Marpurg's Thoroughbass and Composition Handbook PDF Download
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Author: David A. Sheldon
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 328
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Book Description
Friedrich Wilhelm Marpurg is widely recognized today as a highly important, prolific, and influential writer of the 18th-century musical scene. His Handbuch, however, has not received the study and recognition it deserves as one of th e most significant and complete composition methods from any period in history. Within its 341 pages and almost 1000 musical examples, Marpurg leads his reader through an extensive course in musical composition beginning with the handling of every conceivable interval, then proceeding to writing for two or more voices, and ending with instruction in canon, fugue, and various types of interval counterpoint. The section devoted to fugue constitutes both a distillation and a refinement of Marpurg's Abhandlung von der Fuge (1753-54), the first monograph devoted to the subject. David Sheldon is a recognized authority on music theory in the critical mid-18th century decades when the Baroque as a musical concept passes into the great Classic Era. This volume carefully examines the material of the Handbuch with regard to origin and influence, while organizing it in such a way as to clarify Marpurg's main concepts and contributions. In this new, translated form the Handbuch will offer much to the present-day scholar and student.
Author: David A. Sheldon
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 328
Get Book Here
Book Description
Friedrich Wilhelm Marpurg is widely recognized today as a highly important, prolific, and influential writer of the 18th-century musical scene. His Handbuch, however, has not received the study and recognition it deserves as one of th e most significant and complete composition methods from any period in history. Within its 341 pages and almost 1000 musical examples, Marpurg leads his reader through an extensive course in musical composition beginning with the handling of every conceivable interval, then proceeding to writing for two or more voices, and ending with instruction in canon, fugue, and various types of interval counterpoint. The section devoted to fugue constitutes both a distillation and a refinement of Marpurg's Abhandlung von der Fuge (1753-54), the first monograph devoted to the subject. David Sheldon is a recognized authority on music theory in the critical mid-18th century decades when the Baroque as a musical concept passes into the great Classic Era. This volume carefully examines the material of the Handbuch with regard to origin and influence, while organizing it in such a way as to clarify Marpurg's main concepts and contributions. In this new, translated form the Handbuch will offer much to the present-day scholar and student.
Author: Joel Lester
Publisher: Harvard University Press
ISBN: 9780674155237
Category : Language Arts & Disciplines
Languages : en
Pages : 370
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Book Description
This is the most comprehensive account ever given of the theory behind the music of Baroque and Classical composers, from Bach to Beethoven. While giving preeminent theorists their due in this panoramic survey of musical thought, Joel Lester also examines the works of more than one hundred seventeenth- and eighteenth century writers.
Author: F. T. Arnold
Publisher: Courier Corporation
ISBN: 0486171566
Category : Music
Languages : en
Pages : 786
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Book Description
DIVThis legendary work presents a comprehensive survey that covers every issue of significance to today's performers, with numerous musical examples, authoritative citations, and scholarly interpretations and syntheses. /div
Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author:
Publisher: Pendragon Press
ISBN: 9780918728999
Category : Music
Languages : en
Pages : 572
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Book Description
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Author: Iannis Xenakis
Publisher: Pendragon Press
ISBN: 9781576470794
Category : Juvenile Nonfiction
Languages : en
Pages : 410
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Book Description
Pendragon Press is proud to offer this new, revised, and expanded edition of Formalized Music, Iannis Xenakis's landmark book of 1971. In addition to three totally new chapters examining recent breakthroughs in music theory, two original computer programs illustrating the actual realization of newly proposed methods of composition, and an appendix of the very latest developments of stochastic synthesis as an invitation to future exploration, Xenakis offers a very critical self-examination of his theoretical propositions and artistic output of the past thirty-five years. This edition of Formalized Music is an essential tool for understanding the man and the thought processes of one of this century's most important and revolutionary musical figures.
Author: Lori Burns
Publisher: Pendragon Press
ISBN: 9780945193746
Category : Juvenile Nonfiction
Languages : en
Pages : 264
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Book Description
J.S. Bach's chorale settings of modal cantus firmi pose an interesting problem for the modern analyst: What assumptions'modal or tonal'does one bring to the music and what analytic techniques does one use? Are conventional tonal theories adequate to represent the harmonic techniques used in this repertoire? Are conventional modal theories adequate? Lori Burns explores these questions in her
Author: Barbara R. Barry
Publisher: Pendragon Press
ISBN: 9780945193012
Category : Juvenile Nonfiction
Languages : en
Pages : 410
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Book Description
In order for musical structure to be understood and appreciated as coherent design, the raw material must be shaped and clarified by the listener's perceptual processes of selection and organization. Going beyond the boundaries of traditional analytic observation, Barbara Barry explores the concept of experiential time in a specifically musical and philosophic context, delving into the aspects of perceptual process (the interrelationship between subjective and objective perception of musical compositions and performance). A wealth of published experimental findings and writings on music theory and the philosophy of time are cited, accompanied by numerous musical examples, here brought together in a supporting interpretation and theoretical exemplification.
Author: Michael Talbot
Publisher: Routledge
ISBN: 135153730X
Category : Music
Languages : en
Pages : 553
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Book Description
Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.
Author: Bella Brover-Lubovsky
Publisher: Indiana University Press
ISBN: 0253028035
Category : Music
Languages : en
Pages : 384
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Book Description
Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.
