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Author: Francesco Vitali
Publisher:
ISBN:
Category :
Languages : fr
Pages : 226
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Book Description
Author: Francesco Vitali
Publisher:
ISBN:
Category :
Languages : fr
Pages : 226
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Book Description
Author: Louis Bronchain
Publisher:
ISBN:
Category : Purgatory
Languages : fr
Pages : 402
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Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
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Author: Association pour les vivants et pour le soulagement des âmes du purgatoire (Le Mans)
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author: Carlo Gregorio Rosignoli
Publisher: Forgotten Books
ISBN: 9781527625594
Category : Religion
Languages : fr
Pages : 382
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Book Description
Excerpt from Les Merveilles Divines dans les Âmes du Purgatoire La dévotion aux âmes du purgatoire est une de celles qui ont le moins oesom d'étre recommandées aux coeurs fidèles ils l'ont comprise avant mème d'en connaître la forme et les moyens: Ce sera d'ailleurs l'objet de quelques-unes des réflexions que l'on trouvera disséminées dans cet ouvrage, ou pla cées en tète des deux parties qui le divisent. Les saints sont en ceci, comme dans tout le reste, nos modèles. On lit, par exemple, dans la Vie de saint Vincent de Paul par Abelly, au chap. Lx° du livre 3 Nous ne devons pas omettre la dévotion particu fière qu'il avait de procurer le soulagement et la délivrance des âmes fidèles qui souffrent dans le purgatoire. Il exhortait souvent les siens à ce devcir de piété, et disait qu'il fallait considérer ces ch(rs défunts comme les membres vivants de jesus christ. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Association de prières pour les âmes du Purgatoire mise sous la protection de Notre-Dame de Grâce (Loos, Nord)
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author: Association pour le soulagement des âmes du purgatoire (Lyon)
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author: Hetty Zock
Publisher:
ISBN: 9789042921733
Category : Aesthetics
Languages : en
Pages : 0
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Book Description
Since the 'turn to the subject' in modernity, aesthetic experiences have become crucial in the creation of meaning. This explains why art and religion are becoming increasingly intermingled in late modern Western culture. The search for meaning is no longer confined to traditional religious settings and it is especially in art that people are looking for moral and spiritual significance. Religion is being aestheticised while art is being spiritualised. This volume contains studies on the interface between art and religion. Scholars from art studies, theology, philosophy and psychology of religion address the following questions: What psychological and religious functions does art fulfil? What are the similarities and differences between aesthetic and religious experiences? How does the aestheticising of religion affect theological thinking? How does the spiritualising of art affect artistic practices and theory? Case studies are taken from literature, visual art, film and opera, both from 'high' and popular culture. Among others, there are chapters on J.M. Coetzee's novel Waiting for the Barbarians, Richard Wagner's operas, the Harry Potter books and the concept of beauty from a theological perspective. The contributors all highlight the crucial role of human imaginative capabilities and the capacity of art to open up wider horizons of meaning.
Author: Apuleius
Publisher:
ISBN: 9781521058114
Category :
Languages : en
Pages : 34
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"On the God of Socrates" is a work on the existence and nature of demons, the intermediaries between gods and humans. This treatise was roughly attacked by Augustine of Hippo. It contains a passage comparing gods and kings which is the first recorded occurrence of the proverb "familiarity breeds contempt".Apuleius (/ˌ�pjᵿˈliːəs/; also called Lucius Apuleius Madaurensis and in Berber: Afulay c. 124 - c. 170 AD) was a Latin-language prose writer, platonist philosopher and rhetorian. He was a Numidian who lived under the Roman Empire and was from Madauros (now M'Daourouch, Algeria). He studied Platonism in Athens, travelled to Italy, Asia Minor, and Egypt and was an initiate in several cults or mysteries. The most famous incident in his life was when he was accused of using magic to gain the attentions (and fortune) of a wealthy widow. He declaimed and then distributed a witty tour de force in his own defense before the proconsul and a court of magistrates convened in Sabratha, near ancient Tripoli, Libya. This is known as the Apologia.His most famous work is his bawdy picaresque novel, the Metamorphoses, otherwise known as The Golden Ass. It is the only Latin novel that has survived in its entirety. It relates the ludicrous adventures of one Lucius, who experiments with magic and is accidentally turned into a donkey.
Author: Christopher A. Faraone
Publisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 216
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Book Description
Greek legends and historical accounts contain many references to special statues or images designed to preserve the safety or livelihood of a city, a business or a house. These images, which fall into two often overlapping categories (talismans and apotropaia), were erected according to special rituals and took on a variety of intriguing forms, including lions, locusts, and bound effigies of destructive deities like Ares. Looking closely at a wide variety of Greek texts and artifacts, Faraone provides a detailed description and survey of these images and then uses this information to provide new interpretations of early Greek myths about Pandora, the Trojan Horse, and the "living statues" created by Hephaestus. At each step he sets the Greek evidence in a wider eastern-Mediterranean context, with detailed discussions of Near Eastern and Egyptian practices that bear close resemblance to the Greek rituals. The study closes with a re-evaluation of the traditional scholarly approach to religious art as purely representational, suggesting that some images instead of simply illustrating the power of a god, were actually created to restrain and control the power of inimical supernatural forces such as plague-gods and ghosts. Focusing renewed attention on these often misinterpreted talismans and apotropaia, Talismans and Trojan Horses will be illuminating for scholars and students of classics, art and archaeology, religion, the Ancient Near East, the Bible, and mythology.
