Author: Nora Crook
Publisher: Routledge
ISBN: 1000748332
Category : Language Arts & Disciplines
Languages : en
Pages : 532
Book Description
This collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.
Mary Shelley's Literary Lives and Other Writings, Volume 3
Author: Nora Crook
Publisher: Routledge
ISBN: 1000748332
Category : Language Arts & Disciplines
Languages : en
Pages : 532
Book Description
This collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.
Publisher: Routledge
ISBN: 1000748332
Category : Language Arts & Disciplines
Languages : en
Pages : 532
Book Description
This collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.
Mary Shelley's Literary Lives and Other Writings, Volume 2
Author: Lisa Vargo
Publisher: Routledge
ISBN: 1000748324
Category : Biography & Autobiography
Languages : en
Pages : 441
Book Description
This collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.
Publisher: Routledge
ISBN: 1000748324
Category : Biography & Autobiography
Languages : en
Pages : 441
Book Description
This collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.
Mary Shelley's Literary Lives and Other Writings
Author: Nora Crook
Publisher: Taylor & Francis
ISBN: 1000743861
Category : Literary Criticism
Languages : en
Pages : 1909
Book Description
This collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.
Publisher: Taylor & Francis
ISBN: 1000743861
Category : Literary Criticism
Languages : en
Pages : 1909
Book Description
This collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.
Mary Shelley's Literary Lives and Other Writings, Volume 4
Author: Nora Crook
Publisher: Routledge
ISBN: 1000748340
Category : Literary Criticism
Languages : en
Pages : 538
Book Description
This collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.
Publisher: Routledge
ISBN: 1000748340
Category : Literary Criticism
Languages : en
Pages : 538
Book Description
This collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.
England's First Family of Writers
Author: Julie A. Carlson
Publisher: JHU Press
ISBN: 9780801886188
Category : Biography & Autobiography
Languages : en
Pages : 356
Book Description
Publisher description
Publisher: JHU Press
ISBN: 9780801886188
Category : Biography & Autobiography
Languages : en
Pages : 356
Book Description
Publisher description
Politics of Romanticism
Author: Zoe Beenstock
Publisher: Edinburgh University Press
ISBN: 1474410235
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
The Politics of Romanticism examines the relationship between two major traditions which have not been considered in conjunction: British Romanticism and social contract philosophy. She argues that an emerging political vocabulary was translated into a literary vocabulary in social contract theory, which shaped the literature of Romantic Britain, as well as German Idealism, the philosophical tradition through which Romanticism is more usually understood. Beenstock locates the Romantic movement's coherence in contract theory's definitive dilemma: the critical disruption of the individual and the social collective. By looking at the intersection of the social contract, Scottish Enlightenment philosophy, and canonical works of Romanticism and its political culture, her book provides an alternative to the model of retreat which has dominated accounts of Romanticism of the last century.
Publisher: Edinburgh University Press
ISBN: 1474410235
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
The Politics of Romanticism examines the relationship between two major traditions which have not been considered in conjunction: British Romanticism and social contract philosophy. She argues that an emerging political vocabulary was translated into a literary vocabulary in social contract theory, which shaped the literature of Romantic Britain, as well as German Idealism, the philosophical tradition through which Romanticism is more usually understood. Beenstock locates the Romantic movement's coherence in contract theory's definitive dilemma: the critical disruption of the individual and the social collective. By looking at the intersection of the social contract, Scottish Enlightenment philosophy, and canonical works of Romanticism and its political culture, her book provides an alternative to the model of retreat which has dominated accounts of Romanticism of the last century.
Autobiographies of Others
Author: Lucia Boldrini
Publisher: Routledge
ISBN: 1136283250
Category : Biography & Autobiography
Languages : en
Pages : 237
Book Description
In this volume, Boldrini examines "heterobiography"—the first-person fictional account of a historic life. Boldrini shows that this mode is widely employed to reflect critically on the historical and philosophical understanding of the human; on individual identity; and on the power relationships that define the subject. In such texts, the grammatical first person becomes the site of an encounter, a stage where the relationships between historical, fictional and authorial subjectivities are played out and explored in the ‘double I’ of author and narrating historical character, of fictional narrator and historical person. Boldrini considers the ethical implications of assuming another’s first-person voice, and the fraught issue of authorial responsibility. Constructions of the body are examined in relation to the material evidence of the subject’s existence. Texts studied include Malouf’s An Imaginary Life, Carey’s True History of the Kelly Gang, Ondaatje’s The Collected Works of Billy the Kid, Adair’s The Death of the Author, Banti’s Artemisia, Vázquez Montalbán’s Autobiografía del general Franco. Also discussed, among others: Yourcenar’s Memoirs of Hadrian, Tabucchi’s The Last Three Days of Fernando Pessoa, Giménez-Bartlett’s Una habitación ajena (A Room of Someone Else’s).
Publisher: Routledge
ISBN: 1136283250
Category : Biography & Autobiography
Languages : en
Pages : 237
Book Description
In this volume, Boldrini examines "heterobiography"—the first-person fictional account of a historic life. Boldrini shows that this mode is widely employed to reflect critically on the historical and philosophical understanding of the human; on individual identity; and on the power relationships that define the subject. In such texts, the grammatical first person becomes the site of an encounter, a stage where the relationships between historical, fictional and authorial subjectivities are played out and explored in the ‘double I’ of author and narrating historical character, of fictional narrator and historical person. Boldrini considers the ethical implications of assuming another’s first-person voice, and the fraught issue of authorial responsibility. Constructions of the body are examined in relation to the material evidence of the subject’s existence. Texts studied include Malouf’s An Imaginary Life, Carey’s True History of the Kelly Gang, Ondaatje’s The Collected Works of Billy the Kid, Adair’s The Death of the Author, Banti’s Artemisia, Vázquez Montalbán’s Autobiografía del general Franco. Also discussed, among others: Yourcenar’s Memoirs of Hadrian, Tabucchi’s The Last Three Days of Fernando Pessoa, Giménez-Bartlett’s Una habitación ajena (A Room of Someone Else’s).
Sex, Lies, and Autobiography
Author: James L. O'Rourke
Publisher: University of Virginia Press
ISBN: 9780813925127
Category : Language Arts & Disciplines
Languages : en
Pages : 238
Book Description
In Sex, Lies, and Autobiography James O'Rourke explores the relationships between literary form and ethics, revealing how autobiographical texts are able to confront readers with the moral complexities of everyday life. Tracing the ethical legacy of Jean-Jacques Rousseau's Confessions in a series of English-language texts, the author shows how Rousseau's doubts about the possibility of ethical behavior in everyday life shadows the first-person narratives of five canonic works: William Wordsworth's Prelude, Charlotte Brontë's Jane Eyre and Villette, Mary Shelley's Frankenstein, and Vladimir Nabokov's Lolita. Offering a fascinating new way of thinking about ethics through literature, Sex, Lies, and Autobiography challenges the most fundamental principles of the philosophical study of ethics, revealing the innate difference between morality in life and morality in literature. O'Rourke begins with Rousseau's inability to reconcile his intuitive belief that he is a good person with the effects that his actions have on others, and he goes on to show how this same ethical impasse recurs in the five aforementioned texts. The ethical crises these texts describe, such as when Jane Eyre's happiness can be purchased only at the cost of Bertha Mason's suicide, or when Humbert Humbert's artistry demands the sacrifice of Dolores Haze, are not instances of authorial ethical blindness, O'Rourke says, but rather are ethical challenges that force us as readers to consider our own lives. In each of these works, a narrator attempts to justify his or her behavior and fails; in each case, the rigorous narrative of self-examination demands a similar effort from the reader, whose own sense of moral rectitude is put into question. Confronting the long-held philosophical construction that links ethical principles and life choices, thereby reassuring us of the ethical coherence of everyday life, the narrators of these literary autobiographies come to a very different conclusion; by looking back on their lives, they cannot understand how their most benevolent desires led to such damaging life stories. By leaving meaning inexplicit, O'Rourke argues, these texts are able to recover traumatic material that is ordinarily repressed and then bring that repressed knowledge to bear on self-justifying narratives. For readers interested in autobiographical studies, ethical criticism, and trauma and literary studies, Sex, Lies, and Autobiography provides a groundbreaking analysis of the role of ethics in literature.
Publisher: University of Virginia Press
ISBN: 9780813925127
Category : Language Arts & Disciplines
Languages : en
Pages : 238
Book Description
In Sex, Lies, and Autobiography James O'Rourke explores the relationships between literary form and ethics, revealing how autobiographical texts are able to confront readers with the moral complexities of everyday life. Tracing the ethical legacy of Jean-Jacques Rousseau's Confessions in a series of English-language texts, the author shows how Rousseau's doubts about the possibility of ethical behavior in everyday life shadows the first-person narratives of five canonic works: William Wordsworth's Prelude, Charlotte Brontë's Jane Eyre and Villette, Mary Shelley's Frankenstein, and Vladimir Nabokov's Lolita. Offering a fascinating new way of thinking about ethics through literature, Sex, Lies, and Autobiography challenges the most fundamental principles of the philosophical study of ethics, revealing the innate difference between morality in life and morality in literature. O'Rourke begins with Rousseau's inability to reconcile his intuitive belief that he is a good person with the effects that his actions have on others, and he goes on to show how this same ethical impasse recurs in the five aforementioned texts. The ethical crises these texts describe, such as when Jane Eyre's happiness can be purchased only at the cost of Bertha Mason's suicide, or when Humbert Humbert's artistry demands the sacrifice of Dolores Haze, are not instances of authorial ethical blindness, O'Rourke says, but rather are ethical challenges that force us as readers to consider our own lives. In each of these works, a narrator attempts to justify his or her behavior and fails; in each case, the rigorous narrative of self-examination demands a similar effort from the reader, whose own sense of moral rectitude is put into question. Confronting the long-held philosophical construction that links ethical principles and life choices, thereby reassuring us of the ethical coherence of everyday life, the narrators of these literary autobiographies come to a very different conclusion; by looking back on their lives, they cannot understand how their most benevolent desires led to such damaging life stories. By leaving meaning inexplicit, O'Rourke argues, these texts are able to recover traumatic material that is ordinarily repressed and then bring that repressed knowledge to bear on self-justifying narratives. For readers interested in autobiographical studies, ethical criticism, and trauma and literary studies, Sex, Lies, and Autobiography provides a groundbreaking analysis of the role of ethics in literature.
The Palgrave Handbook of Literature and Mathematics
Author: Robert Tubbs
Publisher: Springer Nature
ISBN: 3030554783
Category : Literary Criticism
Languages : en
Pages : 628
Book Description
This handbook features essays written by both literary scholars and mathematicians that examine multiple facets of the connections between literature and mathematics. These connections range from mathematics and poetic meter to mathematics and modernism to mathematics as literature. Some chapters focus on a single author, such as mathematics and Ezra Pound, Gertrude Stein, or Charles Dickens, while others consider a mathematical topic common to two or more authors, such as squaring the circle, chaos theory, Newton’s calculus, or stochastic processes. With appeal for scholars and students in literature, mathematics, cultural history, and history of mathematics, this important volume aims to introduce the range, fertility, and complexity of the connections between mathematics, literature, and literary theory. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via [link.springer.com|http://link.springer.com/].
Publisher: Springer Nature
ISBN: 3030554783
Category : Literary Criticism
Languages : en
Pages : 628
Book Description
This handbook features essays written by both literary scholars and mathematicians that examine multiple facets of the connections between literature and mathematics. These connections range from mathematics and poetic meter to mathematics and modernism to mathematics as literature. Some chapters focus on a single author, such as mathematics and Ezra Pound, Gertrude Stein, or Charles Dickens, while others consider a mathematical topic common to two or more authors, such as squaring the circle, chaos theory, Newton’s calculus, or stochastic processes. With appeal for scholars and students in literature, mathematics, cultural history, and history of mathematics, this important volume aims to introduce the range, fertility, and complexity of the connections between mathematics, literature, and literary theory. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via [link.springer.com|http://link.springer.com/].
The Unfamiliar Shelley
Author: Timothy Webb
Publisher: Routledge
ISBN: 1351880780
Category : Literary Criticism
Languages : en
Pages : 419
Book Description
Stimulated by new editions of Shelley's writings and the evidence of notebooks, the editors have assembled an outstanding group of international Shelley scholars to work through the implications of recent advances in scholarship. With particular attention to texts that have been neglected or underestimated, the contributors consider many important aspects of Shelley's prolific and remarkably diverse output, including the verse letter, plays, prose essays, satire, pamphlets, political verse, romance, prefaces, translations from the Greek, prose style, artistic representations, fragments and early writings. Revaluations of Shelley's youthful works, often criticized for their over-exuberance, pay dividends as they reveal Shelley's early maturation as a writer and also shed light on his later achievement. Taken as a whole, the collection makes evident that Shelley's reputation has been based largely on surprisingly imperfect and incomplete edited publications, driven by Victorian taste and culture. A writer very different from the one we thought we knew emerges from these essays, which are sure to inspire more reappraisals of Shelley's work.
Publisher: Routledge
ISBN: 1351880780
Category : Literary Criticism
Languages : en
Pages : 419
Book Description
Stimulated by new editions of Shelley's writings and the evidence of notebooks, the editors have assembled an outstanding group of international Shelley scholars to work through the implications of recent advances in scholarship. With particular attention to texts that have been neglected or underestimated, the contributors consider many important aspects of Shelley's prolific and remarkably diverse output, including the verse letter, plays, prose essays, satire, pamphlets, political verse, romance, prefaces, translations from the Greek, prose style, artistic representations, fragments and early writings. Revaluations of Shelley's youthful works, often criticized for their over-exuberance, pay dividends as they reveal Shelley's early maturation as a writer and also shed light on his later achievement. Taken as a whole, the collection makes evident that Shelley's reputation has been based largely on surprisingly imperfect and incomplete edited publications, driven by Victorian taste and culture. A writer very different from the one we thought we knew emerges from these essays, which are sure to inspire more reappraisals of Shelley's work.