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Author: Richard J. Lane
Publisher: University of Ottawa Press
ISBN: 0776623427
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
This collection focuses on Lowry’s spatial dynamics, from the psychogeography of the Letterist and the Situationist International, through musical forms (especially jazz), cinema, photography, and spatial poetic writing, to the spaces of exception, bio-politics, and the creaturely. It presents previously unpublished essays by both established and new international Lowry scholars, as well as innovative ways of conceiving of his aesthetic practice. In each of the book’s three sections, critics engage in the notion of Lowry as a multi-media artist who influenced and was deeply influenced by a broad range of modernist and early postmodernist aesthetic practices. Acutely aware of and engaged in the world of film, sensitive to the role of the graphical surface in advertising and propaganda, and deeply immersed in a vast range of literary traditions and the avant-garde, Lowry worked within an intertextual space that is also a mediascape, one which tends to transgress, or at least exceed, neatly controlled borders or aesthetic boundaries. These new approaches to Lowry’s life and work, which make use of new and recent theoretical perspectives, will encourage fresh debate around Lowry’s writing. Publié en anglais.
Author: Richard J. Lane
Publisher: University of Ottawa Press
ISBN: 0776623427
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
This collection focuses on Lowry’s spatial dynamics, from the psychogeography of the Letterist and the Situationist International, through musical forms (especially jazz), cinema, photography, and spatial poetic writing, to the spaces of exception, bio-politics, and the creaturely. It presents previously unpublished essays by both established and new international Lowry scholars, as well as innovative ways of conceiving of his aesthetic practice. In each of the book’s three sections, critics engage in the notion of Lowry as a multi-media artist who influenced and was deeply influenced by a broad range of modernist and early postmodernist aesthetic practices. Acutely aware of and engaged in the world of film, sensitive to the role of the graphical surface in advertising and propaganda, and deeply immersed in a vast range of literary traditions and the avant-garde, Lowry worked within an intertextual space that is also a mediascape, one which tends to transgress, or at least exceed, neatly controlled borders or aesthetic boundaries. These new approaches to Lowry’s life and work, which make use of new and recent theoretical perspectives, will encourage fresh debate around Lowry’s writing. Publié en anglais.
Author: Nigel H. Foxcroft
Publisher: Rowman & Littlefield
ISBN: 1498516580
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
The Kaleidoscopic Vision of Malcolm Lowry: Souls and Shamans is an interdisciplinary investigation of the multifaceted, intuitive insight of international modernist writer Malcolm Lowry through an analysis of a selection of works and correspondence. Nigel H. Foxcroft analyzes his psychogeographic perception of the interconnectedness of East-West cultures and civilizations in terms of pre-Columbian Mesoamerican customs; the Mexican Day of the Dead festival; the Atlantis myth; surrealism; and Russian literary, filmic, and political influences. He traces his intellectual efforts in pursuing philosophical and cosmic knowledge to bridge the gap between the natural sciences and the humanities. This monograph identifies Lowry’s attempts to reintegrate modernism with primitivism in his quest for an elixir of life for the survival of humanity on the brink of global catastrophe, as indicated in In Ballast to the White Sea and Under the Volcano. It also examines his sustained endeavors to attain psychoanalytical atonement with himself and his environment in Ultramarine, Swinging the Maelstrom, “The Forest Path to the Spring,” and October Ferry to Gabriola. It also discusses the odyssey on which Lowry and his literary protagonists embark to connect with the past and to gain a deeper insight into human nature in Dark as the Grave Wherein My Friend is Laid, La Mordida, and “Through the Panama.” Scholars of cultural studies, history, humanities, Latin American studies, literature, and Russian studies will find this book particularly useful.
Author: Malcolm Lowry
Publisher: New Amer Library
ISBN: 9780451132130
Category : Fiction
Languages : en
Pages : 328
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Book Description
Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. His debilitating malaise is drinking, an activity that has overshadowed his life. On the most fateful day of the consul's life--the Day of the Dead, 1938--his wife, Yvonne, arrives in Quauhnahuac, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. She is determined to rescue Firmin and their failing marriage, but her mission is further complicated by the presence of Hugh, the consul's half brother, and Jacques, a childhood friend. The events of this one significant day unfold against an unforgettable backdrop of a Mexico at once magical and diabolical. Under the Volcano remains one of literature's most powerful and lyrical statements on the human condition, and a brilliant portrayal of one man's constant struggle against the elemental forces that threaten to destroy him.
Author: Steven Earnshaw
Publisher: Manchester University Press
ISBN: 1526134721
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Looks at the nineteenth-century convergence of a new kind of excessive, habitual drinking, and a new way of thinking about the self, which we came to label ‘existential’.
Author: Bruce Nesbitt
Publisher: University of Ottawa Press
ISBN: 0776624652
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
This collection presents all of Earle Birney’s known published and unpublished writings on Trotsky and Trotskyism for the very first time. It includes their correspondence as well as a selection of Birney’s letters and literary writings. Before he became one of Canada’s most influential and popular twentieth century poets, Earle Birney lived a double life. To his students and colleagues, he was an engaging university lecturer and scholar. But for seven years—from 1933 to 1940—the great Russian revolutionary Leon Trotsky was the focus of his writing and much of his life. During his years as a Trotskyist in Canada, the United States and England, Birney wrote extensively about Trotsky, corresponded with him, organized Trotskyist cells in two countries, and recruited on behalf of Trotskyism; he also lectured on Trotsky and interviewed him over the course of several days. One of his two novels is based on some of these activities. The collection traces the origins of Trotsky’s mistrust of “the British” to his experiences in Canada; shows Birney’s influence on a major shift in Trotsky’s policy of “entrism” in British politics; includes the largest body of Trotskyist criticism in Canadian literary history; and demonstrates the need for a radical re-reading of Birney’s poetry in light of his Trotskyism.
Author: Vincent Piturro
Publisher: McFarland
ISBN: 1476641234
Category : Performing Arts
Languages : en
Pages : 203
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Book Description
Science fiction films present hypothetical futures, featuring imagined technological advancements--not yet realized but perhaps (more or less) plausible. Yet how much of what audiences see is within the bounds of possibility? Can we really envision what a black hole looks like? Can dinosaurs really be genetically re-engineered? Originating from an annual Science Fiction Film Series in Denver, Colorado, this volume of essays examines 10 films, with a focus on discerning the possible, the unlikely, and the purely science fictional. With essays by scientists in relevant fields, chapters provide analyses of the movies themselves, along with examination of the actual science (or lack thereof) in each film.
Author: Marta Dvorak
Publisher: University of Toronto Press
ISBN: 1487531966
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
With a confidante’s insights, Marta Dvořák sets up an innovative connection between Mavis Gallant’s dazzling writing and the whole spectrum of the arts. She simultaneously engages with the feats of art making and the adventures of reading, looking, and listening. Drawing on private correspondence and conversations with the Gallant she repositions as a late modernist, Dvořák investigates the relationships between the Paris-based master of the short story and visual and sound culture. Through the filter of philosophical aesthetics, she identifies the painterly, cinematic, and musical dynamics which light up Gallant’s craft. At the same time, she opens a dialogue between Gallant and other international modernists and with those they were reading, watching, and listening to, from the moving pictures which shaped Gallant’s generation to the rhythm and dissonance of, say, Stravinsky and jazz, which − like the Cubist rupture with spatial perspective − spearheaded modernity’s aesthetics of breakage. How does Gallant’s work work? Dvořák’s hands-on rhetorical analyses of Gallant’s stories and lesser-known, recently reissued novels illuminate the superb stylist’s language and vision via an emphasis on both image and rhythm. Providing keys to Gallant’s famous sleights-of-hand and tonal shifts, the discussions reveal a fictional world as multidimensional as a Cubist picture or a symphony − depending on whether we lean towards the eye or the ear.
Author: Richard J. Lane
Publisher: University of Ottawa Press
ISBN: 0776623419
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
"Collection of essays by internationally renowned scholars on the relationship between Malcolm Lowry and various definitions of space."--
Author: Robert D. Denham
Publisher: University of Ottawa Press
ISBN: 0776626728
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
Robert D. Denham pursues his quest to uncover the links between Northrop Frye and writers and others who directly influenced his thinking but about whom he did not write an extensive commentary. The first chapter is about Frye’s reading of Patanjali, the founder of the philosophy of Hindu yoga, while the second, discusses cultural mythographer Giambattista Vico, literary history and poetic language. The focus of Frye’s criticism was the verbal arts, but he also had an abiding interest in both the visual arts and music; hence Frye’s admiration of J.S. Bach. The essay on Tolkien examines the tendency in literary history to return from irony to myth, as well as the role that Tolkien played in Frye’s fiction-writing fantasies. In subsequent chapters, Denham explores Frye’s preference for romance and his critique of realism, which run parallel to the views of Oscar Wilde, and their strong shared convictions about the centripetal thrust of art, and about criticism being as creative as literature. Frye’s appreciation for Whitehead’s concept of interpenetration in Science in the Modern World became a key feature of Frye’s speculations about the highest reaches of literature and religion. Frye is clearly indebted to Martin Buber, particularly his influential meditation I and Thou. Aristotle, an important influence upon Frye, was partially filtered through R.S. Crane and his The Languages of Criticism and the Structure of Poetry. Finally, the relationship between Frye and his Oxford tutor Edmund Blunden are explored, while the last is an essay on Frye and M.H. Abrams on how Frye’s critical project might be viewed developed in Abrams’s The Mirror and the Lamp. This book is published in English. - Robert D. Denham poursuit son examen d’écrivains et autres influences qui ont marqué l’éminent critique Northrop Frye, mais sur lesquels celui-ci n’avait pas consacré de réflexions très développées. Le premier chapitre porte sur la lecture que fait Frye de Patanjali, le fondateur de la philosophie du yoga hindou, et le deuxième, sur le mythographe culturel Giambattista Vico, l’histoire littéraire et le langage poétique. Frye s’intéressait aux arts visuels et à la musique et Denham approfondit l’influence de J.S. Bach sur Frye. Le chapitre sur Tolkien porte sur la tendance en histoire littéraire de passer de l’ironie au mythe, mais aussi sur l’ascendant de Tolkien sur la fiction fantaisiste de Frye. Dans les chapitres suivants, Denham explore la préférence de Frye pour le romantique et sa critique du réalisme, qui trouvent écho chez Oscar Wilde, de même que leur conviction, partagée, de l’importance de l’art, et de la critique comme étant aussi créative que la littérature. L’admiration de Frye pour le concept d’interpénétration présenté dans le Science in the Modern World de Whitehead est devenue un élément clé des réflexions de Frye sur la portée de la littérature et de la religion. Denham explore aussi le lien entre Frye et Martin Buber, dont la méditation I and Thou l’a beaucoup inspiré, et celui entre Frye et R.S. Crane, qui parle beaucoup d’Aristote dans son ouvrage The Languages of Criticism and the Structure of Poetry. Le chapitre 9 explore la relation entre Frye et son tuteur d’Oxford, Edmund Blunden, alors que le dernier chapitre porte sur Frye et M.H. Abrams, et notamment sur le projet critique de Frye compris à la lumière du cadre sur la théorie critique développé par Abrams dans The Mirror and the Lamp. Ce livre est publié en anglais.
Author: Hugh MacLennan
Publisher: University of Ottawa Press
ISBN: 0776628011
Category : Literary Criticism
Languages : en
Pages : 485
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Book Description
Man Should Rejoice is one of two hitherto unpublished novels by acclaimed novelist Hugh MacLennan. Completed in 1937 and left unpublished due to economic conditions during the Great Depression, it lay in the McGill archives until now. This critical edition of Man Should Rejoice , which is also the first-ever publication of the work, is comprised of a critical introduction, a bibliography of published and unpublished sources, a fully-edited text based on a typescript of the novel, a list of textual emendations, and explanatory notes. The introduction draws upon extensive research undertaken in three Canadian archival collections located in Montreal and Calgary. It provides relevant historical, cultural, and biographical context for the novel. From hundreds of archival documents, Colin Hill reconstructs a textual history of the novel’s production that acknowledges the crucial contribution of Dorothy Duncan, who heavily revised the text and assisted MacLennan behind the scenes. Hill also explores the critical reception of MacLennan’s fiction from the 1930s to the present. This book is published in English. - Man Should Rejoice est un des deux romans inédits du grand romancier Hugh MacLennan. Terminé en 1937, il fut victime de la Grande Crise et fut conservé dans les archives de McGill jusqu’à maintenant. Cette édition critique de Man Should Rejoice comprend une introduction critique, une bibliographie des sources publiées et non publiées, le texte révisé tiré d’un tapuscrit du roman, une liste des emendations textuelles, et des notes explicatives. L’introduction, qui repose sur des recherches archivistiques poussées de trois collections canadiennes situées à Montréal et à Calgary, fournit le contexte historique, culturel et biographique du roman. Colin Hill érige l’histoire textuelle de l’écriture de ce roman à partir de centaines de documents d’archives qui jettent la lumière sur la contribution clé de Dorothy Duncan, qui a révisé en profondeur le texte et a aidé MacLennan en coulisses. Il explore par ailleurs la réception critique de la fiction de MacLennan, des années 1930 jusqu’à aujourd’hui. Ce livre est publié en anglais.
