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Author: James Fisher
Publisher: Rowman & Littlefield
ISBN: 1538123029
Category : Performing Arts
Languages : en
Pages : 1233
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Book Description
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.
Author: James Fisher
Publisher: Rowman & Littlefield
ISBN: 1538123029
Category : Performing Arts
Languages : en
Pages : 1233
Get Book Here
Book Description
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.
Author: Robert J. Andreach
Publisher: University Press of America
ISBN: 0761853235
Category : Literary Criticism
Languages : en
Pages : 153
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Book Description
Early in his career, Len Jenkin identified two qualities that theatre should have: wonder and heart. Imagination creates wonder by transforming nature to suggest more than nature. Love engages the heart on the quest to experience the wonder, for though Jenkin is an experimental playwright, his plays are not abstruse symbols. They are tales that take salesmen and actresses, historical figures and fictional characters, through a Stein landscape and a Kafka story, pop culture, and recreated scenes from the Bible and The Canterbury Tales, The Aeneid, and Headlong Hall to an amusement park ride and a penal colony, a flophouse and a garden. Bodacious verbal and visual images build in power until they soar as pilgrims tell tales to pass the night while waiting to cross the river; Hawthorne, Sophie, and Melville on the beach hear the ever-encroaching kraken; and Margo Veil essays the roles that all questing mortals play in life.
Author: University of Michigan. School of Music, Theatre & Dance
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 1074
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Book Description
Author: Joyce E. Henry
Publisher: Hal Leonard Corporation
ISBN: 9781557837004
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
(Applause Acting Series). Three editors, each associated with theatre, collaborated on this book of monologues for actresses. What they discovered, besides bravura pieces for auditions, acting classes, and study, was the pulse of the millennial theatrical scene. A follow-up to the popular previous edition from the 1990s, One on One: The Best Women's Monologues for the 21st Century includes the work of over 70 playwrights, spotlighting the best of Broadway, Off-Broadway, regional, and experimental writings since 2000. A special introduction also explains how to choose, practice, and perform a speech for auditions. Comic or serious or both the monologues are written for young, old, and multicultural players by famous names and up-and-coming talent. Anna Deavere Smith records abuse in "real" relationships ( House Arrest ); August Wilson relates trials of those who survived coming to America and those who did not ( Gem of the Ocean ); and William Gibson recreates the dark, fledgling days of Israel ( Golda's Balcony ). Additional works include Are You Ready? by David Auburn, Bad Dates by Theresa Rebeck, The Committee by Brian Dykstra, and many others.
Author:
Publisher: Broadway Play Publishing In
ISBN:
Category : Theater
Languages : en
Pages : 61
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Book Description
Author: John A. Willis
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 416
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Book Description
Author: Thorsten Botz-Bornstein
Publisher: Lexington Books
ISBN: 1498500471
Category : Social Science
Languages : en
Pages : 214
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Book Description
At first sight, tattoos, nudity, and veils do not seem to have much in common except for the fact that all three have become more frequent, more visible, and more dominant in connection with aesthetic presentations of women over the past thirty years. No longer restricted to biker and sailor culture, tattoos have been sanctioned by the mainstream of liberal societies. Nudity has become more visible than ever on European beaches or on the internet. The increased use of the veil by women in Muslim and non-Muslim countries has developed in parallel with the aforementioned phenomena and is just as striking. Through the means of conceptual analysis, Veils, Nudity, and Tattoos: The New Feminine Aesthetics reveals that these three phenomena can be both private and public, humiliating and empowering, and backward and progressive. This unorthodox approach is traced by the three’s similar social and psychological patterns, and by doing so, Veils, Nudity, and Tattoos hopes to sketch the image of a woman who is not only sexually emancipated and confident, but also more and more aware of her cultural heritage.
Author: Denise Nicholas
Publisher: Agate Publishing
ISBN: 1572847816
Category : Fiction
Languages : en
Pages : 353
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Book Description
“Breathtaking . . . Perhaps the best work of fiction ever done about the civil rights movement” from the award-winning actress and activist (Newsday). When University of Michigan sophomore Celeste Tyree travels to Mississippi to volunteer her efforts in the Freedom Summer of 1964, she’s assigned to help register voters in the small town of Pineyville, a place best known for a notorious lynching that occurred only a few years earlier. As the long, hot summer unfolds, Celeste befriends several members of the community, but there are also those who are threatened by her and the change that her presence in the South represents. Finding inner strength as she helps lift the veil of oppression and learns valuable lessons about race, social change, and violence, Celeste prepares her adult students for their showdown with the county registrar. All the while, she struggles with loneliness, a worried father in Detroit, and her burgeoning feelings for Ed Jolivette, a young man also in Mississippi for the summer. By summer’s end, Celeste learns there are no easy answers to the questions that preoccupy her—about violence and nonviolence, about race, identity, and color, and about the strength of love and family bonds. In Freshwater Road, Denise Nicholas has created an unforgettable story that—more than ten years after first appearing in print—continues to be one of the most cherished works of Civil Rights fiction. “A bold new novel that explores the fault lines of class and race in 1964 Mississippi.” —The Washington Post “Hypnotic . . . [Nicholas] conjures an insidious mood of fear and writes with lyrical prose.” —Entertainment Weekly
Author: Robert J. Andreach
Publisher: University Press of America
ISBN: 0761864016
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
This book refutes the claim that tragedy is no longer a vital and relevant part of contemporary American theatre. Tragedy in the Contemporary American Theatre examines plays by multiple contemporary playwrights and compares them alongside the works of America’s major twentieth-century tragedians: Eugene O’Neill, Arthur Miller, and Tennessee Williams. The book argues that tragedy is not only present in contemporary American theatre, but issues from an expectation fundamental to American culture: the pressure on characters to create themselves. Tragedy in the Contemporary American Theatre concludes that tragedy is vital and relevant, though not always in the Aristotelian model, the standard for traditional evaluation.
Author: Ed Bowker Staff
Publisher: R. R. Bowker
ISBN: 9780835246422
Category : Reference
Languages : en
Pages : 3274
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Book Description
