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Author: Hanna Ryggen
Publisher: Hatje Cantz Verlag
ISBN: 3775730966
Category : Art
Languages : en
Pages : 67
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Book Description
Hannah Ryggen was born in 1894 in Malmö, Sweden, and lived until her death on a farm in Norway. Over fifty years, the artist wove tapestries with critical contemporary motifs. In her introduction to Ryggen's notebook, Marta Kuzma recapitulates the crucial phase at the beginning of the world economic crisis of 1928, when the rise of fascism in Europe caused an existential dilemma for many people. Walter Benjamin described the precariousness of the situation with the figure of a "little hunchback," as a metaphor for the broken and desperate situation in which many Europeans were stuck. Instead of falling into resignation, the pacifist, communist, and feminist Ryggen materialized her thoughts about her time in an unsuspicious medium. In a deeply ideological and fear-driven time, she hung her hand-woven tapestries that depicted and reordered the power constellations and atrocity of society in dreamlike sceneries outside her window during the German occupation of Norway. With images, a short autobiography of the artist, and a textile-coloring recipe. Hannah Ryggen (1894–1970) was a Norwegian artist, born in Sweden. Marta Kuzma (*1964) is a curator and lecturer, and Director of the Office for Contemporary Art Norway, Oslo; she is a member of dOCUMENTA (13)'s Core Agent Group. Language: English/German
Author: Hanna Ryggen
Publisher: Hatje Cantz Verlag
ISBN: 3775730966
Category : Art
Languages : en
Pages : 67
Get Book
Book Description
Hannah Ryggen was born in 1894 in Malmö, Sweden, and lived until her death on a farm in Norway. Over fifty years, the artist wove tapestries with critical contemporary motifs. In her introduction to Ryggen's notebook, Marta Kuzma recapitulates the crucial phase at the beginning of the world economic crisis of 1928, when the rise of fascism in Europe caused an existential dilemma for many people. Walter Benjamin described the precariousness of the situation with the figure of a "little hunchback," as a metaphor for the broken and desperate situation in which many Europeans were stuck. Instead of falling into resignation, the pacifist, communist, and feminist Ryggen materialized her thoughts about her time in an unsuspicious medium. In a deeply ideological and fear-driven time, she hung her hand-woven tapestries that depicted and reordered the power constellations and atrocity of society in dreamlike sceneries outside her window during the German occupation of Norway. With images, a short autobiography of the artist, and a textile-coloring recipe. Hannah Ryggen (1894–1970) was a Norwegian artist, born in Sweden. Marta Kuzma (*1964) is a curator and lecturer, and Director of the Office for Contemporary Art Norway, Oslo; she is a member of dOCUMENTA (13)'s Core Agent Group. Language: English/German
Author: Marta Kuzma
Publisher: Oca/Koenig Books
ISBN: 9783863350680
Category : Erotica
Languages : en
Pages : 0
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Book Description
Whatever Happened to Sex in Scandinavia? is a reader that brings together essays, artists' writings and works, and countercultural publications to examine the juncture of the political and the erotic during the 1960s and '70s.Adopting as its starting point the international perception of Scandinavia during these years as a utopian region of socialism and sexual freedom, it explores how artistic and cultural production of the time reflected an experimental impulse that closely engaged with movement towards sexual and political liberation.The book is the conclusion of a four-year research project that included an exhibition and a public programme. It includes many texts published in English here for the first time.
Author: Olivier Vallerand
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228013771
Category : Social Science
Languages : en
Pages : 264
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Book Description
Sexuality and gender have long been influential in understanding the construction of domestic space, its meanings, often revealing a binary division of private and public, female and male. By reconstructing the foundation of queer critiques of space and by analyzing the representation of domesticity in contemporary art and architecture, Unplanned Visitors shows the blurring of private and public that can occur in any domestic space and explores the potential of queer theory for understanding, and designing, the built environment. Olivier Vallerand investigates how queer critiques, building on pioneering feminist work, question the relation between identity and architecture and highlight normative constructs underlying domestic spaces. He draws out a genealogy of queer space in theoretical discourse in architecture, studying projects by Mark Robbins, Joel Sanders, J Mayer H, Elmgreen & Dragset, Andrés Jaque, and MYCKET, among others. These works blur the traditional borders between architecture and art to emphasize the tensions between private and public and their impact on assumptions about domestic space and family structure. The challenges in moving from experimental installations to built environments suggest how designers must acknowledge and respond to the social contexts that shape architecture, rethinking how domestic spaces can be designed to allow everyone to better manage the expression of their self-identification through their living environments. Unplanned Visitors poses a challenge to traditional architectural theory and history, but also suggests a renewed and more inclusive ethics whereby designers explicitly address social and political power structures. The potential of a queer approach to architectural design, history, theory, and education is precisely to enact a method that creates more inclusive buildings and safer neighbourhoods for everyone.
Author:
Publisher: Yale University Art Gallery
ISBN: 9780300254242
Category : Art
Languages : en
Pages : 308
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Book Description
A tribute to the impressive roster of women artists who have graduated from Yale University Celebrating the 150th anniversary of the first women students at Yale, who came to study at the Yale School of the Fine Arts (now Yale School of Art) when it opened in 1869, and the 50th anniversary of undergraduate coeducation at the University, this volume honors the accomplishments of women artist-graduates of Yale. More than 80 artists--including Rina Banerjee, Janet Fish, Audrey Flack, Eva Hesse, Maya Lin, Howardena Pindell, Sylvia Plimack Mangold, and Mickalene Thomas--are represented with works drawn exclusively from the Yale University Art Gallery. Essays and timelines detail related milestones such as the appointment of art historian Anne Coffin Hanson as the first woman to be hired as a full, tenured professor on campus and Mimi Gardner Gates as the first female director of the Gallery. Amid the rise of feminist movements--from women's suffrage to the #MeToo movement of today--this book asserts the crucial role women have played in pushing creative boundaries at Yale, and in the art world at large.
Author: Erdem Çolak
Publisher: Bloomsbury Publishing
ISBN: 1350375829
Category : Art
Languages : en
Pages : 218
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Book Description
This is the first monograph fully dedicated to critically investigating the political, economic, artistic, urban, and societal relationships of Manifesta – European Biennial of Contemporary Art, a European nomadic biennial initiated in the post-Cold War era. Despite being one of the most important recurrent exhibitions taking place in Europe, surprisingly little has been written about it since the mid-2000s, Manifesta, Art, Society and Politics provides a deeply-researched and engaging analysis of the the critically overlooked Manifesta exhibitions, as well as it's changing goals and discourse since the first edition in 1996. The book is split into four parts, divided by theme and following the exhibitions chronologically. Providing a comprehensive overview of one of the most important biennials in Europe, Manifesta, Art, Society and Politics investigates the relationship between large-scale art exhibitions, culture-led regeneration, and urban transformation. It is essential reading for students and researches of exhibition and curatorial studies, art history, and cultural studies.
Author: Marta Kuzma
Publisher: Walther Konig Verlag
ISBN: 9783863355043
Category : Aesthetics, Modern
Languages : en
Pages : 0
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Book Description
The exhibition 'Big Sign - Little Building' at the Office for Contemporary Art Norway in 2010 addressed the expanded temporal and spatial field for cultural production resulting from the modern shift in the notion of landscape from the Kantian sublime to the space of leisure time. The exhibition was inspired by a seminal project developed by the architects Robert Venturi, Denise Scott Brown and Steven Izenour, who, in their book 'Learning from Las Vegas' (1972), drew from existing critiques of urban space at the time to explore the role that signs played in providing order to the landscape.
Author: Peter Osborne
Publisher: Verso Books
ISBN: 1781680949
Category : Art
Languages : en
Pages : 289
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Book Description
A new reading of the philosophy of contemporary art by the author of The Politics of Time Contemporary art is the object of inflated and widely divergent claims. But what kind of discourse can open it up effectively to critical analysis? Anywhere or Not at All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Developing the position that “contemporary art is postconceptual art,” the book progresses through a dual series of conceptual constructions and interpretations of particular works to assess the art from a number of perspectives: contemporaneity and its global context; art against aesthetic; the Romantic pre-history of conceptual art; the multiplicity of modernisms; transcategoriality; conceptual abstraction; photographic ontology; digitalization; and the institutional and existential complexities of art-space and art-time. Anywhere or Not at All maps out the conceptual space for an art that is both critical and contemporary in the era of global capitalism. Winner of the 2014 Annual Book Prize of the Association for the Study of the Arts of the Present (USA)
Author: Kim Charnley
Publisher: Bloomsbury Publishing
ISBN: 1350008702
Category : Philosophy
Languages : en
Pages : 272
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Book Description
Since the turn of the millennium, protests, meetings, schoolrooms, reading groups and many other social forms have been proposed as artworks or, more ambiguously, as interventions that are somewhere between art and politics. This book surveys the resurgence of politicized art, tracing key currents of theory and practice, and mapping them against the dominant experience of the last decade: crisis. Drawing upon leading artists and theorists within this field – including Hito Steyerl, Marina Vishmidt, Art & Language, Gregory Sholette, John Roberts and Dave Beech – this book argues for a new interpretation of the relationship between socially-engaged art and neoliberalism. Kim Charnley explores the possibility that neoliberalism has destabilized the art system so that it is no longer able to absorb and neutralize dissent. As a result, the relationship between aesthetics and politics is experienced with fresh urgency and militancy.
Author: Svitlana Biedarieva
Publisher: BoD – Books on Demand
ISBN: 3838215265
Category : Art
Languages : en
Pages : 224
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Book Description
This volume focuses on political and social expressions in contemporary art of Ukraine, Estonia, Lithuania, and Latvia. It explores the transformations that art in Ukraine and the Baltic states has undergone since their independence in 1991, discussing how the conflicts and challenges of the last three decades have impacted the reconsideration of identity and fostered resistance of culture against economic and political crises. It analyzes connections between the past and the present as seen by the artists in these countries and looks at their visions of the future. Contemporary Ukrainian art portrays various perspectives, addressing issues from controversial historical topics to the present military conflict in the East of the country. Baltic art speaks out against the erasure of past historical traumas and analyzes the pertinence of its cultural scene to the European community. The contributions in this collection open a discussion of whether there is a single paradigm that describes the contemporary processes of art production in Ukraine and the Baltic countries. With contributions by Ieva Astahovska, Svitlana Biedarieva, Kateryna Botanova, Olena Martynyuk, Vytautas Michelkevičius, Lina Michelkevičė, Margaret Tali, and Jessica Zychowicz.
Author: Angie Keefer
Publisher: Walther Konig Verlag
ISBN: 9783753300054
Category : Art
Languages : en
Pages : 296
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Book Description
This book is published on the occasion of the 50th anniversary of undergraduate coeducation at Yale College and the 150th anniversary of the first women students at Yale University.00Unknown to most, the first women students to attend Yale University were members of its School of Art, present upon its inauguration in 1869. Despite the auspicious beginning it would take 121 years before the School awarded tenure to a female professor, and 147 years for the School of Art to welcome its first woman dean. Assembled from hundreds of hours of interviews with notable women and non-binary graduates, comes the first oral history of a fabled, if frequently misunderstood institution. Once a bastion and now a vestige of 20th century modernist master narratives, the voices of 50 years of women graduates complicate an already complicated legacy, revealing the life of an art school careening into the 21st century, speaking plainly to the long and still ongoing struggle for feminist integration and representation in the arts. This sweeping narrative of the education of a continuum of women artists and designers traces its way through the incendiary politics of the radical sixties, the formation of cultural studies, identity politics, and intersectionality in the seventies, the AIDS crisis, the culture wars, and the neoliberal escalation of the eighties, through to our fully globalized, hyper-capitalized present.
