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Author: Meg Stewart
Publisher: Random House Australia
ISBN: 1742755852
Category : Art
Languages : en
Pages : 649
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Book Description
With new chapters taking in the last few years of Margaret Olley's life, her state funeral and the enormous legacy she has left behind. 'A great painter, a great woman, a great story' Barry Humphries Margaret Olley is arguably Australia's most loved artist. She was also one of the country's most generous benefactors to public art galleries. This intimate biography begins in the 1920s in the green, tropical wet of Tully, North Queensland, where Margaret's early childhood was spent on a cane farm and dairy. The story unfolds to tell of her life-long love affair with painting. At boarding school at Somerville House, Brisbane, Margaret found a mentor in art teacher Caroline Barker, and she went on to blossom as an art student at East Sydney Technical College. The book includes intriguing revelations about her friendships with well-known figures such as Donald Friend, William Dobell and Russell Drysdale, and the success of her first one-person show in Sydney at the age of twenty-five. Bohemian adventures in Europe with fellow Australian artists, including David Strachan, were to follow. She travelled - sketchbook in hand - around England, France, Italy and Spain; met Alice B. Toklas in Paris; and lived on a vineyard at Cassis in the South of France. Her story continued back in Australia where in the late 1950s in Brisbane Margaret struggled with alcoholism and was eventually forced to face up to drying out or drying up creatively. Once she'd given up her comforting nips, her return to life and painting was joyous. Far From A Still Life details her bout of personal darkness - her 'black hole' when not only did she want to give up painting but also living - and the freedom of a walking frame. Margaret got through those difficult times and continued with her preoccupations of producing art; providing more donations to our galleries; and entertaining the odd celebrity, like Barry Humphries or Maggie Smith, in her notoriously cluttered Paddington terrace. With new material detailing her final travels around regional galleries donating her work and buying that of others and her feverish work painting right up until the day of her death, this is a rich and comprehensive look at eighty-odd years of Margaret Olley, her lovers and friends, and, of course, her painting.
Author: Meg Stewart
Publisher: Random House Australia
ISBN: 1742755852
Category : Art
Languages : en
Pages : 649
Get Book Here
Book Description
With new chapters taking in the last few years of Margaret Olley's life, her state funeral and the enormous legacy she has left behind. 'A great painter, a great woman, a great story' Barry Humphries Margaret Olley is arguably Australia's most loved artist. She was also one of the country's most generous benefactors to public art galleries. This intimate biography begins in the 1920s in the green, tropical wet of Tully, North Queensland, where Margaret's early childhood was spent on a cane farm and dairy. The story unfolds to tell of her life-long love affair with painting. At boarding school at Somerville House, Brisbane, Margaret found a mentor in art teacher Caroline Barker, and she went on to blossom as an art student at East Sydney Technical College. The book includes intriguing revelations about her friendships with well-known figures such as Donald Friend, William Dobell and Russell Drysdale, and the success of her first one-person show in Sydney at the age of twenty-five. Bohemian adventures in Europe with fellow Australian artists, including David Strachan, were to follow. She travelled - sketchbook in hand - around England, France, Italy and Spain; met Alice B. Toklas in Paris; and lived on a vineyard at Cassis in the South of France. Her story continued back in Australia where in the late 1950s in Brisbane Margaret struggled with alcoholism and was eventually forced to face up to drying out or drying up creatively. Once she'd given up her comforting nips, her return to life and painting was joyous. Far From A Still Life details her bout of personal darkness - her 'black hole' when not only did she want to give up painting but also living - and the freedom of a walking frame. Margaret got through those difficult times and continued with her preoccupations of producing art; providing more donations to our galleries; and entertaining the odd celebrity, like Barry Humphries or Maggie Smith, in her notoriously cluttered Paddington terrace. With new material detailing her final travels around regional galleries donating her work and buying that of others and her feverish work painting right up until the day of her death, this is a rich and comprehensive look at eighty-odd years of Margaret Olley, her lovers and friends, and, of course, her painting.
Author: Margaret Olley
Publisher:
ISBN: 9780957931237
Category : Painting, Australian
Languages : en
Pages : 76
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Book Description
Limited to an edition of 1000 numbered copies.
Author:
Publisher:
ISBN:
Category : Art, Australian
Languages : en
Pages : 0
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Book Description
Author: Graeme Cowan
Publisher: Graeme Cowan
ISBN: 0980339308
Category : Depressed persons
Languages : en
Pages : 274
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Book Description
This title discusses with well-known and everyday Australians about their personal journey of enduring and overcoming depression. Written in a question and answer format, the book offers a raw and immediate format that strikes straight to the heart. The stories show just how real and prevalent depression is!
Author: Gough Whitlam
Publisher: Melbourne Univ. Publishing
ISBN: 9780522852127
Category : History
Languages : en
Pages : 340
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Book Description
On Remembrance Day, 1975, the Governor-General of Australia, Sir John Kerr, sacked the Prime Minister, Gough Whitlam. The Dismissal was the culmination of almost three years of political conflict, as Whitlam's reforming Labor government rammed home overdue legislative reforms in the face of implacable, and increasingly bitter, conservative opposition. The focus of the Opposition's scheming was the Senate, where its leaders blocked supply in order to force a political crisis. Whitlam, famous for his 'crash through or crash' style, refused to compromise with his political enemies. After consulting secretly with the Opposition Leader, Malcolm Fraser, and the Chief Justice, Sir Garfield Barwick, Kerr abruptly informed the PM that he had withdrawn his commission. Half an hour later, Kerr swore Fraser in as 'caretaker Prime Minister'. At an election a month later, the conservatives were returned to office. Controversy and recrimination followed. Many Australians, including Whitlam himself, believed he had been the victim of a coup. In 1979, he published his own account of the events of 1975, The Truth of the Matter, an instant best seller. Out of print for many years, it is republished by MUP on the thirtieth anniversary of the Dismissal, with a new introduction by the author and other new reference material. Passionate, pithy, learned, witty, and vigorously combative, The Truth of the Matter tells the extraordinary political story of the only Prime Minister of Australia ever deposed from office.
Author: Alex Burchmore
Publisher: Bloomsbury Publishing
ISBN: 1350416460
Category : Art
Languages : en
Pages : 233
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Book Description
What do Persian robes of honour, 20th-century still-life painting, fur garments, and 18th-century porcelain all have in common? Prized, possessed and modelled, they highlight the deep connections we share with cultural objects. Establishing new connections between people and things via artistic media and material culture, this highly interdisciplinary volume brings together both established and emerging scholars in the fields of art history, material culture, museum and heritage studies and literary studies to investigate the intersection of the personal with the material. Raising vital questions of cultural identity, belonging and selfhood, Material Selves is the first book of its kind to consider the relationship between people and things across transcultural and transhistorical contexts. It employs innovative methodologies across ten chapters and critically expands on current models for understanding the dynamic relationship between people and things by tracing the central role objects have played in the construction, creation and performance of identity throughout history. Structured around four key sections exploring biography and narrative; adornment and ornament; reclamation and intervention; and subjects and objects, the volume presents a global selection of case studies that explore, amongst other things, Margaret Olley's enduring fame, the significance of the Khil'a in Safavid Persia and early modern Europe, and 17th-century French painter Charles LeBrun's royal portraiture. Fusing these with contemporary theories of identity, the contributors provide analyses informed by posthumanism, the environmental humanities, race and gender. At the same time, they confront vital questions of identity, agency, and materiality, and highlight the way in which we use objects to tell stories, construct myths and make sense of our place in the world. In doing so, the book illuminates a wide range of cultural and chronological settings whilst giving close attention to the mobility of people and things between, across, and through time and place.
Author: Imogen Racz
Publisher: Bloomsbury Publishing
ISBN: 1350379034
Category : Social Science
Languages : en
Pages : 234
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Book Description
Artists have worked from home for many reasons, including care duties, financial or political constraints, or availability and proximity to others. From the 'home studios' of Charles and Ray Eames, to the different photographic representations of Robert Rauschenberg's studio, this book explores the home as a distinct site of artistic practice, and the traditions and developments of the home studio as concept and space throughout the 20th and into the 21st century. Using examples from across Europe and the Anglophone world between the mid-20th century and the present, each chapter considers the different circumstances for working at home, the impact on the creative lives of the artists, their identities as artists and on the work itself, and how, sometimes, these were projected and promoted through photographs and the media. Key themes include the gendered and performative aspects of women practising 'at home', collaborative studio communities of the 1970s 90s including the appropriation of abandoned spaces in East London, and the effects of Covid on artistic practices and family life within the spaces of 'home'. The book comprises full-length chapters by artists, architects, art and design historians, each of whom bring different perspectives to the issues, interwoven with short interviews with artists to enrich and broaden the debates. At a time when individual relationships to home environments have been radically altered, The Artist at Home considers why some artists in previous decades either needed to or chose to work from home, producing work of vitality and integrity. Tracing this long tradition into the present, the book will provide a deeper understanding of how the home studio has affected the practices and identity of artists working in different countries, and in different circumstances, from the mid-20th century to the present.
Author: Margaret Olley
Publisher:
ISBN: 9781864999426
Category : Artists, Australian
Languages : en
Pages : 128
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Book Description
Author: John McDonald
Publisher: R. Ian Lloyd
ISBN: 9810574665
Category : Artists
Languages : en
Pages : 147
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Book Description
'Studio' presents an extraordinary anthology of visual and verbal insights into the way paintings are made, and the complex blend of motivation and inspiration that sustains the painter in his or her solitary search for meaning.
Author: Natalie O'Connor
Publisher:
ISBN: 9780646536835
Category : Art, Australian
Languages : en
Pages : 0
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Book Description
This book features the work of one hundred and two Australian women artists over the past one hundred years.
