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Author: Nicolaes Maes
Publisher: Forgotten Books
ISBN: 9781333524029
Category : Art
Languages : en
Pages : 58
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Book Description
Excerpt from Masters in Art, Vol. 9: A Series of Illustrated Monographs, Issued Monthly; March, 1908 Some of the later portraits attributed to Maes are so inferior in conception and handling that it has been thought by some critics that they may have been painted by another artist of the same name, possibly a son, as the name Maes or Maas is a common one in Holland. The manner of signature, too, on the early genre pictures and that on the later portraits is quite different in character. In the former the artist wrote his name, N. Maes, either in large Roman letters or with the m, a, and E, the first three letters of the surname, joined in a monogram. In the later pictures the initial N and the initial M of the surname were joined together with many ourishes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Author: Nicolaes Maes
Publisher: Forgotten Books
ISBN: 9781333524029
Category : Art
Languages : en
Pages : 58
Get Book Here
Book Description
Excerpt from Masters in Art, Vol. 9: A Series of Illustrated Monographs, Issued Monthly; March, 1908 Some of the later portraits attributed to Maes are so inferior in conception and handling that it has been thought by some critics that they may have been painted by another artist of the same name, possibly a son, as the name Maes or Maas is a common one in Holland. The manner of signature, too, on the early genre pictures and that on the later portraits is quite different in character. In the former the artist wrote his name, N. Maes, either in large Roman letters or with the m, a, and E, the first three letters of the surname, joined in a monogram. In the later pictures the initial N and the initial M of the surname were joined together with many ourishes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Author: John Everett Millais
Publisher: Forgotten Books
ISBN: 9780656100545
Category : Art
Languages : en
Pages : 50
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Book Description
Excerpt from Masters in Art, Vol. 9: Part 107; Millais Very early in his life he showed talent. He entered the Royal Academy Schools when only eleven years old, and at once began to do remarkable work. There are in existence sketches by him, made when he was only nine, which are astonishing things for a child of that age to have done. In short, as far as England could afford him training, he had learned all he could learn in schools while yet a lad. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Agnes Lewis Marsh
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 324
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Book Description
Author: Lynn Sweeting
Publisher: Lulu.com
ISBN: 1387600524
Category : Poetry
Languages : en
Pages : 114
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Book Description
Volume 9 of "WomanSpeak Journal of Writing and Art by Caribbean Women" is a collection of new creative work by nineteen women writers and artists in and of the Caribbean. This is a slim volume of poetry, short stories, fairy tales, essays and art that every island woman writer should have on her book shelf. This anthology includes writing by internationally recognized authors, rising stars, award winners, and new voices publishing for the first time. The writers conjure myths and fairy tales for our generation, evoke ancient goddesses, sing praises for our grandmothers and island women who've survived the hurricanes; as if to say to another in turn, I will tell you a story, I will tell you what happened, I will tell you what I dreamed, I will tell you what I remember, I will tell you what I imagine.
Author: Thomas Tunberg
Publisher:
ISBN: 9780989263429
Category :
Languages : en
Pages : 220
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Book Description
Art anthology
Author: Pennsylvania State University
Publisher:
ISBN:
Category :
Languages : en
Pages : 862
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Book Description
Author: Alastair Duncan
Publisher: ABRAMS
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 230
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Book Description
Author: Albert Joseph Moore
Publisher: Forgotten Books
ISBN: 9781334041693
Category : Art
Languages : en
Pages : 58
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Book Description
Excerpt from Masters in Art, Vol. 9: A Series of Illustrated Monographs, Issued Monthly; September, 1908, Part 105; Moore Albert joseph moore was the son of William Moore by his second wife, Sarah Collingham. He was born in September, 1841. His father was an artist of very considerable ability, rather well known in the north of England as a portrait-painter. His mother, too, came of a family of artists. Indeed, they were all artists in this happy family; for his brothers Henry Moore and John Collingham Moore were both painters of more than ordinary ability. Henry Moore, in fact, was the best marine painter of his day in England. Albert Moore was a very precocious infant in the matter of art. It is te corded that he could draw before he could read or write. At all events, he began to draw very early, and there is extant a crayon drawing by him, a portrait of his father, which would not discredit a much older artist. Moore's father and brothers were of great assistance to him in his early work, though it is said that even at that time he was very independent in his judgment and never followed advice unless it appealed to his reason. His father died when he was thirteen, and his mother moved to London. Albert, although obliged to go to school like other children of his age, still managed to keep up his art work so much so that when he was sixteen he painted and exhibited a water-color. This was at the Royal Academy. About this time he entered the Royal Academy, but from his own account it may be guessed that he remained there only a few months. He said that he felt the red tape of the place bound him down and that he could not develop in such surroundings. After leaving this place he and some of his friends formed a club something like the famous Langham, where they might paint from the model and incidentally correct each other's work. Some of the members of this club were Frederick Walker, W. M. Richmond, Marcus Stone, and Henry Holliday. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Supana Onikage
Publisher: J-Novel Club
ISBN: 1718324162
Category : Young Adult Fiction
Languages : en
Pages : 223
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Book Description
Even dragons fall in love?! My nameâs Keima Masuda, and despite the fact Iâm aiming for an easygoing life Iâm a Dungeon Master, a town chief, and a pope. Goren Townâs busy with a Beddhist wedding ceremony, and now a dragonâs attacking? I feel like this is gonna be one crazy foe... âMy bad, Keima! Seems like my dumb daughterâs giving you trouble!â It was my neighbor (dungeon)âs daughter, Igni (300 years old). Thatâs fine, but now thereâs a bunch of adventurers coming to town to slay the dragon?! Does that mean Iâm not gonna get any rest until the dragonâs gone? This is Volume 9 of my own kind of dungeon story! Time to fight the dragon with a Hero!
Author: Bates and Guild Company
Publisher:
ISBN: 9780282393830
Category : Art
Languages : en
Pages : 54
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Book Description
Excerpt from Masters in Art, Vol. 9: A Series of Illustrated Monographs; October 1908, MorettoBellini, an old man, was still alive. The whole town was full of young and eager craftsmen, intent on learning their trade in the greatest school of the world. Moretto may have known Tintoretto and Palma Vecchio. He may have brushed elbows against El Greco, another student in the school of Titian. He may have seen Albert Durer, when the latter made his Visit to Venice.The curious thing about Moretto, however, is that with all these induce ments to paint in a style nearly approaching the Venetian, he chose to go back to his Brescia in the hills and to paint quite in his own manner in cool, silvery tones quite different from the hot gold of Venice. Yet in this Venetian school he must have played a good part in his day, before he went back to his native town. One or two of his pictures still remain in Venice; notably his Feast in the House of Simon, ' which is a very fine production.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
