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Author: David Lindley
Publisher:
ISBN: 9780192834560
Category : Courts and courtiers
Languages : en
Pages : 286
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Book Description
The masque had a brief but splendid life as the dominant mode of entertainment at the early Stuart court, and it has increasingly come to be recognized as a genre offering a fascinating insight into the culture and politics of the early seventeenth century. This selection of 18 masques traces the evolution of the genre from Jonson's early masques for King James I to Davenant's 1640 masque for Charles I, performed just before the outbreak of civil war. It also includes examples of entertainments performed on royal progresses, as well as one domestic masque. Court masques were extravagant multi-media happenings, imbued with often arcane allegorical programmes by writers and designers, and frequently commenting on topical political issues. In this, the most substantial available selection, readers are offered the annotation necessary to gain an understanding of the complexities of the individual texts. Under the General Editorship of Michael Cordner of the University ofYork, the texts have been newly edited and are presented with modernized spelling and punctuation. In addition to the detailed notes there is a scholarly introduction, making this edition invaluable to students of Renaissance drama and court culture.
Author: David Lindley
Publisher:
ISBN: 9780192834560
Category : Courts and courtiers
Languages : en
Pages : 286
Get Book Here
Book Description
The masque had a brief but splendid life as the dominant mode of entertainment at the early Stuart court, and it has increasingly come to be recognized as a genre offering a fascinating insight into the culture and politics of the early seventeenth century. This selection of 18 masques traces the evolution of the genre from Jonson's early masques for King James I to Davenant's 1640 masque for Charles I, performed just before the outbreak of civil war. It also includes examples of entertainments performed on royal progresses, as well as one domestic masque. Court masques were extravagant multi-media happenings, imbued with often arcane allegorical programmes by writers and designers, and frequently commenting on topical political issues. In this, the most substantial available selection, readers are offered the annotation necessary to gain an understanding of the complexities of the individual texts. Under the General Editorship of Michael Cordner of the University ofYork, the texts have been newly edited and are presented with modernized spelling and punctuation. In addition to the detailed notes there is a scholarly introduction, making this edition invaluable to students of Renaissance drama and court culture.
Author: Ben Jonson
Publisher: Manchester University Press
ISBN: 9780719057540
Category : Drama
Languages : en
Pages : 228
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Book Description
Masques of Difference presents an annotated edition of four seventeenth-century entertainments written by Ben Jonson for the court of James I. These masques reflect both the confidence and the anxieties of the English aristocracy at a time when notions of monarchy, empire, and national identity were being radically redefined. All four masques reflect the royal court's self-representation as moral, orderly, and just, in contrast to stylized images of chaotically (and exotically) "othered" groups: Africans, the Irish, witches, and the homoeroticised figure of the Gypsy.
Author: Naomi Andre
Publisher: University of Illinois Press
ISBN: 0252093895
Category : Music
Languages : en
Pages : 306
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Book Description
Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.
Author: Sujata Iyengar
Publisher: University of Pennsylvania Press
ISBN: 0812202333
Category : History
Languages : en
Pages : 322
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Book Description
Was there such a thing as a modern notion of race in the English Renaissance, and, if so, was skin color its necessary marker? In fact, early modern texts described human beings of various national origins—including English—as turning white, brown, tawny, black, green, or red for any number of reasons, from the effects of the sun's rays or imbalance of the bodily humors to sexual desire or the application of makeup. It is in this cultural environment that the seventeenth-century London Gazette used the term "black" to describe both dark-skinned African runaways and dark-haired Britons, such as Scots, who are now unquestioningly conceived of as "white." In Shades of Difference, Sujata Iyengar explores the cultural mythologies of skin color in a period during which colonial expansion and the slave trade introduced Britons to more dark-skinned persons than at any other time in their history. Looking to texts as divergent as sixteenth-century Elizabethan erotic verse, seventeenth-century lyrics, and Restoration prose romances, Iyengar considers the construction of race during the early modern period without oversimplifying the emergence of race as a color-coded classification or a black/white opposition. Rather, "race," embodiment, and skin color are examined in their multiple contexts—historical, geographical, and literary. Iyengar engages works that have not previously been incorporated into discussions of the formation of race, such as Marlowe's "Hero and Leander" and Shakespeare's "Venus and Adonis." By rethinking the emerging early modern connections between the notions of race, skin color, and gender, Shades of Difference furthers an ongoing discussion with originality and impeccable scholarship.
Author: Frantz Fanon
Publisher:
ISBN: 9780745399546
Category : Black race
Languages : en
Pages : 0
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Book Description
Black Skin, White Masks is a classic, devastating account of the dehumanising effects of colonisation experienced by black subjects living in a white world. First published in English in 1967, this book provides an unsurpassed study of the psychology of racism using scientific analysis and poetic grace.Franz Fanon identifies a devastating pathology at the heart of Western culture, a denial of difference, that persists to this day. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, his writings speak to all who continue the struggle for political and cultural liberation.With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack.
Author: Herbert Arthur Evans
Publisher: London, Blackie
ISBN:
Category : English drama
Languages : en
Pages : 338
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Book Description
Author: Clare McManus
Publisher: Manchester University Press
ISBN: 9780719060922
Category : England
Languages : en
Pages : 296
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Book Description
This work reassesses women's relationship to performance in early modern England. It investigates the staging conditions, practices and gendering of Anna of Denmark's performances, bringing current critical theorisations of race, class, gender, space and performance to bear on the female courtly body in dance, staging, scenery, costume and make-up in the Jacobean court. The study establishes a tradition of early seventeenth-century female performance which constitutes a trajectory for the emergence of the professional Restoration female actor. Anna of Denmark, wife of James VI of Scotland/James I, was a great patron of Ben Johnson, among others.
Author: Curtis Craddock
Publisher: Tor Books
ISBN: 0765389592
Category : Fiction
Languages : en
Pages : 417
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Book Description
Believing her arranged marriage will stave off a disastrous conflict, Princess Isabelle des Zephyrs, finds herself targeted by an assassin, but with the aid of her loyal musketeer, she begins to unravel the lies of her enemies and discover a dangerous truth.
Author: David Bevington
Publisher: Cambridge University Press
ISBN: 9780521594363
Category : Drama
Languages : en
Pages : 358
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Book Description
A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
Author: Michelle M. Wright
Publisher: Duke University Press
ISBN: 0822385864
Category : Social Science
Languages : en
Pages : 292
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Book Description
Becoming Black is a powerful theorization of Black subjectivity throughout the African diaspora. In this unique comparative study, Michelle M. Wright discusses the commonalties and differences in how Black writers and thinkers from the United States, the Caribbean, Africa, France, Great Britain, and Germany have responded to white European and American claims about Black consciousness. As Wright traces more than a century of debate on Black subjectivity between intellectuals of African descent and white philosophers, she also highlights how feminist writers have challenged patriarchal theories of Black identity. Wright argues that three nineteenth-century American and European works addressing race—Thomas Jefferson’s Notes on the State of Virginia, G. W. F. Hegel’s Philosophy of History, and Count Arthur de Gobineau’s Essay on the Inequality of the Human Races—were particularly influential in shaping twentieth-century ideas about Black subjectivity. She considers these treatises in depth and describes how the revolutionary Black thinkers W. E. B. Du Bois, Aimé Césaire, Léopold Sédar Senghor, and Frantz Fanon countered the theories they promulgated. She explains that while Du Bois, Césaire, Senghor, and Fanon rejected the racist ideologies of Jefferson, Hegel, and Gobineau, for the most part they did so within what remained a nationalist, patriarchal framework. Such persistent nationalist and sexist ideologies were later subverted, Wright shows, in the work of Black women writers including Carolyn Rodgers and Audre Lorde and, more recently, the British novelists Joan Riley, Naomi King, Jo Hodges, and Andrea Levy. By considering diasporic writing ranging from Du Bois to Lorde to the contemporary African novelists Simon Njami and Daniel Biyaoula, Wright reveals Black subjectivity as rich, varied, and always evolving.
