The English Mannerist Poets and the Visual Arts PDF Download
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Author: L. E. Semler
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637593
Category : Art
Languages : en
Pages : 298
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Book Description
In this study, L.E. Semler begins with a comprehensive, historical definition of Mannerism in visual arts from which he derives four key terms that constitute the nucleus of the aesthetic: technical precision, elegance, grazia, and the difficulta:facilita formula. These principles - interwoven with one another and with maniera - are derived from visual arts but are specifically designed to be transferable to any medium. The rest of the book situates the English poets in relation to the visual arts - including painting, limning, gold- and silversmithery, architecture, and garden design - and discusses their verse in relation to the key Mannerist principles.
Author: L. E. Semler
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637593
Category : Art
Languages : en
Pages : 298
Get Book
Book Description
In this study, L.E. Semler begins with a comprehensive, historical definition of Mannerism in visual arts from which he derives four key terms that constitute the nucleus of the aesthetic: technical precision, elegance, grazia, and the difficulta:facilita formula. These principles - interwoven with one another and with maniera - are derived from visual arts but are specifically designed to be transferable to any medium. The rest of the book situates the English poets in relation to the visual arts - including painting, limning, gold- and silversmithery, architecture, and garden design - and discusses their verse in relation to the key Mannerist principles.
Author: New York Public Library. Art and Architecture Division
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 666
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Book Description
Author:
Publisher: Routledge
ISBN: 1134637535
Category :
Languages : en
Pages : 157
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Book Description
Author: L. E. Semler
Publisher:
ISBN: 9781611471571
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
After laying a foundationary definition of Mannerism in Continental and English visual arts, this study proposes four key terms (technical precision, elegance, grazia, and the difficulta/ facilita) to assist the delineation of a mannerist poetic. Although strict chronological development of the aesthetic is not enforced, a certain stylistic evolution is suggestively charted. Through this process the poets are linked with various visual arts in early modern England, including painting, sculpture, gold- and silversmithery, miniaturism, garden design, and architecture.
Author: Giorgio Melchiori
Publisher: Praeger
ISBN:
Category : History
Languages : en
Pages : 298
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Book Description
Author: Roy Daniells
Publisher:
ISBN:
Category : Architecture, Baroque
Languages : en
Pages : 266
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Book Description
Author: E. James Mundy
Publisher: Cambridge University Press
ISBN: 9780521390958
Category : Art
Languages : en
Pages : 315
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Book Description
This North American exhibition catalogue assesses the art of Taddeo and Federico Zuccaro.
Author: Milton Kirchman
Publisher:
ISBN:
Category : Aesthetics, Italian
Languages : en
Pages : 278
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Book Description
Author: Gesellschaft der Freunde des Skulpturenparks Köln
Publisher:
ISBN:
Category : Outdoor sculpture
Languages : en
Pages : 230
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Book Description
Author: James V. Mirollo
Publisher: New Haven : Yale University Press
ISBN: 9780300032277
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
The nature and significance of mannerism has been a topic of lively debate for centuries. This insightful book by James V. Mirollo provides not only an introduction to mannerism as a theoretical concept and a historical stylistic mode but also a cogent discussion of some of the literary and artistic manifestations of mannerism in the Renaissance. Mirollo begins by offering an updated account of the controversy over mannerism that began in the mid-sixteenth century and is only now approaching a consensus. Both the survey and the bibliography that accompanies it are unusual in their range and interdisciplinary coverage, for they include selected literary, art, and music theory and criticism from Vasari to the present. The following chapters take up the aesthetic sensibility of mannerism as it revealed in Cellini’s Vita and in Italian and European Petrarchism, literary and visual. The essays on Petrarchism focus on the diverse ways in which painters and poets—Italian, French, Spanish, and English—treated the lyric conventions of the veiled face and the gloved hand. The postlude offers a brief exposition of the contrast between mannerism and both Renaissance and baroque styles, as evident in a group of English related pastoral poems.
