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Author: Michael Christoforidis
Publisher: Routledge
ISBN: 1351392581
Category : Music
Languages : en
Pages : 503
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Book Description
Michael Christoforidis is widely recognized as a leading expert on one of Spain's most important composers, Manuel de Falla. This volume brings together both new chapters and revised versions of previously published work, some of which is made available here in English for the first time. The introductory chapter provides a biographical outline of the composer and characterisations of both Falla and his music during his lifetime. The sections that follow explore different facets of Falla’s mature works and musical identity. Part II traces the evolution of his flamenco-inspired Spanish style through contacts with Claude Debussy, Maurice Ravel and Igor Stravinsky, while Part III explores the impact of post-World War I modernities on Falla’s musical nationalism. The final part reflects on aspects of Falla’s music and the politics of Spain in the 1930s and 1940s. Situating his discussion of these aspects of Falla's music within a broader context, including currents in literature and the visual arts, Christoforidis provides a distinctive and original contribution to the study of Falla as well as to the wider fields of musical modernism, exoticism, and music and politics.
Author: Michael Christoforidis
Publisher: Routledge
ISBN: 1351392581
Category : Music
Languages : en
Pages : 503
Get Book Here
Book Description
Michael Christoforidis is widely recognized as a leading expert on one of Spain's most important composers, Manuel de Falla. This volume brings together both new chapters and revised versions of previously published work, some of which is made available here in English for the first time. The introductory chapter provides a biographical outline of the composer and characterisations of both Falla and his music during his lifetime. The sections that follow explore different facets of Falla’s mature works and musical identity. Part II traces the evolution of his flamenco-inspired Spanish style through contacts with Claude Debussy, Maurice Ravel and Igor Stravinsky, while Part III explores the impact of post-World War I modernities on Falla’s musical nationalism. The final part reflects on aspects of Falla’s music and the politics of Spain in the 1930s and 1940s. Situating his discussion of these aspects of Falla's music within a broader context, including currents in literature and the visual arts, Christoforidis provides a distinctive and original contribution to the study of Falla as well as to the wider fields of musical modernism, exoticism, and music and politics.
Author: Nicole V. Gagné
Publisher: Rowman & Littlefield
ISBN: 1538122987
Category : Music
Languages : en
Pages : 545
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Book Description
The contemporary music scene thus embodies a uniquely broad spectrum of activity, which has grown and changed down to the present hour. With new talents emerging and different technologies developing as we move further into the 21st century, no one can predict what paths music will take next. All we can be certain of is that the inspiration and originality that make music live will continue to bring awe, delight, fascination, and beauty to the people who listen to it. This book cover modernist and postmodern concert music worldwide from the years 1888 to 2018. This second edition of Historical Dictionary of Modern and Contemporary Classical Music contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on the most important composers, musicians, methods, styles, and media in modernist and postmodern classical music worldwide, from 1888 to 2018. This book is an excellent resource for students, researchers, and anyone wanting to know more about modern and contemporary classical music.
Author: Nelson R. Orringer
Publisher: Rowman & Littlefield
ISBN: 1793630496
Category : Music
Languages : en
Pages : 275
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Book Description
In Uniting Music and Poetry in Twentieth-Century Spain, Nelson R. Orringer uses both literary and musical analysis to study sung poems in twentieth-century Spain. In nine chapters, each focusing on an individual sung poem, song cycle, or various poems set by the same composer, Orringer enriches and deepens interpretations of the art-songs by comparing the poet's vision to the composer's. In examining composers such as Falla, Turina, Mompou, Toldrà, Rodrigo, Montsalvatge, and Rodolfo Halffter, Orringer shows that Spanish art-song is an exceptional product of Spain’s Silver Age and reveals a new way to understand and appreciate poems set to music in twentieth-century Spain.
Author: Walter Aaron Clark
Publisher: Routledge
ISBN: 1000392341
Category : Art
Languages : en
Pages : 217
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Book Description
Joaquín Rodrigo: A Research and Information Guide catalogues and summarizes the musical works and related literature of Joaquín Rodrigo (1901–99), perhaps the most important Spanish composer of concert music in the second half of the twentieth century. The guide provides annotated bibliographic entries for both primary and secondary sources, detailing several guitar concertos, concertos for flute, violin, harp, cello, and piano, as well as symphonic pieces, piano solos, chamber music, and choral and stage works. Rodrigo’s reputation rests on the Concierto de Aranjuez for guitar and orchestra and its expressive middle movement, which inspired jazz arrangements by Miles Davis and Chick Corea in the 1960s and continues to appear in film scores even eighty years after its composition. A major reference tool for all those interested in the prolific Rodrigo and his music—featuring a chronology of the composer’s life and robust indices that enable researchers to easily locate sources by author, composition, or subject—Joaquín Rodrigo: A Research and Information Guide is a valuable resource for students and researchers alike.
Author: Michael Christoforidis
Publisher: Oxford University Press
ISBN: 0190694831
Category : Music
Languages : en
Pages : 345
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Book Description
Carmen and the Staging of Spain explores the Belle Époque fascination with Spanish entertainment that refashioned Bizet's opera and gave rise to an international "Carmen industry." Authors Michael Christoforidis and Elizabeth Kertesz challenge the notion of Carmen as an unchanging exotic construct, tracing the ways in which performers and productions responded to evolving fashions for Spanish style from its 1875 premiere to 1915. Focusing on selected realizations of the opera in Paris, London and New York, Christoforidis and Kertesz explore the cycles of influence between the opera and its parodies; adaptations in spoken drama, ballet and film; and the panorama of flamenco, Spanish dance, and musical entertainments. Their findings also uncover Carmen's dynamic interaction with issues of Hispanic identity against the backdrop of Spain's changing international fortunes. The Spanish response to this now most-Spanish of operas is illuminated by its early reception in Madrid and Barcelona, adaptations to local theatrical genres, and impact on Spanish composers of the time. A series of Spanish Carmens, from opera singers Elena Sanz and Maria Gay to the infamous music-hall star La Belle Otero, had a crucial influence on the interpretation of the title role. Their stories provide a fresh context for the book's reappraisal of leading Carmens of the era, including Emma Calvé and Geraldine Farrar.
Author: Richard Langham Smith
Publisher: Cambridge University Press
ISBN: 1108638813
Category : Music
Languages : en
Pages : 387
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Book Description
From the 'old world' to the 'new' and back again, this transnational history of the performance and reception of Bizet's Carmen – whose subject has become a modern myth and its heroine a symbol – provides new understanding of the opera's enduring yet ever-evolving and resituated presence and popularity. This book examines three stages of cultural transfer: the opera's establishment in the repertoire; its performance, translation, adaptation and appropriation in Europe, the Americas and Australia; its cultural 'work' in Soviet Russia, in Japan in the era of Westernisation, in southern, regionalist France and in Carmen's 'homeland', Spain. As the volume reveals the ways in which Bizet's opera swiftly travelled the globe from its Parisian premiere, readers will understand how the story, the music, the staging and the singers appealed to audiences in diverse geographical, artistic and political contexts.
Author: Javier Suárez-Pajares
Publisher: W. W. Norton & Company
ISBN: 1324004460
Category : Biography & Autobiography
Languages : en
Pages : 318
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Book Description
A composer of singular vision. Joaquín Rodrigo (1901–1999) is best known as the composer of one of the most popular works of music in the twentieth century—the Concierto de Aranjuez for guitar and orchestra. It’s been featured in movies and television commercials and remains a staple of concert programs for orchestras around the world. Miles Davis said, “After listening to it for a couple of weeks…I couldn’t get it out of my mind,” and he used it as inspiration for his album Sketches of Spain. But as Javier Suárez-Pajares and Walter Aaron Clark reveal in this musical biography—the first complete study in English—Rodrigo’s work and influence extend far beyond that singular composition. A Light in the Darkness takes us through Rodrigo’s childhood in Valencia, the onset of blindness at the age of three, and the beginnings of his musical education. He achieved some early success in Spain as a composer before moving to Paris in 1927 to advance his studies, following in the footsteps of other eminent Spanish composers like Isaac Albéniz, Joaquín Turina, and Manuel de Falla. There he enrolled in courses with composer Paul Dukas, met the woman who would become his wife, and earned the respect and friendship of Falla, who became his champion. Along the way, Rodrigo’s musical voice developed and matured as his horizons widened. Suárez-Pajares and Clark present a definitive account of the making of Rodrigo’s celebrated guitar concerto, even as they capture the breadth of Rodrigo’s compositional output, from solo works for piano and guitar through chamber music and vocal works to concertos and orchestral pieces. As they demonstrate, Rodrigo’s music is unmistakably Spanish, but with his own unique accent. Rodrigo’s life and career spanned a period of great tumult in Spain, and he had to navigate strong, shifting political and cultural currents—before, during, and after Franco. An authoritative life of one of the twentieth century’s great musical geniuses, A Light in the Darkness becomes a stunning tale of how art gets made under even the most challenging circumstances.
Author: Nelson R. Orringer
Publisher: University of Toronto Press
ISBN: 1442647299
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Lorca in Tune with Falla is the first book to trace Lorca's impact on Falla's music, and Falla's influence on Lorca's writings.
Author: Carol A. Hess
Publisher: University of Chicago Press
ISBN: 0226330389
Category : Music
Languages : en
Pages : 361
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Book Description
Although studies of Modernism have focused largely on European nations, Spain has been conspicuously neglected. As Carol A. Hess argues in this compelling book, such neglect is wholly undeserved. Through composer Manuel de Falla (1876-1946), Hess explores the advent of Modernism in Spain in relation to political and cultural tensions prior to the Spanish Civil War. The result is a fresh view of the musical life of Spain that departs from traditional approaches to the subject and reveals an open and constantly evolving aesthetic climate.
Author: Tomás Marco
Publisher: Harvard University Press
ISBN: 9780674831025
Category : Music
Languages : en
Pages : 278
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Book Description
From the exhilarating impact of Isaac Albeniz at the beginning of the century to today's complex and adventurous avant-garde, this complete interpretive history introduces twentieth-century Spanish music to English-speaking readers. With graceful authority, Tomas Marco, award-winning composer, critic, and bright light of Spanish music since the 1960s, covers the entire spectrum of composers and their works: trends and movements, critical and popular reception, national institutions, influences from Europe and beyond, and the effect of such historic events as the Spanish Civil War and the death of Franco. Marco's penetrating aesthetic critiques are threaded throughout each phase of this rich account. Marco provides detailed coverage of the key figures, induding a chapter devoted entirely to Manuel de Falla--Spain's most celebrated twentieth-century composer--and a panoramic survey of recent arrivals on the contemporary music scene. Exploring the rise and fall of the zarzuela, the author highlights innovative works in this authentic Spanish genre. He analyzes the attempts to find an audience for Spanish opera; demonstrates the flowering of symphonic and chamber music at the beginning of this century; traces currents such as romanticism, impressionism, and neoclassicism; and tracks the influence of Spain's distinctive regional folk traditions. Covering musical innovation after Spain's emergence from its period of isolation, Marco notes the speed with which many composers absorbed the work of Stravinsky and Bartok, the twelve-tone system, aleatory forms, electronic techniques, and other European developments. English-speaking scholars, musicians, critics and general readers have for decades been without full information on the rich and varied work coming out of Spain in this century. This lively history fills a long-felt need and fills it superbly, with the knowledge and insights of a major figure in the musical world.
