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Author: Carl Parrish
Publisher: Courier Corporation
ISBN: 9780486418810
Category : Music
Languages : en
Pages : 258
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Book Description
Anyone interested in the history and development of Western music will welcome this collection of outstanding musical examples illustrating the general course of musical style from the early Middle Ages to the mid-eighteenth century. Included are 50 carefully selected compositions of great historical importance each masterful and beautiful in its own right. Selections include chants, the organum, parts of masses, motets, chansons, canzonas, lute dances, madrigals, ricercari, and clavecin pieces. Among the pieces are exquisite motets by Josquin, Lassus, and Byrd; madrigals by Marenzio and Caccini; brilliant instrumental displays by Frescobaldi, Pachelbel, Couperin, and Domenico Scarlatti; choral music by Handel and Bach, and much more. Each example is accompanied by notes that identify the place of the composition in the history of music and suggest ways for the reader to undertake a useful analysis of that music. Most examples are in easy-to-follow "short score" i.e., in two staves, lending themselves to analysis and performance by the student singly or in informal ensembles. The music can be performed either vocally or at the keyboard, allowing the reader to gain unmatched insight into the character and significance of a rich cross-section of historic styles."
Author: Carl Parrish
Publisher: Courier Corporation
ISBN: 9780486418810
Category : Music
Languages : en
Pages : 258
Get Book Here
Book Description
Anyone interested in the history and development of Western music will welcome this collection of outstanding musical examples illustrating the general course of musical style from the early Middle Ages to the mid-eighteenth century. Included are 50 carefully selected compositions of great historical importance each masterful and beautiful in its own right. Selections include chants, the organum, parts of masses, motets, chansons, canzonas, lute dances, madrigals, ricercari, and clavecin pieces. Among the pieces are exquisite motets by Josquin, Lassus, and Byrd; madrigals by Marenzio and Caccini; brilliant instrumental displays by Frescobaldi, Pachelbel, Couperin, and Domenico Scarlatti; choral music by Handel and Bach, and much more. Each example is accompanied by notes that identify the place of the composition in the history of music and suggest ways for the reader to undertake a useful analysis of that music. Most examples are in easy-to-follow "short score" i.e., in two staves, lending themselves to analysis and performance by the student singly or in informal ensembles. The music can be performed either vocally or at the keyboard, allowing the reader to gain unmatched insight into the character and significance of a rich cross-section of historic styles."
Author: Rodgers and Hammerstein Archives of Recorded Sound
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 872
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Book Description
Author: Heinrich Schenker
Publisher: Courier Corporation
ISBN: 048678004X
Category : Music
Languages : en
Pages : 146
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Book Description
Volume III of this three-volume set is dominated by one of the eminent theorist's most celebrated studies: the analysis of Beethoven's "Eroica" Symphony. All four movements are discussed in painstaking detail.
Author: Heinrich Schenker
Publisher: Courier Corporation
ISBN: 0486780023
Category : Music
Languages : en
Pages : 164
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Book Description
Three-volume set features complete translation of major writings by a distinguished Austrian music theorist. Volume I includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven; Bach's music for solo violin, and more.
Author: Heinrich Schenker
Publisher: Courier Corporation
ISBN: 0486799360
Category : Music
Languages : en
Pages : 162
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Book Description
Volume II of three-volume set features an essay on Mozart's Symphony No. 40 in G Minor, studies of Bach keyboard and solo cello works, and theoretical writings on sonata form and fugue and Schenkerian theory.
Author: Phillip R. Rehfeldt
Publisher: Phillip Rehfeldt/MillCreekPublishing
ISBN: 0933251114
Category : Biography & Autobiography
Languages : en
Pages : 141
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Book Description
This text was developed for use in a standard college-level "introduction to graduate studies" course in musicology that I taught for thirty-three years at the University of Redlands.
Author: Carl Parrish
Publisher: Courier Corporation
ISBN: 0486171450
Category : Music
Languages : en
Pages : 354
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Book Description
Features 50 compositions from early Middle Ages to mid-18th century, including a Gregorian hymn, English lute piece, operatic arias, instrumental and vocal motets; works by Vivaldi, Telemann, Scarlatti, and others. Features commentary.
Author: Carl Parrish
Publisher: Courier Corporation
ISBN: 0486143104
Category : Music
Languages : en
Pages : 258
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Book Description
Outstanding musical examples — chants, motets, madrigals, more — illustrating course of musical style from early Middle Ages to mid-18th century. Works by Lassus, Josquin des Prez, Schütz, Handel, Bach, many others. Notes.
Author: Phillip Crabtree
Publisher: Indiana University Press
ISBN: 9780253213235
Category : Bibliographical literature
Languages : en
Pages : 258
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Book Description
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
Author: Allen Scott
Publisher: Indiana University Press
ISBN: 0253014565
Category : Music
Languages : en
Pages : 518
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Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
