Fifteenth and Sixteenth Century Prints from the Rosenwald Collection, National Gallery of Art, Washington, D.C. PDF Download
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Author: Mary Washington College
Publisher:
ISBN:
Category : Engraving, Renaissance
Languages : en
Pages : 84
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Book Description
Author: Mary Washington College
Publisher:
ISBN:
Category : Engraving, Renaissance
Languages : en
Pages : 84
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Book Description
Author: John Ross
Publisher: Simon and Schuster
ISBN: 1439135096
Category : Art
Languages : en
Pages : 366
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Book Description
This revised and expanded edition takes the reader step by step through the history and techniques of over forty-five print-making methods. From the traditional etching, engraving, lithography, and relief print processes to today’s computer prints, Mylar lithography, copier prints, water-based screen printing, helio-reliefs, and monotypes, The Complete Printmaker covers various aspects of fine printmaking. The book also includes a survey of issues and contemporary concerns in the printmakers world.
Author: Ruth Fine
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
Author: Library of Congress
Publisher: Washington : Library of Congress
ISBN: 9780844402376
Category : Library catalogs
Languages : en
Pages : 0
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Book Description
Author: Elizabeth Prelinger
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
A major new study of Edvard Munch's prints, regarded by many as his finest works.
Author:
Publisher: UM Libraries
ISBN:
Category : Education, Higher
Languages : en
Pages : 1196
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Book Description
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1380
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Book Description
Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)
Author: Helena E. Wright
Publisher: Smithsonian Institution
ISBN: 193562363X
Category : Art
Languages : en
Pages : 292
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Book Description
Outstanding Academic Title, Choice, 2015 Winner, Ewell Newman Award of the American Historical Print Collectors Society, 2016 In 1849 the Smithsonian purchased the Marsh Collection of European engravings. Not only the first collection of any kind to be acquired by the new Institution, it was also the first public print collection in the nation, and it presented an important symbol of cultural authority. The prints formed part of the library of Vermont Congressman George Perkins Marsh (1801-1882), a member of the Smithsonian’s Board of Regents. The uncertainty of the Smithsonian's mission in the early years complicated its motivation for purchasing the collection, especially given Marsh’s position as a Regent in financial difficulty. After a serious fire in 1865, portions of the collection were deposited at the Library of Congress and the Corcoran Gallery of Art. Efforts to reclaim it began in the 1880s, as a new generation of Smithsonian staff expanded the National Museum, but they achieved only mixed success. Through the story of the Marsh Collection, the book explores the cultural values attributed to prints in the 19th century, including their prominent role in expositions and their influence on visual culture at a time when collecting styles were moving from an individual’s private contemplation of artworks to wider public venues of exposition in museums and reception by multiple audiences. The history of this first Smithsonian collection enlivens an important stage in the development of American cultural identity and in the formation of the Smithsonian as a national institution.
Author: Alexandra Onuf
Publisher: Routledge
ISBN: 135125152X
Category : Art
Languages : en
Pages : 331
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Book Description
In 1559 and 1561, the Antwerp print publisher Hieronymus Cock issued an unprecedented series of landscape prints known today simply as the Small Landscapes. The forty-four prints included in the series offer views of the local countryside surrounding Antwerp in simple, unembellished compositions. At a time when vast panoramic and allegorical landscapes dominated the art market, the Small Landscapes represent a striking innovation. This book offers the first comprehensive analysis of the significance of the Small Landscapes in early modern print culture. It charts a diachronic history of the series over the century it was in active circulation, from 1559 to the middle of the seventeenth century. Adopting the lifespan of the prints as the framework of the study, Alexandra Onuf analyzes the successive states of the plates and the changes to the series as a whole in order to reveal the shifting artistic and contextual valences of the images at their different moments and places of publication. This unique case study allows for a new perspective on the trajectory of print publishing over the course of the late sixteenth and early seventeenth centuries across multiple publishing houses, highlighting the seminal importance of print publishers in the creation and dissemination of visual imagery and cultural ideas. Looking at other visual materials and contemporary sources – including texts as diverse as humanist poetry and plays, agricultural manuals, polemical broadsheets, and peasant songs – Onuf situates the Small Landscapes within the larger cultural discourse on rural land and the meaning of the local in the turbulent early modern Netherlands. The study focuses new attention on the active and reciprocal intersections between printed pictures and broader cultural, economic and political phenomena.
Author: Cincinnati Art Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 366
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Book Description
Published in conjunction with an exhibit featuring the prints that were selected for research from the estimable collection housed at the Cincinnati Art Museum. One hundred and fifty masterpieces--reproduced primarily in bandw, as close to actual size as possible--and accompanying essays (by nine scholars), are organized chronologically by century. Additionally, each essay begins with a detailed description of the object and its exhibition and publication history. Available from Publications Marketing, Cincinnati Art Museum, Eden Park Dr., Cincinnati, OH 45202. Annotation copyright by Book News, Inc., Portland, OR
