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Author: Meredith Martin
Publisher: Getty Publications
ISBN: 1606067303
Category : Art
Languages : en
Pages : 258
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Book Description
This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV. Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.
Author: Meredith Martin
Publisher: Getty Publications
ISBN: 1606067303
Category : Art
Languages : en
Pages : 258
Get Book Here
Book Description
This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV. Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.
Author: Nicki Marshall
Publisher: Gramercy
ISBN: 9780517160725
Category : Marine art
Languages : en
Pages : 0
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Book Description
Here is a vast collection of nautical imagery that doubles as a history of maritime illustration throughout the ages. Arranged thematically, the more than 1,600 line drawings encompass shipbuilding designs, navigational instruments, lighthouses, trade and smuggling, guns and armaments, famous ships and seafarers, and exotica. This is an indispensable resource for artists, designers, and naval enthusiasts. Includes 16 full-color pages.
Author: Emma Roberts
Publisher: Liverpool University Press
ISBN: 180207919X
Category : History
Languages : en
Pages : 248
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Book Description
This edited collection re-examines the relationship between art and the sea, reflecting growing interest in the intersections between art and maritime history. Artists have always been fascinated by and drawn to the sea and this book considers some of the themes and approaches in art that have evolved as a result of this captivation. The chapters consider how an examination of art can provide new insights into existing knowledge of port and maritime history, and are representative of a ‘cultural turn’ in port and maritime studies, which is becoming increasingly visible. In Art and the Sea, multiple perspectives are offered as a result of the contributors’ individual positions and methodologies: some museological, others art historical or maritime-historical. Each chapter proposes a new way of building upon available interpretations of port and maritime history: whether this be to reject, support or reconsider existing knowledge. The book as a whole is a timely addition, therefore, to the developing body of revisionist texts in port and maritime history. The interdisciplinary nature of the volume relates to a current trend for interdisciplinarity in art history and will appeal to those with an interest in art history, geography, sociology, history and transport / maritime studies.
Author: Glyn L. Evans
Publisher: Silver Link Publishing
ISBN: 9781857943580
Category : Marine painters
Languages : en
Pages : 0
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Book Description
Despite being a member of the Royal Institute of Painters in Water Colours and of the British Society of Poster Designers, Kenneth Denton Shoesmith (1890-1939) is little known today, yet his maritime art perfectly captures the romance and adventure of ocean liner travel in the early 20th century.
Author: Peter Kemp
Publisher: Phaidon Press
ISBN: 9780714828442
Category : Marine painting, European
Languages : en
Pages : 128
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Book Description
Author: New-York Historical Society
Publisher: Giles
ISBN: 9781907804311
Category : Art
Languages : en
Pages : 0
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Book Description
An appealing selection of marine and maritime art from the collection of the New York Historical Society
Author: National Maritime Museum (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
Published to coincide with an exhibition in the Queen's House in November 2006, 'Art for the Nation' is a celebration of key oil paintings in the National Maritime Museum collection.
Author: James A. Craig
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 180
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Book Description
For Frank Vining Smith (1879-1967), the nineteenth-century clipper ship, like the cathedral of the Middle Ages, was one of men's most glorious accomplishments. As Monet had done with the cathedral, Smith painted the ship, featuring it in different angles and at different times of the day. Having studied under the supervision of Frank W. Benson, and Edmund Tarbell at the Museum School in Boston, Smith brought a new approach to the conservative art of marine painting. When looking at a painting by Smith, one does not see the blueprint of detail that was common in ship painting at the turn of the century, instead one sees masses of shadows and the suggestion of details. Up close, it is difficult to see where one brush-stroke ends and another begins, but seen from a distance, his compositions work perfectly, and is what contributor Peter Williams calls "the alchemy of Smith's impressionism". AUTHOR: James A. Craig is a curator and lecturer specializing in nineteenth-century American marine art. SELLING POINTS: *Definitive exploration of the art and life of this prolific Massachusetts artist's 70 year career *Of interest to museums, universities, yacht clubs, yachting enthusiasts, and antique collectors *Vining Smith's work is in collections across the United States including in navy wardrooms, and he counted former President Franklin Delano Roosevelt as one of his loyal patrons ILLUSTRATIONS: 93 colour & 72 b/w
Author: Jeffrey R Cares
Publisher: Naval Institute Press
ISBN: 1682477347
Category : Political Science
Languages : en
Pages : 186
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Book Description
Fighting the Fleet recognizes that fleets conduct four distinct but interlocking tasks at the operational level of war--striking, screening, scouting, and basing--and that successful operational art is achieved when they are brought to bear in a cohesive, competitive scheme. In explaining these elements and how they are conjoined for advantage, a central theme emerges: despite the utility and importance of jointness among the armed forces, the effective employment of naval power requires a specialized language and understanding of naval concepts that is often diluted or completely lost when too much jointness is introduced. Woven into the fabric of the book are the fundamental principles of three of the most important naval theorists of the twentieth century: Rear Admiral Bradley Fiske, Rear Admiral J.C. Wylie, and Captain Wayne Hughes. While Cares and Cowden advocate the reinvigoration of combat theory and the appropriate use of operations research, they avoid over-theorizing and have produced a practical guide that empowers fleet planners to wield naval power appropriately and effectively in meeting today's operational and tactical challenges.
Author: Daniel Finamore
Publisher: University of Arkansas Press
ISBN: 1682261700
Category : Art
Languages : en
Pages : 233
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Book Description
"For over 200 years, artists have been inspired to capture the beauty, violence, poetry and transformative power of the sea in American life. Oceans play a key role in American society no matter where we live, and the sea continues to inspire painters today to capture its mystery and power. In American Waters reveals that marine painting is so much more than ship portraits. In this exhibition, visitors will also discover the sea as an expansive way to reflect on American culture and environment, learn how coastal and maritime symbols moved inland across the United States, and question what it means to be "in American waters." Be transported across time and water on the wave of a diverse range of modern and historical artists including Georgia O'Keeffe, Amy Sherald, Kay WalkingStick, Norman Rockwell, Hale Woodruff, Paul Cadmus, Thomas Hart Benton, Jacob Lawrence, Valerie Hegarty, Stuart Davis, and many others"--Publisher's website
