Masterpieces of Greek Drawing and Painting ... Translated ... by J.D. Beazley. (New Edition.). PDF Download
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Author: Ernst PFUHL
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Ernst PFUHL
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Ernst Pfuhl
Publisher:
ISBN:
Category : Drawing, Greek
Languages : en
Pages : 300
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Book Description
Author: Ernst Pfuhl
Publisher:
ISBN:
Category : Painting, Greek
Languages : en
Pages : 151
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Book Description
Author: Ernst PFUHL
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Ernst Pfuhl
Publisher:
ISBN:
Category : Painting, Greek
Languages : en
Pages : 151
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Author: Charles Alexander Robinson
Publisher: University of Oklahoma Press
ISBN: 9780806109350
Category : History
Languages : en
Pages : 180
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Book Description
The challenge of Periclean Athens to the students of civilizations is unmistakable: the city and its empire reached a level of culture and well-being scarcely paralleled in the history of man elsewhere. And like the characters in a Greek tragedy, the city and its leaders and citizens were busy in their time of glory making provision for their own tragic decline. "I have tried to suggest in general terms," says the author, "the meaning of Periclean Athens, addressing my interpretation to laymen. . . With the increasing mass of specialized research on ancient Athens, it is imperative to catch a general notion of the significance of the whole. . . The result is a picture of a complex society, as any great civilization is bound to be, with its magnificent achievements and its faults." This first volume in The Centers of Civilization Series does indeed give a clear picture of Athenian civilization, its literature, philosophy, and political and judicial writing; its painting, sculpture, architecture, music, and drama; and even the arts of war. Above all, the book suggests to modern readers the supreme importance of decision in all of man's affairs, and the frightful consequences of wrong decision, once it is made.
Author: Boston. Museum of Fine Arts
Publisher:
ISBN:
Category :
Languages : en
Pages : 318
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Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art, Etruscan
Languages : en
Pages : 316
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Author: Katherine Lever
Publisher: Taylor & Francis
ISBN: 1000579271
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
Originally published in 1956, this is a critical analysis of the comedies of Aristophanes and Menander studied in the context of the history of comedy, of the allied arts, and of contemporary life. Aristophanes and Menander are deservedly the most famous writers of Greek comedy. The extant comedies of Aristophanes are notable for wit, comical action, beautiful poetry, and the dramatization of such problems as health of mind and body, sex, money, government, law, religion, education, and drama, music and poetry. Menander portrays with delicate and sympathetic understanding a world in which the seeming evils of loss and discord eventually lead to the genuine goods of discovery and concord. The art of Aristophanes is critically examined in three chapters and that of Menander in one. For centuries Dionysos had been worshipped in a spirit of ecstasy which manifested itself in song, dance and the wearing of masks and costumes, pantomime, farce, and satire. The processes by which these diverse elements were developed and fused into the complex literary form of Old Comedy are the subject of the first three chapters. Aristophanes was not only pre-eminent as a writer of Old Comedy; he also participated in the transformation of Old Comedy into Middle Comedy, a curious and interesting dramatic form which is fully treated in the seventh chapter. In the last chapter the emergence of New Comedy is traced and the art of Menander criticized. The book ends with a brief indication of the various forms in which the spirit of Greek comedy had survived to the present day.
Author: David Castriota
Publisher: Univ of Wisconsin Press
ISBN: 9780299133542
Category : Architecture
Languages : en
Pages : 356
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Book Description
Using material remains, as well as the evidence of contemporary Greek history, rhetoric, and poetry, David Castriota interprets the Athenian monuments as vehicles of an official ideology intended to celebrate and justify the present in terms of the past. Castriota focuses on the strategy of ethical antithesis that asserted Greek moral superiority over the "barbaric" Persians, whose invasion had been repelled a generation earlier. He examines how, in major public programs of painting and sculpture, the leading artists of the period recast the Persians in the guise of wild and impious mythic antagonists to associate them with the ethical flaws or weaknesses commonly ascribed to women, animals, and foreigners. The Athenians, in contrast, were compared to mythic protagonists representing the excellence and triumph of Hellenic culture. Castriota's study is innovative in emphasizing the ethical implication of mythic precedents, which required substantial alterations to render them more effective as archetypes for the defense of Greek culture against a foreign, morally inferior enemy. The book looks in new ways at how the patrons and planners sought to manipulate viewer response through the selective presentation or repackaging of mythic traditions.
