Author: A. Sengupta
Publisher: Springer
ISBN: 1137375140
Category : Performing Arts
Languages : en
Pages : 235
Book Description
While remapping the region by examining enduring historical and cultural connections, this study discusses multiple traditions and practices of theatre and performance in five South Asian countries within their specific political and socio-cultural contexts.
Mapping South Asia through Contemporary Theatre
Author: A. Sengupta
Publisher: Springer
ISBN: 1137375140
Category : Performing Arts
Languages : en
Pages : 235
Book Description
While remapping the region by examining enduring historical and cultural connections, this study discusses multiple traditions and practices of theatre and performance in five South Asian countries within their specific political and socio-cultural contexts.
Publisher: Springer
ISBN: 1137375140
Category : Performing Arts
Languages : en
Pages : 235
Book Description
While remapping the region by examining enduring historical and cultural connections, this study discusses multiple traditions and practices of theatre and performance in five South Asian countries within their specific political and socio-cultural contexts.
Mapping South Asia through Contemporary Theatre
Author: A. Sengupta
Publisher: Springer
ISBN: 1137375140
Category : Performing Arts
Languages : en
Pages : 269
Book Description
While remapping the region by examining enduring historical and cultural connections, this study discusses multiple traditions and practices of theatre and performance in five South Asian countries within their specific political and socio-cultural contexts.
Publisher: Springer
ISBN: 1137375140
Category : Performing Arts
Languages : en
Pages : 269
Book Description
While remapping the region by examining enduring historical and cultural connections, this study discusses multiple traditions and practices of theatre and performance in five South Asian countries within their specific political and socio-cultural contexts.
Communities of Imagination
Author: Catherine Diamond
Publisher: University of Hawaii Press
ISBN: 0824835840
Category : Performing Arts
Languages : en
Pages : 406
Book Description
Asian theatre is usually studied from the perspective of the major traditions of China, Japan, India, and Indonesia. Now, in this wide-ranging look at the contemporary theatre scene in Southeast Asia, Catherine Diamond shows that performance in some of the lesser known theatre traditions offers a vivid and fascinating picture of the rapidly changing societies in the region. Diamond examines how traditional, modern, and contemporary dramatic works, with their interconnected styles, stories, and ideas, are being presented for local audiences. She not only places performances in their historical and cultural contexts but also connects them to the social, political, linguistic, and religious movements of the last two decades. Each chapter addresses theatre in a different country and highlights performances exhibiting the unique conditions and concerns of a particular place and time. Most performances revolve in some manner around “contemporary modernity,” questioning what it means—for good or ill—to be a part of the globalized world. Chapters are grouped by three general and overlapping themes. The first, which includes Thailand, Vietnam, and Bali, is characterized by the increased participation of women in the performing arts—not only as performers but also as playwrights and directors. Cambodia, Singapore, and Myanmar are linked by a shared concern with the effects of censorship on theatre production. A third group, the Philippines, Laos, and Malaysia, is distinguished by a focus on nationalism: theatres are either contributing to official versions of historical and political events or creating alternative narratives that challenge those interpretations. Communities of Imagination shows the many influences of the past and how the past continues to affect cultural perceptions. It addresses major trends, suggesting why they have developed and why they are popular with the public. It also underscores how theatre continues to attract new practitioners and reflect the changing aspirations and anxieties of societies in immediate and provocative ways even as it is being marginalized by television, film, and the internet. The book will be of interest to students and scholars of theatre and performance, Asian literature, Southeast Asian studies, cultural studies, and gender studies. Travelers wishing to attend local performances as part of their experience abroad will find it an essential reference to theatres of the region.
Publisher: University of Hawaii Press
ISBN: 0824835840
Category : Performing Arts
Languages : en
Pages : 406
Book Description
Asian theatre is usually studied from the perspective of the major traditions of China, Japan, India, and Indonesia. Now, in this wide-ranging look at the contemporary theatre scene in Southeast Asia, Catherine Diamond shows that performance in some of the lesser known theatre traditions offers a vivid and fascinating picture of the rapidly changing societies in the region. Diamond examines how traditional, modern, and contemporary dramatic works, with their interconnected styles, stories, and ideas, are being presented for local audiences. She not only places performances in their historical and cultural contexts but also connects them to the social, political, linguistic, and religious movements of the last two decades. Each chapter addresses theatre in a different country and highlights performances exhibiting the unique conditions and concerns of a particular place and time. Most performances revolve in some manner around “contemporary modernity,” questioning what it means—for good or ill—to be a part of the globalized world. Chapters are grouped by three general and overlapping themes. The first, which includes Thailand, Vietnam, and Bali, is characterized by the increased participation of women in the performing arts—not only as performers but also as playwrights and directors. Cambodia, Singapore, and Myanmar are linked by a shared concern with the effects of censorship on theatre production. A third group, the Philippines, Laos, and Malaysia, is distinguished by a focus on nationalism: theatres are either contributing to official versions of historical and political events or creating alternative narratives that challenge those interpretations. Communities of Imagination shows the many influences of the past and how the past continues to affect cultural perceptions. It addresses major trends, suggesting why they have developed and why they are popular with the public. It also underscores how theatre continues to attract new practitioners and reflect the changing aspirations and anxieties of societies in immediate and provocative ways even as it is being marginalized by television, film, and the internet. The book will be of interest to students and scholars of theatre and performance, Asian literature, Southeast Asian studies, cultural studies, and gender studies. Travelers wishing to attend local performances as part of their experience abroad will find it an essential reference to theatres of the region.
Culture and Politics in South Asia
Author: Dev Nath Pathak
Publisher: Taylor & Francis
ISBN: 1351656139
Category : Social Science
Languages : en
Pages : 274
Book Description
This volume looks at the politics of communication and culture in contemporary South Asia. It explores languages, signs and symbols reflective of current mythologies that underpin instances of performance in present-day India and its neighbouring countries. From gender performances and stage depictions to protest movements, folk songs to cinematic reconstructions and elections to war-torn regions, the chapters in the book bring the multiple voices embedded within the grand theatre of popular performance and the cultural landscape of the region to the fore. Breaking new ground, this work will prove useful to students and researchers in sociology and social anthropology, art and performance studies, political studies and international relations, communication and media studies and culture studies.
Publisher: Taylor & Francis
ISBN: 1351656139
Category : Social Science
Languages : en
Pages : 274
Book Description
This volume looks at the politics of communication and culture in contemporary South Asia. It explores languages, signs and symbols reflective of current mythologies that underpin instances of performance in present-day India and its neighbouring countries. From gender performances and stage depictions to protest movements, folk songs to cinematic reconstructions and elections to war-torn regions, the chapters in the book bring the multiple voices embedded within the grand theatre of popular performance and the cultural landscape of the region to the fore. Breaking new ground, this work will prove useful to students and researchers in sociology and social anthropology, art and performance studies, political studies and international relations, communication and media studies and culture studies.
Forms of the Left in Postcolonial South Asia
Author: Sanjukta Sunderason
Publisher: Bloomsbury Publishing
ISBN: 1350179183
Category : History
Languages : en
Pages : 313
Book Description
This book explores the aesthetic forms of the political left across the borders of post-colonial, post-partition South Asia. Spanning India, Sri Lanka, Pakistan and Bangladesh, the contributors study art, film, literature, poetry and cultural discourse to illuminate the ways in which political commitment has been given aesthetic form and artistic value by artists and by cultural and political activists in postcolonial South Asia. With a focused conceptualization this volume asks: Does the political left in South Asia have a recognizable aesthetic form? And if so, what political effects do left-wing artistic movements and aesthetic artefacts have in shaping movements against inequality and injustice? Reframing political aesthetics within a postcolonial and decolonised framework, the contributors detail the trajectories and transformations of left-wing cultural formations and affiliations and focus on connections and continuities across post-1947/8 India, Pakistan, Sri Lanka and Bangladesh.
Publisher: Bloomsbury Publishing
ISBN: 1350179183
Category : History
Languages : en
Pages : 313
Book Description
This book explores the aesthetic forms of the political left across the borders of post-colonial, post-partition South Asia. Spanning India, Sri Lanka, Pakistan and Bangladesh, the contributors study art, film, literature, poetry and cultural discourse to illuminate the ways in which political commitment has been given aesthetic form and artistic value by artists and by cultural and political activists in postcolonial South Asia. With a focused conceptualization this volume asks: Does the political left in South Asia have a recognizable aesthetic form? And if so, what political effects do left-wing artistic movements and aesthetic artefacts have in shaping movements against inequality and injustice? Reframing political aesthetics within a postcolonial and decolonised framework, the contributors detail the trajectories and transformations of left-wing cultural formations and affiliations and focus on connections and continuities across post-1947/8 India, Pakistan, Sri Lanka and Bangladesh.
Against the Nation
Author: Sasanka Perera
Publisher: Bloomsbury Publishing
ISBN: 938981233X
Category : Political Science
Languages : en
Pages : 280
Book Description
Against the Nation invites readers to explore South Asia as a place and as an idea with a sense of reflection and nuance rather than submitting to conventional understanding of the region merely in geopolitical terms. The authors take the readers across a vast terrain of prospects like visual culture, music, film, knowledge systems and classrooms, myth and history as well as forms of politics that offer possibilities for reading South Asia as a collective enterprise that has historical precedents as well as untapped ideological potential for the future.
Publisher: Bloomsbury Publishing
ISBN: 938981233X
Category : Political Science
Languages : en
Pages : 280
Book Description
Against the Nation invites readers to explore South Asia as a place and as an idea with a sense of reflection and nuance rather than submitting to conventional understanding of the region merely in geopolitical terms. The authors take the readers across a vast terrain of prospects like visual culture, music, film, knowledge systems and classrooms, myth and history as well as forms of politics that offer possibilities for reading South Asia as a collective enterprise that has historical precedents as well as untapped ideological potential for the future.
Film, Media and Representation in Postcolonial South Asia
Author: Nukhbah Taj Langah
Publisher: Taylor & Francis
ISBN: 1000422577
Category : Social Science
Languages : en
Pages : 318
Book Description
This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia. Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971. Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media. The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region. This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists.
Publisher: Taylor & Francis
ISBN: 1000422577
Category : Social Science
Languages : en
Pages : 318
Book Description
This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia. Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971. Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media. The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region. This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists.
Resistance and its discontents in South Asian women's fiction
Author: Maryam Mirza
Publisher: Manchester University Press
ISBN: 1526150603
Category : Literary Criticism
Languages : en
Pages : 149
Book Description
‘Mirza’s theorization of resistance is a substantive addition to feminist and postcolonial scholarship, and her rich readings of different literary texts make a valuable contribution to feminist literary studies.’ Nalini Iyer, Professor of English, Seattle University 'Resistance and its discontents in South Asian women’s fiction is a rigorous and impassioned exploration of the concept of resistance in postcolonial literature. It is an essential contribution to the field of postcolonial studies and a compelling excavation of resistance in South Asian women’s writing.' Claire Chambers, Professor of Global Literature, University of York 'Mirza’s comprehensive take on what counts as “resistance” in Anglophone fiction by women writers from South Asia and its diaspora—not just its heroic manifestations but also its limits, its contradictions, its marginality and even its absence in the reality of women’s lives—makes this a provocative theoretical inquiry into female agency. Resistance and its Discontents in South Asian Women’s Fiction makes a major contribution to postcolonial criticism as well as feminist theory.' Rajeswari Sunder Rajan, Formerly Global Distinguished Professor, New York University ‘Maryam Mirza’s new book is sure to become a major work of reference in the field of South Asian literary studies and of literature by (and on) women. Its breadth, depth, and level of detail are astonishing, and it offers a thoroughly new reboot of the genre of “resistance literature”, by enlarging and complexifying the semantic reach of the term “resistance” beyond its current remit within contemporary fictional narratives.’ Neelam Srivastava, Professor of Postcolonial and World Literature, Newcastle University This book is an examination of how English-language fiction by women writers from India, Pakistan, Bangladesh and Sri Lanka has grappled with the idea and practice of resistance. A valuable, original and timely contribution to the field of South Asian literary and cultural studies, this book extends and complicates existing debates about the meanings of resistance. It brings to the fore not only the emancipatory potential of resistance, but also the contradictions that it can encompass as well as the anxieties that it can generate, particularly for women. Focusing on novels and short fiction, the book explores fiction by Arundhati Roy, Kamila Shamsie, Tahmima Anam, Jhumpa Lahiri, Manju Kapur and Ru Freeman, amongst others.
Publisher: Manchester University Press
ISBN: 1526150603
Category : Literary Criticism
Languages : en
Pages : 149
Book Description
‘Mirza’s theorization of resistance is a substantive addition to feminist and postcolonial scholarship, and her rich readings of different literary texts make a valuable contribution to feminist literary studies.’ Nalini Iyer, Professor of English, Seattle University 'Resistance and its discontents in South Asian women’s fiction is a rigorous and impassioned exploration of the concept of resistance in postcolonial literature. It is an essential contribution to the field of postcolonial studies and a compelling excavation of resistance in South Asian women’s writing.' Claire Chambers, Professor of Global Literature, University of York 'Mirza’s comprehensive take on what counts as “resistance” in Anglophone fiction by women writers from South Asia and its diaspora—not just its heroic manifestations but also its limits, its contradictions, its marginality and even its absence in the reality of women’s lives—makes this a provocative theoretical inquiry into female agency. Resistance and its Discontents in South Asian Women’s Fiction makes a major contribution to postcolonial criticism as well as feminist theory.' Rajeswari Sunder Rajan, Formerly Global Distinguished Professor, New York University ‘Maryam Mirza’s new book is sure to become a major work of reference in the field of South Asian literary studies and of literature by (and on) women. Its breadth, depth, and level of detail are astonishing, and it offers a thoroughly new reboot of the genre of “resistance literature”, by enlarging and complexifying the semantic reach of the term “resistance” beyond its current remit within contemporary fictional narratives.’ Neelam Srivastava, Professor of Postcolonial and World Literature, Newcastle University This book is an examination of how English-language fiction by women writers from India, Pakistan, Bangladesh and Sri Lanka has grappled with the idea and practice of resistance. A valuable, original and timely contribution to the field of South Asian literary and cultural studies, this book extends and complicates existing debates about the meanings of resistance. It brings to the fore not only the emancipatory potential of resistance, but also the contradictions that it can encompass as well as the anxieties that it can generate, particularly for women. Focusing on novels and short fiction, the book explores fiction by Arundhati Roy, Kamila Shamsie, Tahmima Anam, Jhumpa Lahiri, Manju Kapur and Ru Freeman, amongst others.
Routledge Handbook of Asian Theatre
Author: Siyuan Liu
Publisher: Routledge
ISBN: 1317278852
Category : Performing Arts
Languages : en
Pages : 875
Book Description
Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.
Publisher: Routledge
ISBN: 1317278852
Category : Performing Arts
Languages : en
Pages : 875
Book Description
Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.
Theatre for Peacebuilding
Author: Nilanjana Premaratna
Publisher: Springer
ISBN: 3319757202
Category : Political Science
Languages : en
Pages : 256
Book Description
This book contributes to key debates in peacebuilding by exploring the role of theatre and art in general. Premaratna argues that the dialogical and multi-voiced nature of theatre is particularly suited to assisting societies coming to terms with conflict and opening up possibilities for conversation. These are important parts of the peacebuilding process. The book engages the conceptual links between theatre and peacebuilding and then offers an in-depth empirical exploration of how three South Asian theatre groups approach peacebuilding: Jana Karaliya in Sri Lanka, Jana Sanskriti in India, and Sarwanam in Nepal. The ensuing reflections offer insights that are relevant to both students and practitioners concerned with issues of peace and conflict.
Publisher: Springer
ISBN: 3319757202
Category : Political Science
Languages : en
Pages : 256
Book Description
This book contributes to key debates in peacebuilding by exploring the role of theatre and art in general. Premaratna argues that the dialogical and multi-voiced nature of theatre is particularly suited to assisting societies coming to terms with conflict and opening up possibilities for conversation. These are important parts of the peacebuilding process. The book engages the conceptual links between theatre and peacebuilding and then offers an in-depth empirical exploration of how three South Asian theatre groups approach peacebuilding: Jana Karaliya in Sri Lanka, Jana Sanskriti in India, and Sarwanam in Nepal. The ensuing reflections offer insights that are relevant to both students and practitioners concerned with issues of peace and conflict.