the criticism of authority in graphic satire, and the private experience of illness in the domestic realm. Essays explore biomedical conditions as well as the recurrent constructed social narratives of bias, blame, and othering regarding race, gender, and class that are frequently highlighted in visual representations. This volume offers a pictured genealogy of pandemic experience that has continuing resonance. The book will be of interest to scholars working in art history, visual studies, history of medicine, and medical humanities.
Author: Leslee Thorne-Murphy
Publisher: Oxford University Press
ISBN: 0192692380
Category : History
Languages : en
Pages : 289
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Book Description
Bazaar Literature reorients our understanding of Victorian social reform fiction by reading it in light of the copious amount of literature generated for charity bazaars. Bazaars were ubiquitous during the nineteenth century, part of the vibrant and massive private sector response to a rapidly industrializing society. Typically organized and run by women, charity bazaars were often called "fancy fairs" since they specialized in ladies' hand-crafted "fancy" work. Indeed, they were a key method women used to intervene in political, social, and cultural affairs. Yet their conventional purpose—to raise money for charity—has led to their being widely overlooked and misunderstood. Bazaar Literature remedies these misconceptions by demonstrating how the literature written in conjunction with bazaars shaped the social, political, and literary movements of its time. This study draws upon a wide variety of texts printed to be sold at bazaars, including literature by Robert Louis Stevenson, Harriet Martineau, and Elizabeth Barrett Browning, alongside fictional depictions of fancy fairs by Charlotte Yonge, George Eliot, Frances Trollope, and Anthony Trollope. The book revises our understanding of the larger literary market in social reform fiction, revealing a parodic, self-critical strain that is paradoxically braided with strident political activism and its realist sensibilities.
Author: Rebecca Jaremko Bromwich
Publisher: Demeter Press
ISBN: 1772584991
Category : Social Science
Languages : en
Pages : 151
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Book Description
This book invites readers to step lightly into a transformative realm where the conventional narratives of pregnancy, motherhood, and femininity are defied, reshaped, and celebrated. In response to decades of limited portrayals of pregnant women and mothers as merely &‘ good,' &‘ bad,' or &‘ monstrous,' this anthology intervenes with a diverse array of contributions from scholars, artists, activists, and those who have lived the journey of motherhood. It brings forth a colourful mosaic of perspectives that push beyond the confines of societal norms, presenting images, writings, and creative expressions bursting with authenticity and power. This anthology is an affirmation, a celebration, and a transformative journey that invites all to join in reframing the pregnant body and the lived experiences of motherhood, and in to deeper engagements with maternal feminist writing and thought.
Author:
Publisher: Broadleaf Books
ISBN: 1506478611
Category : Religion
Languages : en
Pages : 242
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Book Description
"Everything is possible for those who believe, even more for those who hope, still more for those who love, and most of all for those who practice and persevere in these three powerful paths." Since it was first published in its pocket-size 1692 edition, Brother Lawrence's spiritual classic has remained in print, beloved by people of varying spiritual paths and religious traditions. With this new translation, award-winning translator Carmen Acevedo Butcher frees it from its centuries-long prison of dogmatic, binary language and brings fresh, inclusive treatment that readers are sure to find transformational. Brother Lawrence's years as a humble kitchen worker at a monastery, often remaining in the shadows of his community, gave way to a spiritual life that was profound. Poor, living with a disability, lacking a formal education, enduring a time of plague and civil unrest, he found God in the depths of his soul, experiencing God's loving presence throughout the day. His personal struggles and life-tested spiritual wisdom will resonate with contemporary readers as he invites us into a practice of Presence that is both accessible and deeply transformative. For the first time, Brother Lawrence's work is translated by Carmen Acevedo Butcher, a woman of color and a renowned scholar of medieval texts, who creates a dynamic, faithful translation for a new generation of readers.
Author: Patricia R. Ivinski
Publisher: Sterling and Francine Clark Art Museum
ISBN:
Category : Art
Languages : en
Pages : 64
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Book Description
Author: George D. Sussman
Publisher: Urbana : University of Illinois Press
ISBN:
Category : Business & Economics
Languages : en
Pages : 240
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Book Description
Sozialgeschichte / Frankreich
Author: Hollis Clayson
Publisher: University of Chicago Press
ISBN: 022659386X
Category : Art
Languages : en
Pages : 239
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Book Description
The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in Illuminated Paris, Hollis Clayson shows that there’s more to these clichés than meets the eye. In this richly illustrated book, she traces the dramatic evolution of lighting in Paris and how artists responded to the shifting visual and cultural scenes that resulted from these technologies. While older gas lighting produced a haze of orange, new electric lighting was hardly an improvement: the glare of experimental arc lights—themselves dangerous—left figures looking pale and ghoulish. As Clayson shows, artists’ representations of these new colors and shapes reveal turn-of-the-century concerns about modernization as electric lighting came to represent the harsh glare of rapidly accelerating social change. At the same time, in part thanks to American artists visiting the city, these works of art also produced our enduring romantic view of Parisian glamour and its Belle Époque.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 446
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Book Description
