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Author: Ben Jonson
Publisher: Manchester University Press
ISBN: 9780719057540
Category : Drama
Languages : en
Pages : 228
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Book Description
Masques of Difference presents an annotated edition of four seventeenth-century entertainments written by Ben Jonson for the court of James I. These masques reflect both the confidence and the anxieties of the English aristocracy at a time when notions of monarchy, empire, and national identity were being radically redefined. All four masques reflect the royal court's self-representation as moral, orderly, and just, in contrast to stylized images of chaotically (and exotically) "othered" groups: Africans, the Irish, witches, and the homoeroticised figure of the Gypsy.
Author: Ben Jonson
Publisher: Manchester University Press
ISBN: 9780719057540
Category : Drama
Languages : en
Pages : 228
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Book Description
Masques of Difference presents an annotated edition of four seventeenth-century entertainments written by Ben Jonson for the court of James I. These masques reflect both the confidence and the anxieties of the English aristocracy at a time when notions of monarchy, empire, and national identity were being radically redefined. All four masques reflect the royal court's self-representation as moral, orderly, and just, in contrast to stylized images of chaotically (and exotically) "othered" groups: Africans, the Irish, witches, and the homoeroticised figure of the Gypsy.
Author: David Lindley
Publisher:
ISBN: 9780192834560
Category : Courts and courtiers
Languages : en
Pages : 286
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Book Description
The masque had a brief but splendid life as the dominant mode of entertainment at the early Stuart court, and it has increasingly come to be recognized as a genre offering a fascinating insight into the culture and politics of the early seventeenth century. This selection of 18 masques traces the evolution of the genre from Jonson's early masques for King James I to Davenant's 1640 masque for Charles I, performed just before the outbreak of civil war. It also includes examples of entertainments performed on royal progresses, as well as one domestic masque. Court masques were extravagant multi-media happenings, imbued with often arcane allegorical programmes by writers and designers, and frequently commenting on topical political issues. In this, the most substantial available selection, readers are offered the annotation necessary to gain an understanding of the complexities of the individual texts. Under the General Editorship of Michael Cordner of the University ofYork, the texts have been newly edited and are presented with modernized spelling and punctuation. In addition to the detailed notes there is a scholarly introduction, making this edition invaluable to students of Renaissance drama and court culture.
Author: Sujata Iyengar
Publisher: University of Pennsylvania Press
ISBN: 0812202333
Category : History
Languages : en
Pages : 322
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Book Description
Was there such a thing as a modern notion of race in the English Renaissance, and, if so, was skin color its necessary marker? In fact, early modern texts described human beings of various national origins—including English—as turning white, brown, tawny, black, green, or red for any number of reasons, from the effects of the sun's rays or imbalance of the bodily humors to sexual desire or the application of makeup. It is in this cultural environment that the seventeenth-century London Gazette used the term "black" to describe both dark-skinned African runaways and dark-haired Britons, such as Scots, who are now unquestioningly conceived of as "white." In Shades of Difference, Sujata Iyengar explores the cultural mythologies of skin color in a period during which colonial expansion and the slave trade introduced Britons to more dark-skinned persons than at any other time in their history. Looking to texts as divergent as sixteenth-century Elizabethan erotic verse, seventeenth-century lyrics, and Restoration prose romances, Iyengar considers the construction of race during the early modern period without oversimplifying the emergence of race as a color-coded classification or a black/white opposition. Rather, "race," embodiment, and skin color are examined in their multiple contexts—historical, geographical, and literary. Iyengar engages works that have not previously been incorporated into discussions of the formation of race, such as Marlowe's "Hero and Leander" and Shakespeare's "Venus and Adonis." By rethinking the emerging early modern connections between the notions of race, skin color, and gender, Shades of Difference furthers an ongoing discussion with originality and impeccable scholarship.
Author: Naomi Andre
Publisher: University of Illinois Press
ISBN: 0252093895
Category : Music
Languages : en
Pages : 306
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Book Description
Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.
Author: Andrew R. Walkling
Publisher: Taylor & Francis
ISBN: 1317099702
Category : Music
Languages : en
Pages : 376
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Book Description
Masque and Opera in England, 1656–1688 presents a comprehensive study of the development of court masque and through-composed opera in England from the mid-1650s to the Revolution of 1688–89. In seeking to address the problem of generic categorization within a highly fragmentary corpus for which a limited amount of documentation survives, Walkling argues that our understanding of the distinctions between masque and opera must be premised upon a thorough knowledge of theatrical context and performance circumstances. Using extensive archival and literary evidence, detailed textual readings, rigorous tabular analysis, and meticulous collation of bibliographical and musical sources, this interdisciplinary study offers a host of new insights into a body of work that has long been of interest to musicologists, theatre historians, literary scholars and historians of Restoration court and political culture, but which has hitherto been imperfectly understood. A companion volume will explore the phenomenon of "dramatick opera" and its precursors on London’s public stages between the early 1660s and the first decade of the eighteenth century.
Author: Gerald Eades Bentley
Publisher: Cambridge University Press
ISBN: 9780521054553
Category : Literary Collections
Languages : en
Pages : 526
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Book Description
The English court masque was one of the most extravagant and spectacular forms of entertainment ever produced, the most important period being between 1600 and 1640 when the writers included some of the best-known poets and dramatists of the age. This volume, first published in 1967, was the first selection of masques to be published in England in the twentieth century. It consists of fourteen masques, each specially edited with an introduction and commentary by a different scholar, including Ben Jonson, James Shirley, Samuel Daniel, Thomas Campion, Francis Beaumont, William Browne, Thomas Middleton, Thomas Nabbes and William Davenant. Professor Gerald Eades Bentley examines the masque as Jonson conceived it and the clash that took place between Jonson and his collaborator as designer, Inigo Jones. There is also a final essay on the influence of the masque on the drama of the period. A group of 48 plates has been prepared many of them reproducing designs by Inigo Jones.
Author: Frantz Fanon
Publisher:
ISBN: 9780745399546
Category : Black race
Languages : en
Pages : 0
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Book Description
Black Skin, White Masks is a classic, devastating account of the dehumanising effects of colonisation experienced by black subjects living in a white world. First published in English in 1967, this book provides an unsurpassed study of the psychology of racism using scientific analysis and poetic grace.Franz Fanon identifies a devastating pathology at the heart of Western culture, a denial of difference, that persists to this day. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, his writings speak to all who continue the struggle for political and cultural liberation.With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack.
Author: David Bevington
Publisher: Cambridge University Press
ISBN: 9780521594363
Category : Drama
Languages : en
Pages : 358
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Book Description
A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
Author: Ben Jonson
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
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Book Description
Author: Elizabeth Amisu
Publisher: Bloomsbury Publishing USA
ISBN: 1440838658
Category : Music
Languages : en
Pages : 385
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Book Description
An essential companion to Michael Jackson's music, films, and books, this work offers 21 original, academic essays on all things Jackson-from film, music, and dance to fashion, culture, and literature. Going well beyond the average celebrity biography, this comprehensive book looks at why Jackson is regarded as one of the most important musicians of our time, offering insights into every facet of his art, life, and artistic afterlife. It looks at the methods by which his work was created, presented, received, and appropriated; discusses Jackson's varied personas along with his public and private appearances, albums, conceptual art, short films, and dance; and considers his use of costume, makeup, and reinvention. To help readers understand the phenomenon that was-and is-Michael Jackson, the book focuses on Jackson's historical context through an analysis of his films, songs, and books, examining him as an artist and shedding light on the political and ideological debates that surrounded him. Not shying away from the controversial aspects of Jackson's life and legacy, it also tackles questions of sexuality and racism, gender, and class, comparing Jackson to artists ranging from J. S. Bach to Andy Warhol. Through its examination of Jackson's entire catalog, the work connects all the aspects of his art and life to exemplify-and explain-the performer's unparalleled influence in the 20th and 21st centuries.
